Some videos that got my attention somewhat recently

I’ve been doing my best to check out a few things when I have some downtime especially after multiple long days at work. I have to stay sane even with the state of the world and the negative news or opinions pop up.

Benjamin Clementine’s music:

If you follow my Iridium Eye blog, you might recognize this name from my last Top 7. He’s a recent musical discovery who just astounded me with his talent, musicality, and has a very unique voice. I know I’m a sucker for experimental music and avant-garde stuff, so Benjamin Clementine’s music really moved me. Here’s the video for his song “London”.

Social Isolation Match Pt. II: Chuck Mambo Vs. Eddie Dennis

I’m liking how this is becoming a thing with the guys in Escaping the Midcard. Some of you may have seen the first video with Chuck Mambo and TK Cooper, but this one involves the former taking on Welsh wrestler Eddie Dennis in this hilarious match. This stuff is hilarious and they take it over the top with guitars, cats, and weed whackers. The editing was superb and they looked like they had so much fun having a “wrestling match” despite being in their homes in England and Wales.

“Roses are Red” by The Mac Band ft. The McCampbell Brothers

While I would be too young to know about this song, I admit to being a sucker for new jack swing R&B. Hey, I’m from the 90s, so I definitely remember hearing some of that stuff when I was little. Yes, I do admit that the chorus is based on one of the cheesiest rhymes, but dang it, these guys just sell that emotion. It feels romantic and not sleazy like a ton of modern music. I was even pleasantly surprised to see some class with how everyone was dressed in the video despite the dated videography and awkward dancing at points. I’m not sure if this song is still a guilty pleasure or bordering on me liking this unironically. Oh, wait. Things have been contradictory so far by putting an avant-garde singer and a social distancing wrestling match in the same article. Who am I to judge?

Stevie Wonder Isolated Vocals

I know this song and I’m sure most of you have heard “Sir Duke” at some point in your lives. One day, my mom of all people messaged me this video. Hearing the isolated vocals just blew my mind. This was done in one take which I didn’t realize. I’m starting to appreciate older music more often. Remember when singers actually recorded their vocals without the “safety net” of Auto-Tune? Pepperidge Farm remembers! Am I part of the last generation of people who actually remembers popular music being made without that technology? Wow, I must be getting old…

The Lion King Lie:

Special thanks to Scott from Mechanical Anime Reviews for showing me this video. I don’t want to repeat myself given my tendency to bash this Disney movie for ripping off that 60s anime or the problematic cultural appropriation and bigoted crap associated with Mickey Mouse’s “creation” (I used that term loosely), but there were things I didn’t even know about or realize like some of the quotes from Disney’s side of things which only fuels my anger towards them. Also, I feel stupid for not realizing the similarities between Gargoyle G. Warthog’s “ashamed” dialogue and part of Pumbaa’s lyrics to “Hakuna Matata”. Definitely interesting even though there is some Disney bias there. However, I was pleasantly surprised that even Lion King fans in a bunch of the comments are FINALLY admitting that this movie literally wouldn’t exist without Kimba. That would’ve never happened years ago.

Hope you’re doing alright.

Ospreyshire’s Realm Isn’t Dead AKA A Recap Of Ospreyshire’s Life In a Rona-Filled World

Mbote! Nsango nini, bato?

I hope you appreciated my Lingala greeting to all of you. I’m sorry that I haven’t been posting on here for a long time. It’s been quite a turbulent few weeks for me. Not just because of the current pandemic affecting the whole world (obviously), but with how my life has been.

For starters, work has changed. I’ve been getting more hours with one of my jobs. My other job did get back, but it’s in an online context, so I have to get used to that. I’ve been crazy busy for the past few weeks, but I can’t complain about whatever extra money from my jobs. Interestingly enough, I haven’t been spending as much money on trivial things since it’s mainly been for groceries, gas, and personal care items.

Outside of work, I’ve been trying to keep myself occupied. There have been times where I’ve gotten very nervous and anxious, so I don’t want to lie to anyone here. I’ve been reading lots of books as well as trying to learn other languages. Can’t say I’ve been watching too many things though. I finished a book written by Desmond Tutu and been reading some of my language books. I revisited Lingala and also been dabbling in French, Spanish, and even Wolof of all things. Maybe my next goal should be Swahili? That would be fun to learn, there are multiple countries that speak it, and it would be relevant to part of my heritage.

