Some videos that got my attention somewhat recently

I’ve been doing my best to check out a few things when I have some downtime especially after multiple long days at work. I have to stay sane even with the state of the world and the negative news or opinions pop up.

Benjamin Clementine’s music:

If you follow my Iridium Eye blog, you might recognize this name from my last Top 7. He’s a recent musical discovery who just astounded me with his talent, musicality, and has a very unique voice. I know I’m a sucker for experimental music and avant-garde stuff, so Benjamin Clementine’s music really moved me. Here’s the video for his song “London”.

Social Isolation Match Pt. II: Chuck Mambo Vs. Eddie Dennis

I’m liking how this is becoming a thing with the guys in Escaping the Midcard. Some of you may have seen the first video with Chuck Mambo and TK Cooper, but this one involves the former taking on Welsh wrestler Eddie Dennis in this hilarious match. This stuff is hilarious and they take it over the top with guitars, cats, and weed whackers. The editing was superb and they looked like they had so much fun having a “wrestling match” despite being in their homes in England and Wales.

“Roses are Red” by The Mac Band ft. The McCampbell Brothers

While I would be too young to know about this song, I admit to being a sucker for new jack swing R&B. Hey, I’m from the 90s, so I definitely remember hearing some of that stuff when I was little. Yes, I do admit that the chorus is based on one of the cheesiest rhymes, but dang it, these guys just sell that emotion. It feels romantic and not sleazy like a ton of modern music. I was even pleasantly surprised to see some class with how everyone was dressed in the video despite the dated videography and awkward dancing at points. I’m not sure if this song is still a guilty pleasure or bordering on me liking this unironically. Oh, wait. Things have been contradictory so far by putting an avant-garde singer and a social distancing wrestling match in the same article. Who am I to judge?

Stevie Wonder Isolated Vocals

I know this song and I’m sure most of you have heard “Sir Duke” at some point in your lives. One day, my mom of all people messaged me this video. Hearing the isolated vocals just blew my mind. This was done in one take which I didn’t realize. I’m starting to appreciate older music more often. Remember when singers actually recorded their vocals without the “safety net” of Auto-Tune? Pepperidge Farm remembers! Am I part of the last generation of people who actually remembers popular music being made without that technology? Wow, I must be getting old…

The Lion King Lie:

Special thanks to Scott from Mechanical Anime Reviews for showing me this video. I don’t want to repeat myself given my tendency to bash this Disney movie for ripping off that 60s anime or the problematic cultural appropriation and bigoted crap associated with Mickey Mouse’s “creation” (I used that term loosely), but there were things I didn’t even know about or realize like some of the quotes from Disney’s side of things which only fuels my anger towards them. Also, I feel stupid for not realizing the similarities between Gargoyle G. Warthog’s “ashamed” dialogue and part of Pumbaa’s lyrics to “Hakuna Matata”. Definitely interesting even though there is some Disney bias there. However, I was pleasantly surprised that even Lion King fans in a bunch of the comments are FINALLY admitting that this movie literally wouldn’t exist without Kimba. That would’ve never happened years ago.

Hope you’re doing alright.

New split EP! DFxO! That’s Dystopian Futures X Ospreyshire, for those scoring at home.

This is what I referred to last week!

I, Ospreyshire got to be involved with a split EP and it’s the first time I’ve ever done a collaborative album with anyone. The other part of the split involves the Scottish experimental punk band Dystopian Futures whom I’ve mentioned on this blog before and I’ve even made a music video for them on their first EP. Dave Emmerson (lead singer/bassist) and I are good friends. We had an email conversation a while ago about potentially collaborating and once the Coronavirus was unfortunately spreading worldwide, he came up with an idea of coming up with a “lockdown” project. Despite him being in the UK and me here in America, we sent each other songs.

