I just got this notification and my blog has been around for two years already.
Wow, time has certainly flown by. I originally made this blog as a platform for my current spoken word/Avant-garde project. Funny how I’ve expanded my repertoire with multiple blogs, doing the Katauta 52 challenge, and talking about important events on here.
I’d like to thank anyone who’s bothered to follow my works and support me.
One year later, and I finally beat my own self-constrained challenge. I can’t believe I did this thing for 52 weeks straight on this blog.
It feels invigorating to complete a challenge. I ended it with my soprano ukulele.
Here’s a one-man band that’s part of the ZAP Family. This is ISF. It’s one guy from Birmingham, England who crafts noise and experimental sounds. ISF makes a lot of quality noisecore on the EP “Feel. Kill. Conceal. Reveal.”. This is only $3 and is a quick, yet furious listen.
I uncovered an instrument I haven’t played in years. This is none other than the melodica, ladies and gentlemen. Interesting fact about this instrument: it was also used in the song “Clint Eastwood” by the Gorillaz.
I decided to give myself more constraints by having an entirely alliterative poem with all the words starting with C.
People shouldn’t be throwing scatological terms to other nations. Real talk.
I got to use one of my Christmas presents for this Katauta.
It’s the first one of the new year, so I might as well write a poem about it.
However, I prefer goals over resolutions.
Can you believe it?
Exactly one year ago, I released my debut EP “Verses Vs. Anhedonia” to the world. Time has gone by way too fast here. This was my first foray into recording some poems and adding some avant-garde soundscapes with them. It was also the first time I’ve ever used my omnichord as an instrument for some of the tracks. Granted, this stuff isn’t the kind of music you’ll hear on Top 40 radio or commercials, but I hope you check it out for those who didn’t catch it the first time.
You can download it for free or you can pay what you want.
I want to thank Dave Emmerson from ZAP Records for distributing it worldwide and for formatting the liner notes of the album. Thanks for believing in my art, mate.
One year later, and I never thought I would continue with this avant-garde project.
Thank you all.
Here’s a Katauta video where I use an instrument again. This would be a rain stick for those of you who have never seen it before. I thought it would give some nice ambience to this poem.
Also, yes. I’m wearing a Battle Royale shirt. I might get trolled by Hunger Games fans for doing so. Haha!
I thought I would try something new in Ospreyshire’s Realm. As you may know, I’m part of the ZAP Records family for the Ospreyshire project. They are a UK-based independent label that’s owned my my buddy Dave Emmerson from The Old-Timers, Their Throats Are Open Tombs, and Dystopian Futures. I thought I would do something where I can talk about my labelmates and expose you to some good music that you won’t find on a Top 40 station or Billboard’s Charts.
Here’s the newest album from the ZAP family: Truckstop Fear by Easter Teeth.
They are an experimental noise punk band from California and they make some really creative and angular tunes. They are duo consisting of two brothers making some inventive music. What makes them stand out is that they DON’T use guitars in their songs. Only drums, bass, keyboards, and other things besides a six-string.
Feel free to check them out!
Also, in other news…today’s actually my birthday. No, really. Hahaha! It’s probably going to be low-key though.
Have a great day.
I’ve been negligent in incorporating instruments into my Katauta projects, so I decided to debut one of my panflutes for this minimalist spoken word piece.
It was fun trying to come up with a linear, yet noticeable melody in between each line of the katauta as a motif. Maybe I should use this instrument more often in recordings or possibly if I decide to do this Ospreyshire thing live at concerts.