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Once things were getting more intense on the pandemic front, I made a bandana mask. I thought I needed to buy some bandanas at the store, but apparently I didn’t have to. Last year, I bought a Saitama Seibu Lions bandana on eBay, but what I didn’t realize was I got two instead of one of the same thing. Yes, that’s the same Japanese baseball team that features the adult version of Kimba the White Lion as their mascot. I wore it at work one time and one co-worker whom I found out was an anime fan asked me about the mask. I mentioned the basic premise of that 60s anime and (of course) he said “Wait a minute! That sounds like [that one 90s animated film]! Did they seriously rip it off?”. You should’ve seen his face when I showed him a picture of Claw in that conversation on my phone. A couple of days later, he told me he started watching Kimba and told me “It’s really freaking good!” Looks like I got to show off some anime pride while protecting my face. Some of my co-workers and supervisors who know about that animated work thought it was amazing, too.

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I beat Camp NaNoWriMo 2020! WOOHOO! With all the stay at home orders, this gave me more of an excuse to write another book. I won’t say too much, but this one if part of my Hollanduscosm series if one is curious. I got a shirt, water bottle, and a poster as well as discounted writing/publishing programs. It’s good that I accomplished something during this pandemic.

I’ve also been getting into different kinds of music and revisiting others. Here’s a sample of what I’ve been bumping lately.

Besides that, I’ve had some conflicting feelings. Regardless of the news with all the casualties of the virus or the rampant covidiocy going on in different forms (beaches without social distancing, the current protests, the various stories of people coughing on others or food, etc.), I had some feelings of worthlessness and a lot of internalized anger. Sure, I feel productive in and outside of my jobs, but I wondered if I was doing enough to progress in my career(s). It would be amazing to use my skills in more productive ways and to make more connections with others. However, my low self-esteem has kicked in as I wondered how good enough I was in front of others. I wished I would be seen as worthy and for more people to be thankful what I’ve done for them. Of course, there’s one example of a former seasonal job where I used my skills from my Bachelor’s Degree, but I felt so slighted to say the least. I don’t want to discuss this even if I was partially at fault, but I’m infuriated by those who get away by doing legit heinous things with similar positions. It also causes me to wonder if people actually care about my creative works. I feel like (depending on the other blogger), I’m either just an aniblogger/film critic or a random guy on the internet voicing against various injustices who just happens to make music or poetry. There are times where I just want to lash out at others, but I feel like some of those people don’t deserve it. Boy, do I wish I could lash out at everyone who disrespected or bullied me while figuring out ways to destroy their self-esteem, but I’m someone who’s considered “too nice/too kind” to do that. As I’ve said before, it’s REALLY tough for me to insult others let alone coming up with epic comebacks. I don’t want to suffer in silence, pandemic or not.

Anyways, that’s what’s been going on in the life of this diligent avant-garde artist/poet/musician/opinionated blogger/film critic/author/aniblogger/whatever else I’m supposed to be.

Hope you’re doing alright. Stay safe and stay healthy, everyone.

Tikala malamu!

Ospreyshire’s Top 10 Most Viewed Posts of 2019.

It’s list season and while this blog never had any fancy content, I thought it would be fine to do some kind of retrospective from the year that was 2019. These were the most viewed posts on Ospreyshire’s Realm last year. This was a mix of poetry, news, rants, awards, and music.

10: Am I Kind (Enough)?

9: Tie between the College Cheating Saga…, 6000+ Views, and Forgiving Myself Is Hard

8: Recording is Done!

7: Am I Not Angry (Enough)?

6: Saddest PSA

5: Perhaps I’m Mysterious? (Mystery Blog Award)
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4: Dear Innovare album cover and tracklisting revealed
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3: I’m Really Neat? (Neat Blog Award)
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2: Do you (or should you) separate the art from the artist?

1: How I learned to utterly despise The Lion King
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Feel free to check out these posts. Do you have any favorites? Which things did you like about the Ospreyshire blog in 2019?