I got to remix Dystopian Futures’ song “Apocalyptic Romance” which was really fun. I added some digital synths, random sound effects, a lo-fi recording of me playing a keyboard and I do back up vocals in the middle of the song. Dystopian Futures also got to cover the song “Corona” by the Minutemen. Some of you might recognize that song as the theme to Jackass.

For me, I got to bust out with two new Ospreyshire tracks. The first one is “Is This a New Normal?”. I used an organ setting on my keyboard while adding my trademark acousmatics in it. I also freestyled all of the lyrics which was a first for anything I’ve ever done as a way to reflect about how I felt about the pandemic. The second one is “Art In the Midst of Pandemonium and Pandemics”. I wrote down the lyrics to this one as well as doing some avant-garde soundscapes by multitracking live sounds of me playing bass in traditional and unconventional ways. This was also an Ospreyshire first since it involves a guest vocalist with the aforementioned Dave. He got to write and record his vocals in the song and it really tied in well. I liked how he referenced all the other songs in the split EP with his verse.

Just so you know, this split EP is either FREE or pay-what-you-want. Whether you want to chip in some money or not is totally up to you to get some new music.

Have a great day, everyone!

Ospreyshire Origins: Ode to the Innovators

Lyrics:

Doctors, kings, educators, singers, and many more
Who dare to be outside hellish boxes deserved the praise for their endeavors
While history books may not have their names in stone, they shall be immortalized for future days
No more theft
No more exploitation
No more ignoring
This prayer shall extend to those daring to put dreams into practice
The world is certainly too heinous for its own good
And thieves will try to steal
They cannot take the originators in them
Dear Innovare…The souls of ignored pioneers shall be renowned
These archetypes shall be remembered
Forever and ever
So shall it be written
So shall it come to reality


Now, we conclude the Ospreyshire Origins posts in regards to Dear Innovare. This was a good amount of closure to this gigantic full-length album. This sums up so much, but I wanted it to end beautifully with some dream pop-esque sound textures with keyboards and ethereal acousmatics. I hope you appreciated this journey in learning about so many fields.

What was your favorite song? What did you like about this album?

Ospreyshire Origins: GTW: Granville Tailer Woods

Lyrics:

I’m not an Edison clone
The railroads were my domain
The damage in those fields were staggering, so I started with the telegraphony
Relayed messages ensured safety, wire by wire
Then Edison wanted credit for my work
How nice, I sued and beat him twice
He was on his knees begging me to work for him.
Nah, bruh
I kept my head up and crafted overhead lines to clear road traffic of cable cars
Automatic brakes, circuits, and egg incubators
Would become part of my repertoire
Although I would rest in an unmarked grave for sixty-five years
My name would be on streets and schools
I’m glad the afterlife wasn’t the end of the line for me

All aboard the originator’s express!


Third time is the charm. This is the third track from Dear Innovare that involves Edison ripping off someone and the second one involving an African-American inventor.

Granville Tailer Woods made several inventions with the telegraphony which was the first telephone/telegram hybrid for trains which drastically improved communications between cars. He made innovations in the third rail, egg incubators, and I even found out long after recording is that he had the archetype for the rollercoaster. Yes, Six Flags, Disney World/Disneyland, Universal Studios, and your favorite theme park owe something to this man! Edison actually plagiarized the telegraphony, so GTW sued him twice and WON against him. Oh, yeah. That actually happened. This is further proof that Tommy is nothing but an overrated hack. I didn’t know who GTW was until last year and that’s a shame on the educational system. If I learned about him during my childhood, I might have been an engineer by now and not be some artsy loser.

The picture of Granville Tailer Woods is from Famous Inventors.

Ospreyshire Origins: Pugnam Contra Fures Leonis Pt. III: Rise of the One True Emperor

Lyrics:

[Swahili]

Tazama! Mfalme anainuka!
Tazama! Ukweli utatawala!
Tazama! Hatutakubali wafalme bandia!

