It has been a long time since I’ve been tagged on this page, but it has happened. I was tagged by 7mononoke from Anime Rants. Thank you very much! This sounds like a very unique tag to be a part of. Also, bonus points if anyone gets the music reference in my title for this post.
Here are the rules for this tag:
#1 Share your favourite stories—movies/books/anime/manga/drama/songs—by classifying them on these seven colours’ traits:
- red: passionate, exciting, invigorating
- blue: peaceful, calming
- pink: romantic, caring
- orange: warm, motivating
- black: mysterious, thrilling
- green: fresh, unexpected
- white: random
#2 Send this challenge invitation to at least one of your friends. Let them fear your superiority, as you—decide their fate.
#3 Link back to the original post here! And, enjoy!
Alright. Let’s do this!
This would be my pick for red. Paprika is certainly experimental like most of Satoshi Kon’s work, but it’s very exciting and passionate with the imagery and multi-tiered storytelling. Some of you know about my strong feelings when it comes to an obvious film plagiarism issue associated with this movie, but I’m going to focus on the obvious original factors. Paprika also plays with passion or in Konakawa’s case lack thereof and the journey between dreams and reality is surreal, but forces you to pay attention.
This is more of a recent-ish watch since I first saw it a couple of years ago. There’s certainly lots of blues since most of the movie takes place near or on the ocean, but this really was a calming movie. Alamar wasn’t some deep watch, but it was very relaxing with this father and son bonding near the water. I first saw it during the winter when it was insane with the extreme polar vortex and with tons of snow on some days. It was a peaceful movie of characters just living life and there’s a healthy family relationship that doesn’t involve family drama nor does the father die in this film.
The Place Promised In Our Early Days
This one was tough because I’m not a fan of romantic movies. The closest thing to a romance work that I really like is Makoto Shinkai’s first full-length film. The Place Promised In Our Early Days would be far closer to describe as a war drama with some sci-fi elements given the concept of the parallel universes playing a major role in the plot. This has one of the best love triangles I’ve ever seen in movies and there was some great characterization. Of course, most anime fans will Stan harder for Your Name, Weathering With You, or (GOD FORBID!) The Garden of Words, but The Place Promised is still an impactful watch even years later.
Hikaru no Go
Hikaru no Go is one anime and manga series I’ve enjoyed since I was in high school and it still holds up. I’ve certainly praised it for it’s originality, believable characters, and destroying multiple shonen anime tropes. Heck, this series was a major inspiration for the last single and video I made (notice the go imagery) late last year. This was a motivating series to watch not just with learning about the game of go, but it also shows perseverance in a non-cheesy light while being genuine about it.
Maasai: The Rain Warriors
Even more recent than watching Alamar, I discovered this Kenyan movie not too long ago. I don’t want to just put anime on this list even though I certainly have a reputation for talking about that subject on one of my other blogs. Maasai: The Rain Warriors was a very fascinating watch with it using actual Maasai actors, using the Maa language as opposed to English or even Swahili, and incorporating Afro-fantasy with a low-key magic realism to it. There’s mysterious aspects with the adventure to stop this demonic lion from cursing the land with drought. There were some nice twists and turns while being respectful to this indigenous tribe in Kenya. No, there is absolutely no pun involving the choice of movie with this color, so calm down.
Lunch Time Heroes
This is the first Nollywood movie I have seen! I know there were some pacing and plotting issues, but Lunch Time Heroes was one movie that I thought was better than what most critics said. It was fresh and unexpected with how much I enjoyed this movie. Sure, the plot is simple with a teacher thrust into a classroom full of troublesome students while taking part in an academic competition against other schools in Nigeria, but how they did it was entertaining and in some cases deconstructive. I’m not a fan of “save our students” plots, but this was done right. Lunch Time Heroes was also the 2nd “save our students” movie I’ve seen in my life that DIDN’T resort to white savior tropes (the 1st is Stand and Deliver) even if it was due to the geographic location. Not only that, but it’s an African movie that takes place in a middle-class setting which is something Hollywood wouldn’t dare show that side of the continent. Lunch Time Heroes was a simple, yet very unexpected watch for me.
You know, my interests can be quite random. I can delve into avant-garde and arthouse works, but at the same time I can watch something wacky from time to time. I’m not always this super serious or highbrow person, everyone. I do have a sense of humor and a sense of levity. Shinesman is one of my favorite anime comedies and parody works in general. When I tell other people about this, I mention that Shinesman is like a mix between Power Rangers and The Office, but that’s scratching the surface. It has one of my top 3 dubs that are better than the original Japanese version. The humor consists of over-the-top tokusatsu spoofing, low-key zingers, and even makes some cheeky jokes about anime fandoms. This still makes me laugh to this day seeing this obscure 90s OVA series. I would also like to see a remake and if they could get as many of the original dub cast members to reprise their roles, I’d be elated.
I will nominate the following people:
Never Argue With a Fish
Traditional Catholic Weeb
All photos are property of their respective owners and used under US “Fair Use” laws.
Paprika is property of Satoshi Kon, Madhouse and Sony Pictures Classics. The GIF is from Gfycat and is property of Satoshi Kon, Madhouse and Sony Pictures Classics.
Alamar is property of Film Movement. The screenshot is from Cinema Tropical and is property of Film Movement.
The Place Promised In Our Early Days is property of Makoto Shinkai and ComixWave. The screenshot is from Madman Entertainment and is property of Makoto Shinkai, ComixWave, and Madman Entertainment.
Hikaru no Go is property of Yumi Hotta, Takeshi Obata, Studio Pierrot, and Viz. The screenshot is from YouTube and is property of Studio Pierrot and Viz.
Maasai: The Rain Warriors is property of ArtMattan and Facets Video. The screenshot is from ArtMattan and is property of ArtMattan and Facets Video.
Lunch Time Heroes is property of PHB Films and FilmOne Distribution. The screenshot is from YouTube and is property of PHB Films and FilmOne Distribution.
Shinesman is property of Production I. G. The Japanese DVD cover is from My Anime List and is property of Production I. G.