Disney and Beyonce need to stop giving me carte blanche to rant about that stupid rip-off movie franchise and how they rip off stuff again (or CAN YOU FEEL THE HEIST TONIIIIIGHT?)

I’m sorry. I seriously didn’t expect to make a rant involving the best-selling piece of plagiarism in movie history. Okay, I did get a smile on my face how that remake has been getting negative reviews, but I still get frustrated with their fans defending the indefensible.

However, recent situations and discoveries are only proving me right more and more!

Let’s recap on what The Lion King has stolen thus far:

1: Kimba the White Lion. ‘Nuff said.

2: Trademarking the phrase “Hakuna Matata” which is totally cultural appropriation.

3: Withholding royalties from the late South African songwriter Solomon Linda for his song “Mbube” which was plagiarized into “The Lion Sleeps Tonight”. He died penniless and his heirs sued a licensing company and Disney for not giving credit to Mr. Linda and for the royalties which they wouldn’t get until 2006.

Then came a 4th reason and this one involves a music video, the most famous Destiny’s Child member, and a lesser-known South African musician of Congolese and Angolan descent.

So, Beyonce came out with the new music video for “Spirit” which is a song for The Lion King remake. It features imagery of a desert and people wearing blue and red traditional African clothing. Wouldn’t it be crazy if the imagery copied a long-form music video that came out last year? Oh…that actually happened.

Petite Noir is the originator in this story. He made a short film/long-form music video for his “La Maison Noir” EP. I’ve checked out his music and it’s really good. I bought his EP on Bandcamp not just because I liked the music video or his music, but to support a real artist who doesn’t steal from others. He even self-directed his own music video. Want to know the subtitle of it? The Gift and the Curse. HAHAHAHA! Get it? Because that Beyonce vanity project…I mean companion soundtrack is called The Lion King: The Gift! Wow, shame on Beyonce, director Jake Nava, and Disney for stealing someone else’s art. I hope Petite Noir lawyers up and sues all those parties involved.

Disney and Nala…I mean, Beyonce are only proving me right even more that this franchise is a legacy built on artistic larceny. First, Japan, then multiple Swahili-speaking countries, and South Africa TWICE now?! They really have no shame.

I really didn’t want to do a post bashing this movie franchise again, but it was deserved.

Now if you excuse me, I’m going to rock out to Petite Noir’s EP at the moment. Dear Beyhive, your so-called goddess isn’t infallible whether she got Mickey Mouse money or not. Disney fans, your favorite company isn’t innocent.

How I Learned to Utterly Despise that Expensive Ripoff, Overrated, and Bigoted Movie Called The Lion King (And the Existence of Kimba the White Lion Isn’t the Only Reason)

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[Warning: This post contains a very contrary opinion to most people and will contain controversial content. Read at your own peril]

I’m sure some of you are probably sick of me at this point bashing this Disney movie if you’ve read earlier posts on this blog or saw certain reviews on Iridium Eye. I’m not sorry for what I’m about to say on here. This frustration has been building up for the past couple of weeks and it’s something I need to vent about on this blog of all things regardless if people agree with this post or not.

[sigh] Here we go.

For starters, I didn’t always hate The Lion King. If anything, it used to be one of my favorite Disney movies when I was a kid. This is going to partially give away my age, but I saw that movie during it’s first theatrical run when I was very little. I even saw the stage adaptation in Chicago at the Cadillac Theatre when I was a bit older. One of my favorite soundtracks back then was the “Rhythm of the Pride Lands” which was the companion soundtrack and it was also the first time the song “He Lives In You” was used. Not Lion King II or the Broadway version. I saw the original VHS tape probably a hundred times during my childhood. I used to know the words to most of the songs way back when. However, I stopped paying attention to Disney during my teenage years because I was really into anime. Okay, I still like Japanese animation, but I was nowhere near as much of an otaku as I was when I was in high school.