Father, I hear your voice in the eastern sky
Mother, I hear you from the constellations
I will make you both proud in being the one true emperor
As I express myself in this human song,
I will right these misdeeds
I’ll still have unity with mankind and the wildlife in my kingdom
I’ve survived capsized ships, weapons, and bigger animals, and I’ll survive this

(Japanese backup vocals: Taitei o nagaku ikiru.)
(Swahili backup vocals: Mfalme ni bandia. Wambariki mfalme wa kweti.)

I hear the cries from Kinshasa, Toronto, Saitama, Grimes, Kigali, Kampala, Dodoma, and Nairobi
While I fight for peace and make sure my kingdom has dignity
I have to address the king who swindled me

You wouldn’t exist without me, but you’re so full of pride
(Japanese backup vocals: Kare wa honto shishi desu.)
(Swahili backup vocals: Ukweli unaishi ndani yake. Akawa ukweli!)
Like uncle, like nephew
You enjoy usurping the throne
Your gods had no worries
Profiting and suing others
For cultures they don’t own
Much like your father you dreamed of
Devastation and deceit
Have you seen a human before?
Have you found a way
To punish without genocide by starvation?
Shame on those humans who are allured
By your mate’s bedroom eyes
Was she your sister or your cousin?
You vagabond in denial
I never ran away when my parents died
Artifice flows through you
And permeates every time that you breathe
You tried blocking my existence
And denying it, too
You’re a false king
I’ll break your deception (X3)
Cause I’m the one true emperor

Copycats get no mercy!


I wasn’t originally planning on writing a song based on this anime when I was coming up with Dear Innovare. However, with everything I know and have learned last year with this and other cases, there was no way I could avoid talking about it especially when a good portion of this concept album involves plagiarism and theft cases. Also, there’s a contest that I have for the fun facts section if someone wants this song for free if they don’t have the album already.

If I could base songs on the Paprika/Inception controversy and the Battle Royale/Hunger Games controversy, then I’d be a fool not to talk about what one could make a strong case to be THE biggest film plagiarism issue of all time. Well, there’s that and having a couple of friends who actually wanted to hear an Ospreyshire track about the first anime series to be created and broadcast in color. One of those friends would be one of my college buddies Drew and the other is my Scottish mate Dave from ZAP Records himself.

[sigh] Here we go.

For those of you who don’t know anything about this song or anime series, this involves Osamu Tezuka’s creation Jungle Emperor Leo AKA Kimba the White Lion. This was a manga made in 1950, but it got the anime treatment in 1965, so this is older than Speed Racer. Tezuka is also known for creating Astro Boy, Black Jack, Metropolis (no, not the German film), and Dororo which got remade last year. This story is about the life and adventures of a lion cub prince named Kimba (I’m going to refer to their English names from here on out). His goal is to have unity between the animals and the humans, but he has to take responsibility to lead his kingdom after his father Caesar (the original king) gets murdered and…

You know what? I don’t need to go further with a synopsis.

Related image

This shouldn’t surprise anyone. If you want to know my full thoughts on this issue, then check out my Lion King rant post I did last Summer. You can also check out my review of Kimba the White Lion on my other blog. If you really want to get in depth with this insane film plagiarism controversy, then check out this link. I don’t want to repeat myself too much here.

This is infuriating how Disney even to this day have never owned up to stealing most of it’s characters, storylines, and even scenes that were shot-for-shot from Tezuka’s work. The reasons why Tezuka Productions haven’t sued Mickey Mouse are because Osamu mentioned on his will not to burn bridges with Disney (context: he died in 1989 during production of The New Advantures of Kimba the White Lion which would be 5 years before The Lion King was released) and because they don’t have as much money to take them on in court. I disagree and they should’ve sued The House of Mouse. Disney even tried to block Jungle Emperor Leo 1997 from North America at the Fantasia Film Festival in Canada back in 1998, for crying out loud! Simba was originally going to be a white lion in pre-production. Roy E. Disney called Sarabi “Kimba’s mother” in the 1993 Prodigy Q&A Transcript which can be seen in one of the links above. They would have so many strong cases for copyright infringement. Here are examples of these various characters:

