Ospreyshire Origins: Larceny By Dirigible series

Larceny By Dirigible I Lyrics:

Do You feel shame stealing melodies? (X2)
The spotlight must feel so nice
You can’t see the enlightened leaving you

Its larceny in your backyard (X2)
Don’t act like you’re so confused
You put ignoramuses in a big daze

You live atop a mountain of theft (X2)
I hope endless water floods your realm
You won’t rise anymore

How many years must you get away? (X2)
I guess your fans became a shield
Protecting you from swift justice

Joan Baez
Anne Bredon
Jake Holmes
Bert Jansch
Howlin’ Wolf

Larceny By Dirigible II Lyrics:

Quit complaining that success was the only reason you got caught
You need reality to set you straight, not a whole lotta fantasies
Your excuses are lemons better suited for lemonade to quench your desires
Watch your step on that killing floor, you band of pirates
Keep trying to bring your subterfuge

Willie Dixon
Howlin’ Wolf
Robert Johnson
Albert King
Bobby Parker
Sonny Boy Williamson

Larceny By Dirigible III Lyrics:

There will be no hats off
To the glorified filchers of rock n’ roll
Raking in millions for their laziness
Resting on instrumental talent
Its time to shake this fake originality down to make way
For real innovators
There will be no more pinching and crediting one’s self in this zone
That will never happen
Since people have been lambasting you

Moby Grape
Bert Jansch
Bukka White

Larceny By Dirigible IV Lyrics:

Did it feel good opening for that band?
Did it excite you when you wanted that heavenly acoustic riff?
Did it arouse you to become rock gods from one song?
Did it please you when their leader drowned saving his son?
Did it heal your soul that the plaintiffs didn’t match your bank accounts?
Did you smile even when that constellation called you on your stolen bull?

Jay Ferguson
Mark Andes
John Locke
Ed Cassidy
Randy California
SPIRIT!!!

Larceny By Dirigible V Lyrics:

You think crediting someone’s mom was good enough?
How pathetic
It shows how much you don’t care
You’re too busy making custard with blues legends’ works
Heads are hurting from your ill-gotten success
Yet the masses continue praising
You when it was undeserved on so many levels

Sleepy John Estes
Bukka White
Blind Boy Fuller
Ritchie Valens

Oh, so now you want to start acknowledging others?


I’m going to tick off some people with this Ospreyshire Origins post especially with classic rock fans and potentially those who are older than me. What annoys me is when people from older generations crap on newer music today by saying it’s all garbage or it steals from others who came before. To be just, a lot of modern mainstream music is trash in my opinion, so I do have some agreements over there in that regard. As far as stealing other people’s music, yes, it does happen and I do talk about it in later songs on Dear Innovare. If I do hear that in real life especially about ripping off people’s music, then I have the right question to ask them.

“Do you listen to Led Zeppelin?”

Image result for led zeppelin

For starters, I was never a fan of their music. It was roughly ten years ago when some musician friends of mine told me that Led Zeppelin had a career full of plagiarizing other people’s music. I thought it was crazy until I listened to some examples which were mind-blowing. There’s one specific one that involves the band picture I used for this post which I’ll describe later on.

Led Zeppelin fans annoy me with how much in denial they are about this mega-selling influential classic rock band ripped off a good portion of their discography from blues artists, folk singers, and other rock bands. In each installment of Larceny By Dirigible, I explicitly name each singer and songwriter Led Zeppelin stole from their albums. The fact I number them in roman numerals is a parody of LZ’s discography and the songs from each album. Here’s a list of songs that were stolen. Funny enough, Led Zeppelin actually LOST against some of those singers in court like Jake Holmes (the real writer of “Dazed and Confused”), Anne Bredon and Joan Baez (“Babe, I’m Gonna Leave You”), and Willie Dixon (“You Need Love”) just to name a few. I hate how Zeppelin fans are saying “Yeah, but they did it better.” That excuses nothing and I know they wouldn’t say that if the situations were reversed. Led Zeppelin would be NOTHING without the several musicians they stole from. I believe it was Howard Stern who called them “The World’s Greatest Cover Band” which I find to be hilarious because there’s truth to it. With those blues musicians, one could make a case that they were guilty of cultural appropriation since them and several other classic rock bands probably think that stealing from black people is alright if the rock stars who steal them are white, but that’s nothing new in history.

From a musical standpoint, it was fun recording and writing since it involved some of the most folksy and bluesy songs I’ve ever written under the Ospreyshire moniker. I wanted the recording to be simple without that many effects even when I busted out the Omnichord in one of the songs. I also had to practice my ukulele lead work to give that acoustic rock and blues vibe for most of the tracks. This was my way of homaging the original artists without coming across as an anachronism even though the Larceny By Dirigible songs are WAY more straightforward compared to most Ospreyshire tracks on this and previous works.