It was also around this time when I first heard about Kimba the White Lion. I heard that The Lion King ripped it off, but I thought it was shallow with just the main characters. Flash forward to my adult life when I saw a Cracked article involving childhood icons you didn’t know were shameless rip-offs, and the memories came back again. This piqued my interest, did more research and started to rent the DVDs on Netflix after Kimba stopped airing on Hulu (Disney is a partial owner of that site, so I don’t know if it was because of them or not). While it has it’s issues and has aged animation since it was made in the 60s, I enjoyed that anime for it’s usage of subject matter, originality, and seeing how much Disney stole from it. If you don’t believe me, check out this link. I couldn’t believe the scenes of Caesar (AKA Original Mufasa) consoling Kimba from the beyond in the night sky. I couldn’t believe the scene where the villainess Belladonna tried to kill Kimba by pushing him off a cliff. I couldn’t believe one of the major villains (Claw) just happened to be a scarred lion usurper with a black mane, dark fur, and had hyena henchmen with him. Every character not named Timon and Pumbaa in that movie is a copy of someone from Tezuka’s manga/anime series. Seriously, shame on Disney for stealing from this classic anime and for trying to block the Jungle Emperor Leo ’97 movie from North America. Trust me, you won’t be looking at The Lion King the same way again once you see the obvious similarities. I can’t see how any sane person could watch Kimba and not think that no one from Disney saw this. Why does The Lion King get a free pass in plagiarism when other media like Yuki Yuna is a Hero gets lambasted for having similarities to Madoka? You know if the situation was reversed, then all you Lion King fans would scream bloody murder that your favorite movie got plagiarized by a foreign (majority non-White) country if Kimba came afterwards. It would be amazing if Disney admitting to stealing from Tezuka’s creation, paid royalties to them, or got epic backlash for their thievery, but I know that will never happen because wishes never come true.

This segues into my next point. I wasn’t aware of this as a child, but growing up, I realized how racist the implications were with the hyenas. Have you not listened to how they talk? They straight up talk in stereotypical African-American Ebonics (Shenzi) and an exaggerated Mexican accent (Banzai). What ticks me off is when Disney fans don’t call their depiction racist or handwave it because you have Black cast members voicing some of the heroic lions namely James Earl Jones playing Mufasa. No, just because you have Black people playing both sides of the good/evil paradigm, it doesn’t make it bigotry-free. It’s the equivalent of a racist claiming they have a Black best friend or family members to prove they aren’t racist. That or saying slave owners can’t be racist because they have Black people around them. Let’s not forget Disney has a history with using animal characters as POC proxies with racist undertones. Look at the crows in Dumbo and the lead one’s name was JIM! You know, like the same laws in America that involved having enforced segregation, lynchings, or it being legal for White people to rape African-Americans? There’s also Siamese cats talking in broken English in Lady and the Tramp, Aristocats, and even an episode of Chip & Dale: Rescue Rangers for crying out loud. You could even throw in Tito from Oliver & Company as a slap against the Latino community. Coincidentally enough, Cheech Marin would voice both Tito and Banzai in his voice acting career. Is this why so many Americans falsely assume that Black people let alone other ethnic groups act like the hyenas all the time? If you think so, then you need your head examined and we should question if you’re a bigot.