Screen Shot 2020-01-07 at 11.52.44 AM.png

Comparisons from the first picture and this screencap:

Lion prince: Kimba=Simba
Deceased father lion: Caesar=Mufasa
Comic relief hyena henchmen: Tom and Tab=Shenzi, Banzai, and Ed
Wise, yet eccentric baboon advisor: Dan’l=Rafiki
Major-domo bird who gets into prat falls: Pauley=Zazu
Major villain that usurps the kingdom: Claw=Scar (BIGGEST RIPOFF VILLAIN EVER!)
Girlfriend lioness who becomes the prince’s mate: Kitty=Nala

Bonus examples:

Lion queen mother: Snowene=Sarabi
Daughter of the main character: Lukio=Kiara (see: Susume, Leo or Jungle Emperor Leo 1997 and The Lion King II respectively)
Son of the main character: Lune=Kion (see: Susume, Leo or Jungle Emperor Leo 1997 and The Lion Guard respectively)

Even The Simpsons made a joke involving this plagiarism controversy. Yes, that’s James Earl Jones doing all the voices in that scene!

Enough of me ranting here. I felt like I’ve done a bunch of it on two of my blogs already. Hahaha! Let’s talk about the music. This is actually the longest Ospreyshire song I ever written and recorded and has more instrumental layers than anything else. I had three different sounds from one keyboard, bass, acousmatics, African percussion instruments (fair trade, FTW!), and my little mbira. I felt so compelled to use both Swahili and Japanese lyrics which was a very nice touch and I wanted to be respectful to those cultures. The lyrics use a TON of Kimba and Lion King references. I won’t explain them all, but here are a few and the meanings therein.

Kimba references:

“Father, I hear your voice in the Eastern sky. Mother, I hear you from the constellations.” This represents the death of both of Kimba’s parents. The Eastern sky also references an opening lyric in the Jungle Emperor Leo 1997 ending theme “Wind Song”. That and he sees the spirits of his dead parents in the sky in the original show (SOUND FAMILIAR?).

“…this human song” This references the Kimba song “Sing a Human Song” in the English dub.

“Saitama…Grimes” Those cities have major significance to Kimba. Saitama, Japan has a baseball team called the Seibu Lions who use that character as a mascot even to today. Grimes refers to a town in Iowa referring to Right Stuf and their anime distribution subsidiary Nozomi Entertainment who have the license to the original show.

Top Lion King potshots in my opinion in no particular order:

“Was she your sister or your cousin?” Who is Nala’s father? No Lion King fan has ever given me a straight answer on that issue, so I directly referenced that infamous incest theory in this song! Do the math.

“Your gods had no worries profiting and suing others for cultures they don’t own…” Three words: HAKUNA MATATA TRADEMARK!

Note: I reference capitals of countries where Swahili has official language status with Kinshasa (DRC), Kigali (Rwanda), Kampala (Uganda), Dodoma (Tanzania), and Nairobi (Kenya).

“Have you found a way to punish without genocide by starvation?” This line calls out Mufasa’s severe protagonist centered morality of the Elephant Graveyard. Starving and isolating others is genocide. Just look at Shark Island in Namibia, the several Native American tribes who were subjugated by the pilgrims, and The Devil’s Punchbowl in Mississippi to name a few. Also, I have to give props to Croatian blogger Vigour of Film Lines for noticing that severe flaw of the Mufasa character and for calling the Elephant Graveyard a concentration camp, too!

Fun facts:

I namedrop the title of my other song “They Dreamed of Devastation and Deceit” in the lyrics. It’s even more appropriate when you consider the subtitle is (Circle of Lies).

