Ospreyshire Origins: Art in the Midst of Pandemonium and Pandemics

Here’s the other new song that’s on the DFxO split album. I multitracked some bass tracks while playing it unplugged. I played some riffs as well as using that instrument in unconventional ways for extra sound effects when layering them. I used a hand drum to provide percussion for it. Despite these anxious times, I wanted to have a message where people can still be creative. I’m not sure if anyone else noticed this, but I reference a certain emo band in one of the lyrics.

This song was also an Ospreyshire first. It was the first time I had a guest vocalist in a song and it was Dave from Dystopian Futures himself who wrote and performed his own verse. He did a great job and I liked how he tied in references to all the songs as well as making an extension of some of the lyrics I say in this track.

So I’ve been on a jazz kick recently…Here’s Stanley Clarke.


I used to listen to some jazz when I was a kid mainly because my mom would usually have the jazz station on (RIP WNUA 95.5) whenever she would drive me somewhere. I had a long hiatus of sorts during my teens as I listened to a bunch of indie rock, metal, J-pop and punk during my teens and early college years. My tastes have certainly changed since then as I’ve been getting into avant-garde stuff, African music, funk and back into jazz.

I’ve been listening to the classics and more modern stuff with composers, bands, and organ trios of all things.

Wow was I not aware of Stanley Clarke back then?

I randomly looked for bass solos on YouTube and found this video of this legendary bass player just tearing it up with an upright bass. This blew my mind and I listened to some of his discography and his superband SMV with Marcus Miller and Victor Wooten.

It’s been awesome getting into jazz again. Maybe I can improve as a musician to play some of that kind of music.

Ospreyshire Origins: Cameroonian Originality March

Lyrics:

Attention!

[French]
Nous avons des vautours de la culture a venir!
Notre musique est attaquee!
Marche en avant!
Oui, monsieur!

Barnwell, Baranquilla, Gary, Portsmouth
We’re coming for all of you
Your status as godfathers, hip shakers, kings, and misdemeanors
Have nothing on us
We’ll keep marching on (X2)

[French]
Nous devon securiser le berceau de nos ancetres (de nos ancetres) [X4]

What do we want? (Our original tunes!)
When do we want them? (Right now!)
(X4)


Before I get to talking about this song and what inspired me, I would like to give major props to my Cameroonian blogger friend Dr. Y from Afrolegends. He’s been awesome in making high quality posts for over a decade about African history, culture, news, trivia, proverbs, and then some. Dr. Y was able to educate me about some of the musicians from his home country and even gave me some nuggets about plagiarism cases involving their musicians.

Not going to lie, Cameroon has some great artists. I got into Mr. Leo’s music last year, been listening to some Salatiel (I knew who he was before he was a part of THAT companion soundtrack), and more recently Tim & Foty who are part of the topic of this song. I also wanted the song to have a balance between French and English lyrics to represent unity in that country given some of the issues going on with those communities based on those languages. There have been four high profile songs straight out of this Central African nation. Prepare your ears because some of these songs are going to sound familiar to you.

Exhibit A: “Zamina mina (ZangalĂ©wa)” by Golden Sounds

Exhibit B: “Soul Makossa” by Manu Dibango

Exhibit C: “Hot Koki” by Andre-Marie Tala

Exhibit D: “Douala by Night” by JM Tim and Foty

Doesn’t Cameroon have a lively music scene? Did you also think some of those songs sounded familiar? It would certainly be a shame if a Colombian and some Americans were to steal them.

Yes, that happened and I’m going to correlate each rip-off song to their respective originals.

Shakira stole from Golden Sounds:

Michael Jackson stole from Manu Dipango:

James Brown stole from Andre-Marie Tala:

Missy Elliott, Method Man and Redman stole from Tim & Foty:

All of this came from one country. Some of your favorite artists are musical robbers, so deal with it. This blew my mind and I have Dr. Y to thank when it came to the Shakira and James Brown issues before discovering the rest on my own. Unbelievable, and Cameroon deserves so much better and not just because of some of their current issues right now.

Besides that, I wanted that marching vibe like the “Zangelewa” song, but completely different chords and instrumentation with the Omnichord with hand percussion. This is homage and at least I acknowledge MY inspirations.

The Cameroonian flag picture is from Flags of the World.

Ospreyshire Origins: The Tulsa Strike Back Groove

Lyrics:

This is WOSPR Speaking

Foreign shores wanted more in store for stealing funky scores

Saturday night brought the fight to ignite to prevent the plight as we regained our rights

No matter if its Brooklyn, Echo Park, or Tulsa, Oklahoma. We’ll get our song back and clear your pop-coated aroma

The oil capital’s gonna get ya uptown, downtown, any town

Everybody sing like the Originator told ya: We gonna strike back with this groove!


To all of you that like old-school funk, I salute you!

I had a funk phase last year by listening to bands like Cameo, Parliament-Funkadelic, Sly and the Family Stone to name a few. One band that I checked out as well was The GAP Band. I heard a few of their songs thanks to my mom when I was younger and she did like their music. On one day last year, I listened to their song “I Don’t Think You Want to Get Up and Dance” as part of a YouTube playlist. I had to reattach my jaw literally during the first few seconds of the song. Let’s see if you’ll be able to figure out why. Here’s the radio edit version, but the point will still stand.

“Oops upside your head, say oops upside your head…”

The way they say that line must have been replicated by some multi-instrumentalist and a singer who has a habit of retreading older R&B and funk sounds. Hmm…who could they be?

Image result for mark ronson

Image result for bruno mars

I’m sure a good portion of you only recognize the second picture. Here, let me make things a lot clearer with one of the biggest songs of the 10s that both were famous for performing…

“Oops upside your head say oops upside your head…Uptown funk you up, say uptown funk you up…”

Don’t lie, that’s what you were all thinking when you heard the song from The GAP Band. I can’t lie to you, I used to really like “Uptown Funk” as it was one of the few pop songs I thought was actually listenable. Okay, even then I didn’t think it was as good as other funk songs I heard, but at least it sounded different than the typical pop garbage. That must be the case because it sounds like The GAP Band! Those Tulsa funkers managed to sue Mark Ronson and Bruno Mars for stealing their original song. The result, The GAP Band and their co-writers got writing credit and partial royalties of “Uptown Funk”. Did you know that including the updated writing credits, that means “Uptown Funk” had a whopping total of ELEVEN writers after the lawsuit! I can’t make this up. So, Ronson and Mars can credit Trinidad James right away for referencing his “Don’t believe me just watch” lyric from “All Gold Everything”, but not the band that had been making music since both of them were even born? Wow, just wow, guys…

Here’s some musical trivia for The Tulsa Strike Back Groove. I freestyled half of the spoken word elements that aren’t mentioned in the lyrics while referencing Charlie Wilson’s dialogue in their song. I also parody lyrics from “Uptown Funk”. See if you can spot them. Also, Charlie Wilson from The GAP Band is cousins to another famous funk musician…Bootsy Collins!

The picture of The GAP Band is from The Mississippi Link.

The picture of Mark Ronson is from PopCrush.

The picture of Bruno Mars is from Billboard.