Extending onto that point is how the hyenas were treated with the Elephant Graveyard. Besides the name being a blatant carbon copy of the place in Kimba where the animals had to rescue Roger Ranger in one of the later episodes, I found the place to be disturbing, but not for the same reasons as it was portrayed in the movie. As an adult, I had this realization that this punishment against those animals involved isolating the hyenas in a barren wasteland and they’re forced to starve. It hit me when I researched lesser-known aspects of history: Mufasa was committing genocide against them and I was sickened by it. Scar did bad things, but his big brother is not much better if you really think about it; he’s just applauded for his actions. If you think I’m being crazy, then maybe you should read up on the Congolese Genocide under King Leopold II or the Namibian Genocide by Germany’s 2nd Reich. The former had a body count of 10 MILLION Congolese and Leopold never got punished for it. If you take away the hand chopping, guns, and mass rape, then it would be the same thing. The latter had a concentration camp called Shark Island where the Germans starved out the Herero and Nama tribes and there was a valley of bones left behind. By the way, one of the perpetrators was General Franz Ritter von Epp who would eventually employ Adolf Hitler and Hitler said he was influenced by this general. LET THAT SINK IN! It’s as if the animators were aroused by putting anti-Black racism with that act as they believe melanated people don’t belong in their circle of life. Come on, if those hyenas talked in Yiddish accents instead of stereotypical Black and Latino accents, then the ADL would’ve thrashed Mickey Mouse in a heartbeat and everybody knows this. But because it’s happening to the bad guys and because they talk in a racially-coded way, it’s somehow justified in the animators’ and fans’ eyes. No, that’s protagonist centered morality on Mufasa’s part (saying nothing how that punishment contradicts his circle of life speech), and it’s propaganda in a form of G-rated White Supremacy. In my adulthood, I’ve seriously pondered if White people actually saw me as one of those hyenas in the past before. I’ve been discriminated against, so I wouldn’t put it past them. It’s hard to watch that knowing about the genocides against Black people, the 1994 crime bill which overloaded the prison-industrial complex (while being soft on Caucasian offenders, let’s be honest), Apartheid South Africa, and gentrification to name a few things to punish them. Do you enjoy Black people or any other POC group getting punished or afflicted at all costs and is The Lion King your film of choice of vicariously having that joy in a supposedly “innocent” way? Are you more offended by me pointing out the racist implications of this Disney movie than the millions of dead bodies from those aforementioned genocides let alone other atrocities?

Let’s also talk about the depiction of Africa. There are no humans in it! Was there some extinction of Africans before the beginning of the story? Disney sucks at this fact and Tarzan is another example of this when that continent is shown without Black people. So people who look like me and darker shouldn’t be seen? Is this a wish fulfillment about depopulating Africa in animated form? Think about it. They wouldn’t try it with Europe or America. Even if they do have furry characters (don’t lie. furries love The Lion King and you all know this. Also, how come that movie doesn’t get called a furry film with all the anthropomorphic stuff in it?), they make them upright, clothed and human-like in attitude like Zootopia or DuckTales for example. Are they insinuating that Africa should just be one giant savanna or natural utopia without the humans who would live in that part of the world? If not, then they’ll show it as one big piece of poverty porn and/or a giant war zone. It’s as if the animals are treated with dignity if something happens to them than the humans who live there. Cecil the lion? I rest my case. Screw stereotypes. Those furries and their sick fantasies can go away.

Those are some of my main points that have angered me. Disney needs a moral overhaul. Was it enough to steal from a 60s Japanese anime and from millions of Swahili-speaking Africans by trademarking “Hakuna Matata”? I could go on about the plot holes such as the Nala incest theory, how much that movie ripped off Kimba, how heredity monarchy is not always a good thing, how that movie isn’t that deep/meaningful, or how The Lion King or it’s fanbase avoids being called furries when other movies get labeled as such, but I think you get the point. Even I’ve had enough from defenders of this movie franchise and for people trying to shame me not liking that film, let alone bullying me for my ethnic background or even what media I like. You’re only proving me right that way. It sickens me how there’s that remake coming out (it’s not live action, people. it’s just realistic looking CGI) and for people making fun of me for not liking it anymore. You all have no right to moralize to me especially with all the things that have happened in American history let alone what happened to the African diaspora. I’m not saying you’re automatically evil if you’re White since that would be very stupid of me to insinuate that of one’s skin color. Spare me from your attempts of putting words in my mouth or for strawmanning my arguments. What I am saying is that you shouldn’t take movies at face value and assume everything is innocent just because it’s family-friendly from a content standpoint. For one, I’ve become offended the more I’ve learned about history, part of my culture, and with storytelling techniques. I’m sick and tired of being a scapegoat because of the color of my skin and my heritage. I would never even imagine doing the things done to my ancestors to anyone regardless of race. Not everyone is going to like what I typed, nor am I begging people to like it.

Now if you’ll excuse me, I need to listen to real artists from the continent instead of that artificial crap from Hans Zimmer and Elton John.

All images and videos are property of their respective owners and used under US “Fair Use” laws.

The fan art is property of WhiteLionWarrior at DeviantArt.

Kimba is property of Kimba the White Lion and Tezuka Productions.

Simba is property of The Lion King and Disney.

Fighting Doppelgangers (Why Do the Masses Exalt Them?)