Lion King fans! I actually parody two songs from that movie franchise from a musicality standpoint. The intro should be obvious and the other parody aspect kicks in when I start singing halfway through the song. The first person who gets the answers right gets this song for free if they didn’t buy the album.

Hope you liked my somewhat lengthy backstory on that song. This concludes this song/poem trilogy.

The picture of The New Adventures of Kimba the White Lion is from Fandom and is property of Tezuka Productions.

The screenshot of Mufasa, Simba, Caesar, and Kimba is from Mashable and they are property of Disney, Tezuka Productions, and Nozomi Entertainment respectively.

The character comparison guide is from the Internet Archive. All characters are property of Tezuka Productions, Nozomi Entertainment, and Disney respectively.

The video clip is from The Simpsons and is property of Fox.

Ospreyshire Origins: Cameroonian Originality March

Lyrics:

Attention!

[French]
Nous avons des vautours de la culture a venir!
Notre musique est attaquee!
Marche en avant!
Oui, monsieur!

Barnwell, Baranquilla, Gary, Portsmouth
We’re coming for all of you
Your status as godfathers, hip shakers, kings, and misdemeanors
Have nothing on us
We’ll keep marching on (X2)

[French]
Nous devon securiser le berceau de nos ancetres (de nos ancetres) [X4]

What do we want? (Our original tunes!)
When do we want them? (Right now!)
(X4)


Before I get to talking about this song and what inspired me, I would like to give major props to my Cameroonian blogger friend Dr. Y from Afrolegends. He’s been awesome in making high quality posts for over a decade about African history, culture, news, trivia, proverbs, and then some. Dr. Y was able to educate me about some of the musicians from his home country and even gave me some nuggets about plagiarism cases involving their musicians.

Not going to lie, Cameroon has some great artists. I got into Mr. Leo’s music last year, been listening to some Salatiel (I knew who he was before he was a part of THAT companion soundtrack), and more recently Tim & Foty who are part of the topic of this song. I also wanted the song to have a balance between French and English lyrics to represent unity in that country given some of the issues going on with those communities based on those languages. There have been four high profile songs straight out of this Central African nation. Prepare your ears because some of these songs are going to sound familiar to you.

Exhibit A: “Zamina mina (ZangalĂ©wa)” by Golden Sounds

Exhibit B: “Soul Makossa” by Manu Dibango

Exhibit C: “Hot Koki” by Andre-Marie Tala

Exhibit D: “Douala by Night” by JM Tim and Foty

Doesn’t Cameroon have a lively music scene? Did you also think some of those songs sounded familiar? It would certainly be a shame if a Colombian and some Americans were to steal them.

Yes, that happened and I’m going to correlate each rip-off song to their respective originals.

Shakira stole from Golden Sounds:

Michael Jackson stole from Manu Dipango:

James Brown stole from Andre-Marie Tala:

Missy Elliott, Method Man and Redman stole from Tim & Foty:

All of this came from one country. Some of your favorite artists are musical robbers, so deal with it. This blew my mind and I have Dr. Y to thank when it came to the Shakira and James Brown issues before discovering the rest on my own. Unbelievable, and Cameroon deserves so much better and not just because of some of their current issues right now.

Besides that, I wanted that marching vibe like the “Zangelewa” song, but completely different chords and instrumentation with the Omnichord with hand percussion. This is homage and at least I acknowledge MY inspirations.

The Cameroonian flag picture is from Flags of the World.

Ospreyshire Origins: Jo Anderson and The Reaper

Lyrics:

I would never meet my captor’s grandson, but I can only thank him from the beyond as he put my name on the record
Shame on this country for not realizing my brainpower and physical endurance
Robert, Cyrus, you know it’s true
The reaper wouldn’t exist without me
I guess people like me are used to doing all the heavy lifting
1834 saw the birth of this new tool
However, the McCormick’s names were on it
Cyrus II, you did what you could to make things right
I may have been a slave, but I was still an inventor


I’m from the smaller cities and from suburbs, so I don’t have an appreciation for agriculture as much as I should. This has certainly have been changing doing all this research for Dear Innovare. This also goes into my portfolio of “things you didn’t know were invented by African-Americans” that I only knew about fairly recently. Jo Anderson was a slave who invented the reaper which was used to get crops easier and faster. Unfortunately, he could patent because…oh you all should know the reason why after checking out some of my previous installments of Ospreyshire Origins.

