Ospreyshire Origins: Pugnam Contra Fures Leonis Pt. II: The Queen Is False and Her Hive Is Deluded

Lyrics:

Such a naughty girl typical in copying imagery
Not from precambrian times, but from 2018
I wouldn’t blame your man or blaming fire
But your employers who were accomplices
It sucks to be you abducting the black house
While you call your vanity project a “gift”
Your daughter must be so proud of you
Your shame ya mobali ya mobali [Lingala for “To the right, to the right”]
Oh wait, you have none
You may be called a queen, but I see a phony
Keep thinking you’re a survivor

[Lingala]
Ozali mokonzi mwasi te
Ozali nkosi te
Ozali Nzambe te!


Welcome to part 2 of my Pugnam Contra Fures Leonis trilogy which is all about one of the biggest pieces of cat burglary, cinematic plagiarism, and cultural appropriation ever! This is actually the most recent example of this ravenous plagiarism. Shout-out to Inskidee for that term!

This song is about Yannick Illunga AKA Petite Noir. He’s a Belgium-born avant-pop musician of Congolese and Angolan descent who is based in Cape Town, South Africa. In 2018, he recorded an EP called La Maison Noir (The Black House) and released a long-form music video containing most of the songs, but adding a narrative and incorporating visuals from African culture. They filmed it straight in the Namib desert which covers his current home country and it’s next door neighbor Namibia. I think you might like this short musical of sorts.

Then one year later…Mickey Mouse happened to have a certain diva as an accomplice…

Image result for petite noir beyonce

LOOK OUT, BEYHIVE! I’M GOING TO BASH YOUR FAKE GODDESS AND THAT OVERRATED MOVIE FRANCHISE!!

Wow, just wow! The Petite Noir video was barely a year old before Disney and the former Destiny’s Child member managed to rip off his music video when the newest iteration of Nala decided to release her video for “Spirit” for the Lion King remake. Here are some images from both videos.

Beyonce

Do you honestly believe that Beyonce, Jake Nava, Jon Favreau, or anyone at Disney didn’t see the Petite Noir video? Do any of you think it’s some little coincidence that both videos would take place in the desert and have traditional African clothing in red and blue? Come on, people. This isn’t like “Mbube” or a certain Osamu Tezuka anime/manga series (we’ll get to that in a certain post!) which both predate the internet. This was from 20-freaking 18. This was stupid and the denial is just facepalm-worthy. JUST OWN UP TO IT! No, just because Beyonce had African musicians on her vanity project of a companion soundtrack doesn’t give her a right to steal from another musician from the continent. Also, notice how that album is called “The Lion King: The Gift” and the Petite Noir’s video is called “La Maison Noir: The Gift and The Curse“. Think about it! Here’s a good link about that plagiarism issue and some of the online reactions.

The song was an experimental acoustic-ish track, but I got to use effects to my mbira to give it an electric sound to it. I was listening to a ton of Konono No. 1 and Kasai Allstars before writing and recording, so that instrumental choice was highly influenced by them using amplified thumb pianos in most of their songs. Besides that, I use Petite Noir references and a bunch of Beyonce references in the lyrics. See if you spot them.

After this piece of thievery, we’re going to get to the big example of this plagiarism marathon. It will be hard not to have some pride in this work and in part 3, all you anime fans are going to love me even though you can guess what the last part will be about. :3

La Maison Noir: The Gift and the Curse is property of Petite Noir and Red Bull Music. The screenshot is from YouTube.

The Beyonce picture is from Timeslive.

The screenshot comparison is from WiseAfri. The La Maison Noir screenshots are property of Petite Noir and The Spirit screenshots are property of Disney.

Goodbye, 2018. Some thoughts about the year and my Top 5 most viewed posts.

Well, looks like this my last post of the year on Ospreyshire’s Realm.

2018 was a year of ups and downs for me. There were some good things such as completing my Katauta 52 series, being interviewed by The Antidote Radio, and also for releasing a couple of new songs for the Ospreyshire project which you can get on Bandcamp. Besides that, I felt like I haven’t done as much creatively with my spoken word stuff even when I expanded my repertoire with opinion pieces and news that I felt was important. Granted, I know not everyone cares about my content or the original intent of this blog, but I do what I can to keep going on.

Without further ado, here are the most views posts on Ospreyshire’s Realm.

5. Justin Yates’ New Music and Music Video
This was my most viewed cross-promotion piece with my musician friend Justin Yates releasing his newest EP.

4. Create-A-Story Tag
This was a fun piece. Even though I focus my fiction and writing elsewhere, it was still great to flex my fiction muscles by creating a story.

3. I guess versatility pays off?
I got the Versatile Blogger Award, and this was my most viewed award post of the year. I get surprised when people nominate me, but I certainly appreciate it.

2. Over 100 followers!
Another surprise happened when I actually had that many followers wanting to check out my stuff.

1. Fandom Hypocrisy
I could compare this to certain reviews I’ve done on Iridium Eye, but this was a bigger surprise. I was shocked that people actually liked my opinions on this matter when I critiqued numerous fandoms or rather the mindset that comes with being a hardcore fan of certain shows, books, movies, etc.

I hope 2019 goes well.

Dystopian Futures: Low Arts EP

Last Monday, Dystopian Futures released their brand new EP Low Arts!

This EP is great for those who like creative and innovative music with better musicality or depth than whatever is on Top 40 radio. Dystopian Futures are also releasing this album for free or pay-what-you-want. If you want get some tunes, then feel free to download this album. Please chip in some money to them if you feel so inclined, so they can continue making some quality experimental punk rock. If you download this EP, you’ll also get the music video of the title track as a bonus! Here’s the video for those who haven’t seen it: https://vimeo.com/268278856.

Thoughts on the New Year

Here’s a quick blog post.

I want to thank anyone who’s checked out the Ospreyshire blog over the past year. Granted, this is still a small blog, but it’s great that anyone would want to bother checking out my content.

This was a big year for me in different ways. I had many ups and downs in my creative and personal life. One ongoing goal is producing weekly content with my Katauta 52 Project which has been stressful trying to fit this in between work, but I’ve been doing my best to get a video every Wednesday.

I also had a huge spike in stats because I now have over 1000 views on this blog. That’s incredible and I certainly don’t deserve it. I also got into making other blogs like C. M. B. Bell Fiction for my stories and Iridium Eye where I’ve been posting film reviews of lesser-known works.

I hope to make some more katauta videos, but I also want to make some more tracks. Who knows what will happen?

What things do you like about the Ospreyshire blog?

Anything I can improve upon with my poetry and avant-garde music?

What content would you like to see that would fin in this blog?

Thank you,

-Curtis