If there was an example of something that really got my gears grinding, it involves the topic of Larceny By Dirigible IV. That was the angriest song of the bunch despite being a mostly acoustic ballad with some subtle keyboards in the background. The song in question is “Taurus” by the band Spirit. My jaw dropped when I heard that guitar riff and I thought “OH MY GOD! ZEPPELIN STOLE THIS TO MAKE STAIRWAY TO HEAVEN!”. This was the musical equivalent of watching a certain Osamu Tezuka anime and realizing that a certain American animation company shamelessly stole from it (you should know what I’m talking about at this point). Zeppelin even opened up for Spirit for some of their first American tours, so they totally knew that song. Seriously, check out this video and tell me no one from that famous band stole from Spirit.

This was maddening and I’m sick of people defending that band even when they lost some of their lawsuits. At the time of this post, Randy California’s (from Spirit) family is appealing the plagiarism lawsuit against Led Zeppelin. His story is so tragic and I referenced part of it in IV. Randy California just waned his band to get credit for “Stairway to Heaven”, but Led Zeppelin refused. Not only that, but he died saving his son from drowning in the ocean after that. Randy California and Spirit didn’t deserve this.

Wouldn’t it also be funny if one of the members admitted to stealing? Oh, wait…

Seriously, shame on this overrated band of thieves and especially that pedophile Jimmy Page. How is it that R. Kelly is locked up and not him for sleeping with minors?

The image of Spirit is from Ultimate Classic Rock.

The image of Led Zeppelin is from Variety.

Dear Innovare Bio and Release Date Confirmed

Ospreyshire has been on a roll recording things in 2019 so far. Besides some compilation exclusives and a couple of singles made, and another EP, there was one thing missing in this discography…a full-length album. A long player was lacking and the solution involved poems and songs for a whole new concept album. The final results involved forty-one of them.

Dear Innovare…The Souls of Ignored Pioneers Shall Be Renowned is the first full-length album from Ospreyshire and it is nothing like any previous EPs or singles. While his trademark acousmatics, avant-garde leanings, and spoken word vocals do return, there are more great additions. There are more organic instruments used this time around and there are songs that incorporate some programmed elements. It’s also a genre roulette of sorts as elements of electronic, acoustic, blues, post-rock, digital hardcore, shoegaze, acapella, folk, and even rap show up in some forms. The production is all lo-fi and DIY, but the result only strengthens the truthful narrative in these stories.

This is a concept album much like previous EPs. Verses Vs. Anhedonia was an autobiography dealing with elements of depression. Pathos Formula Wave: One Score of Rage was a compilation of angry letters to those who hurt in him the past. Dear Innovare is a collage of stories and narratives about numerous creators. These stories involve inventors, doctors, engineers, musicians, animators, filmmakers, business owners, and many more. Many of them have been overlooked for several reasons and some of those people were ripped off by those more famous than them. These tracks are homages to those who were forgotten and some of them simultaneously bash the rip-offs in question. Dear Innovare incorporates smaller song or poem cycles that are part of the larger concept. There’s the About A Benjamin trilogy which is about African-American inventors all named Benjamin who have contributed to innovations still used to this day even though the history classes have been neglectful in talking about them. The Art Theft trilogy is about three specific African nations who’ve had their art and artifacts looted while being placed in European museums. Those nations (Benin, Senegal, and Nigeria) are trying to get what’s rightfully theirs. Larceny By Dirigible is a five-part acoustic rock cycle which excoriates a certain classic rock band who made a career on plagiarizing various blues, folk, and other rock artists. In hindsight, they’re a glorified cover band at best. Pugnam Contra Fures Leonis is a interconnected trilogy which covers one of the most controversial film plagiarism scandals in history as a certain franchise is responsible for a legacy of theft, cultural appropriation (while grossly misrepresenting said cultures), and even an attempt to block something original from getting exposure. At the same time, it honors two different musicians and an animated series that were stolen.

Dear Innovare…The Souls of Ignored Pioneers Shall Be Renowned is an ambitious album and certainly the most creative one Ospreyshire has created thus far. Feel free to to be enlightened by these poems and songs while also immersed in his experimental forms of audio art.

Oh, and by the way…12/27/19. Pre-orders will happen soon. You’re welcome!

Shedding The Vestiges of Music Fandom Within

I liked the wrong genres for the wrong reasons since my high school years
5 star reviews and independent spirits caught my eyes
Namedropping bands most have never heard of was a wasted talent
Things have slowly changed once I wanted to know more about my heritage
It only went to show that the bands I hated and even some that I liked were sheltered
I mean, if I wanted to hear first world problems in musical form, I’d listen to pop punk
The originators have become even more apparent once I delved into classic soul and blues

Cultural appropriation ruled for decades in the realm called rock and roll
As the original innovators still haven’t been renowned in Cleveland
I was insulted and mocked for liking music in my college days
While I can’t distance myself in that regard (I’m a musician, you know)
I have to shed so much of what I used to like to codify more of what I stand for and honoring the innovators in music who never got credit

No matter if they are pop fans or the indie elite, I will not take your judgmental pretensions.