File:Robert Hall McCormick.jpg
File:Cyrus McCormick engraving.png

This is Robert and his son Cyrus McCormick respectively. These slavers stole Jo Anderson’s idea and took it as their own for the McCormick business. Even though they are originally from Virginia, they eventually moved to Chicago. What I didn’t realize until recently, they were one of the most powerful families in the Windy City. Have you ever heard of the McCormick Place in Chicago? The same place with the Chicago Auto Show, major conventions, and is the largest convention center in the entire North American continent? Yeah, it’s named after this family! Just think about that when you think about that foundation. I’m glad Cyrus II eventually credited Jo, but the real inventor of the reaper deserved far better.

The image of Jo Anderson is from Mysterious Chicago Tours.

The image of Robert McCormick is from Wikipedia.

The Image of Cyrus McCormick is from Wikipedia.

Ospreyshire Origins: The Tulsa Strike Back Groove

Lyrics:

This is WOSPR Speaking

Foreign shores wanted more in store for stealing funky scores

Saturday night brought the fight to ignite to prevent the plight as we regained our rights

No matter if its Brooklyn, Echo Park, or Tulsa, Oklahoma. We’ll get our song back and clear your pop-coated aroma

The oil capital’s gonna get ya uptown, downtown, any town

Everybody sing like the Originator told ya: We gonna strike back with this groove!


To all of you that like old-school funk, I salute you!

I had a funk phase last year by listening to bands like Cameo, Parliament-Funkadelic, Sly and the Family Stone to name a few. One band that I checked out as well was The GAP Band. I heard a few of their songs thanks to my mom when I was younger and she did like their music. On one day last year, I listened to their song “I Don’t Think You Want to Get Up and Dance” as part of a YouTube playlist. I had to reattach my jaw literally during the first few seconds of the song. Let’s see if you’ll be able to figure out why. Here’s the radio edit version, but the point will still stand.

“Oops upside your head, say oops upside your head…”

The way they say that line must have been replicated by some multi-instrumentalist and a singer who has a habit of retreading older R&B and funk sounds. Hmm…who could they be?

Image result for mark ronson

Image result for bruno mars

I’m sure a good portion of you only recognize the second picture. Here, let me make things a lot clearer with one of the biggest songs of the 10s that both were famous for performing…

“Oops upside your head say oops upside your head…Uptown funk you up, say uptown funk you up…”

Don’t lie, that’s what you were all thinking when you heard the song from The GAP Band. I can’t lie to you, I used to really like “Uptown Funk” as it was one of the few pop songs I thought was actually listenable. Okay, even then I didn’t think it was as good as other funk songs I heard, but at least it sounded different than the typical pop garbage. That must be the case because it sounds like The GAP Band! Those Tulsa funkers managed to sue Mark Ronson and Bruno Mars for stealing their original song. The result, The GAP Band and their co-writers got writing credit and partial royalties of “Uptown Funk”. Did you know that including the updated writing credits, that means “Uptown Funk” had a whopping total of ELEVEN writers after the lawsuit! I can’t make this up. So, Ronson and Mars can credit Trinidad James right away for referencing his “Don’t believe me just watch” lyric from “All Gold Everything”, but not the band that had been making music since both of them were even born? Wow, just wow, guys…

Here’s some musical trivia for The Tulsa Strike Back Groove. I freestyled half of the spoken word elements that aren’t mentioned in the lyrics while referencing Charlie Wilson’s dialogue in their song. I also parody lyrics from “Uptown Funk”. See if you can spot them. Also, Charlie Wilson from The GAP Band is cousins to another famous funk musician…Bootsy Collins!

The picture of The GAP Band is from The Mississippi Link.

The picture of Mark Ronson is from PopCrush.

The picture of Bruno Mars is from Billboard.

Ospreyshire Origins: Of Laurels, Weapons, and Bird Icons

Lyrics:

Disposable generations mandated by unseen authorities
The young are on the front lines across TV screens
Abductions from schools to teach them to be gladiators or assassins
What kind of government would copy this tournament of death?
Its all sanitized keeping it PG-13 despite the dystopian realms where people starve
How foolish to volunteer to kill
The guise of arrows and secret lands were paltry
The governance claims to be originators, but that’s a bloody ruse
The first mandate only involved killing, but this one stole from it
Stealing and killing as they disguise themselves as angels of light, yet soar with blood-drenched wings
They fly mocking at these conscripted warriors as their tournament is an expensive sham
You think you’re so royal(e)


Whenever mainstream media isn’t ripping off stuff from the African diaspora, they rip off things from Japan. This song deals with something that has become one of the biggest go-to references when it comes to book and film plagiarism. For this edition of Ospreyshire Origins when it comes to Dear Innovare, we’re dealing with Koushun Takami’s 1999 novel that got adapted into a movie a year later called Battle Royale.

If you haven’t heard of this book or movie adaptation, the plot goes a little like this. In a dystopian Japan, juvenile delinquency skyrockets in the schools nationwide. The government came up with a horrific solution to whom they consider to be worthless youth: Project BR AKA Battle Royale. This mandate involves the government selecting various teens from across the country against their will to take part in a sanctioned death match in a remote location. The contestants get a randomly assigned weapon and shock collars. If anyone decides to escape the Battle Royale game, then the collar will explode on contact. Even though people are forced against their will to take part in this sci-fi gladiator sport, some students can even volunteer as an option, too.

DOES THIS REMIND YOU OF A CERTAIN OTHER BOOK/MOVIE SERIES?!

Image result for hunger games

The Hunger Games is nothing more than a PG-13 American Battle Royale with crappy YA drama and romance. Yes, I’ve seen the first movie and I know what happens in the story. Susanne Collins is nothing but a literary thief. I don’t buy that she didn’t know about this. Sure, the Battle Royale movie didn’t get licensed until literally the same year the first Hunger Games movie came out, but the book and manga adaptations have been around in America since the early 00s. People can’t be this ignorant that she came up with the idea of teens being forced to slaughter each other because of a government sanctioned death match in a dystopian environment by herself. There’s a reason why Battle Royale always gets mentioned when it comes to film plagiarism controversies especially when it comes to Japanese works. Say what you will about Quentin Tarantino, but at least he acknowledges the existence of that Japanese movie and got one of the actresses to play Gogo Yubari from the Kill Bill series. He even considers Battle Royale to be one of his favorite movies. Besides that issue, this Japanese series spawned influenced several anime like Juuni Taisen, Future Diary, and even a subgenre of survival games is called Battle Royale, too!

Here are some funny memes I found about this issue. 🙂

Related image

Image result for battle royale hunger games

Image result for battle royale hunger games

Hahaha! I needed some humor there.

Making the song was quite insane. I did some noisy electronic programming, distorted hand drums, acousmatics, keyboards, and I get to use some death metal and hardcore vocals much like how I did on Nonet #2 in Pathos Formula Wave if one remembers that. I wanted to go straight up digital hardcore for this to represent the ultraviolence of Battle Royale.

May the odds be in the favor of those who are original.

The Battle Royale DVD cover is from Honolulu Pulse and is property of Anchor Bay.

The Hunger Games picture is from The Independent and is property of Lionsgate.

All memes belong to their respective websites.

Ospreyshire Origins: Soshi-sha Ja Nai. Anata Wa Akumu Da!

Lyrics:

Stop believing that you own all the dreams
2010 degrees of lies aren’t fooling us
You don’t need a DC Mini or an appealing alter-ego
To shatter deception or the world around you
We’re not ghosts though we can float in hotel hallways
We made the spice to delve into dreams within dreams or converging reality
Years before you had a thought
The mass’s perception is flawed
Because they see your take on caped crusaders
We’ll keep the real dreams alive though our creator passed on
Awards won’t save you, deluded thief
You’re another soul in the demented parade

[Japanese]
Soshi-sha ja nai. Anata wa akumu da.
Soshi-sha ja nai. Anata wa akuma da!


To all my otaku friends and followers, REJOICE!

I, Ospreyshire made a song about an anime movie! [M. Bison Voice] YES! YES!

For those of you know know about my tastes in Japanese animation, this probably shouldn’t surprise you, but having a song about Paprika made way too much sense given the concept of the album even though I didn’t want to make an anime-based song so soon. I hope I did it justice with the dream-like aesthetics how it feels hazy and otherworldly with the effects on the instruments and my voice for this one. Also, Satoshi Kon, FTW!

If you don’t know anything about Paprika, let me give you a brief synopsis. Paprika takes place sometime in the near future. The main character Dr. Atsuko Chiba is a psychiatrist who is typically cold and has a lot of deadpan snark. In her industry, there’s a brand new machine called the DC Mini used for patients to try and understand their mental health issues. The DC Mini is a machine that people put on their head which allows them to go into the dream world of sorts. Dr. Chiba does this and crafts a bubbly an extroverted alter-ego in this dream world called Paprika. Unfortunately, the DC Mini is stolen and it is used for heinous crimes, so it’s up to Dr. Chiba/Paprika to save the day in both the dream world and real world. Also, the concept of dreams converging in reality comes up including the ability of dreams happening inside dreams happens.

DOES ANY OF THIS REMIND YOU OF A CERTAIN MAINSTREAM MOVIE?!?!

Image result for inception

Christopher Nolan, you are a freaking hack! There is no way he made this movie without watching the final film from one of the most innovative animators in Japan, dare I say the world. The concept of it being Kon-sensei’s final film is important because Paprika came out in 2006 and Inception came out in 2010…the same year that Kon died of cancer. To this day, Nolan has never ever owned up to plagiarizing major concepts from Paprika. Okay, he didn’t rip off any characters like a certain other anime that got plagiarized by Hollywood (Don’t worry…we’ll talk about that series in a future post when it comes to Dear Innovare), but he couldn’t possibly steal scenes from Kon’s last movie and…

Oh, who am I kidding?

https://i2.wp.com/thumbpress.com/wp-content/uploads/2015/06/funny-gif-Paprika-Inception-movie-scenes1.gif

Does anyone else think this is some fluke that Nolan would do this? This blatant thievery needs to be called out. I saw Paprika first and I then saw Inception, so the similarities were blatantly obvious when I was in that movie theater. Stop giving this guy a free pass just because he made The Dark Knight trilogy or Memento. How would you feel if the situation was reversed and if Kon stole from Nolan? Yeah…that’s what I thought.

Fun Facts: The title and lyric translates to “You’re not an originator. You’re a nightmare!” from Japanese. The final lyric is switched from “akumu” to “akuma” which means “devil” or “demon”.

Also, if you want my full thoughts on this experimental/sci-fi anime flick, then you can check out my review on Iridium Eye.

The Paprika poster is from Minitokyo and is property of Satoshi Kon, Madhouse, and Sony Pictures Classics.

The Inception poster is from CBS news and is property of Christopher Nolan and Warner Brothers.

The Inception and Paprika GIFs are from thumbpress and are property of Warner Brothers and Sony Pictures Classes respectively.