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Deified clones storm the way
At the altar of superficiality and petty fandom
The subterfuge from the creations of expensive gods
Becomes canonized into the minds and hearts of their deluded believers

The congregation bows to the duplicates
Without question or concern
Entertained by their subpar existences
Owed to others far greater than their mediocre lives

It’s time to silence the cacophony from this overpaid choir

There are those who want to expose every lie churned out
And to expose the real originals to drive the point home
What’s the matter?
Can’t handle the dosage of red pills and sodium amytal?

Woe to those who craft the precepts of denial
Ronnie Martin said it right when the good are starved
From decades of being forgotten
KRS-One was right. The thief is no greater than whom they steal from.
They will know their idols shall crumble
The true history shall appear
The clones will fall asunder at all costs


All photos property of their respective owners and used under US “Fair Use” laws.

Images of Tetsuo and K9999 are from Retro Injection

Tetsuo Shima from Akira is property of Katsushiro Otomo and Kodansha.

K9999 from The King of Fighters series is property of SNK Playmore.

Fan art of Claw and Scar is from WhiteLionWarrior at DeviantArt.

Claw from Kimba the White Lion is property of Tezuka Productions.

Scar from The Lion King is property of Disney.

#TrademarkWars Pt. II: Drop the Hakuna Matata trademark because cultural appropriation sucks!

http://chng.it/YkXFKwDbQN

At the time of this post, over 187K+ people signed the petition in that link above. I’m one of them because I practice what I preach.

Some of you may have seen my #TrademarkWars post not too long ago. I’m not sorry for repeating the information, but some of this maybe new to some of you. For those of you who didn’t see that earlier post, let me give you the scoop. Disney owns a trademark for the words “Hakuna Matata”.

“But Ospreyshire, that’s a stupid thing to worry about!” You might say. “What’s the big deal?”

It’s because making a dollar of a foreign phrase is cultural appropriation. That’s why.

This offends me more than The Lion King ripping off Kimba the White Lion, and that’s saying something. The thing is “Hakuna Matata” has been a very common phrase that the Swahili-speaking world (examples: Kenya, Tanzania, Uganda, DRC, etc.) has said for centuries. Disney acts like they can just own foreign words like some kind of hidden treasure. That’s colonizer thinking right there. Could you imagine the outrage if Disney or any other conglomerate were to trademark foreign phrases such as “C’est La Vie” from the French or “Que Sara Sara” from the Italians? Everybody would riot if that were to happen. Even English speakers know what those phrases mean and would call out something like that. Keep in mind, even Paris Hilton couldn’t trademark “That’s hot” and  Donald Trump couldn’t trademark “You’re fired” when The Apprentice was a hit show, so what does that tell you? I guess since this involves Africans, then they don’t matter in Disney’s eyes by taking a common saying that’s spoken throughout multiple countries in that continent.

Cultural appropriation is another form of racism as it steals from others while benefiting the appropriator. I’m sick and tired of people getting away with thieving cultural elements that clearly never belonged to them to the first place. The Swahili speaking public got nothing out of this trademark even though they’ve been saying it long before the invention of animation.

If this irks you that colonialism still permeates even in kids movies, then I would urge you to sign.

Hakuna Matata: Not some remorse-free philosophy

http://chng.it/YkXFKwDbQN

#TrademarkWars: Have you no shame, Disney?

I know this is an older story, but I just have to talk about it.

I apologize if this issue is getting old especially for those in the aniblogger community, but holy crap…did Disney have to steal something else especially in regards to The Lion King? Ripping off Kimba the White Lion wasn’t enough for them?

Basically, Disney owns a trademark for the words “Hakuna Matata” which is stupid on so many levels for a common phrase in the Swahili-speaking community in Africa (Kenya, Tanzania, DRC, Uganda, etc.). I also didn’t know that there was a popular song in the 70s that used the phrase in it’s chorus.

Sure, some of you are rolling your eyes to me bashing Disney since I am a former fan of The Lion King. Besides the shameless stealing of Kimba, I couldn’t stand some of the plot holes, the protagonist centered morality of Mufasa, and the racist implications of the hyenas (come on, you don’t think they sounded like ethnic stereotypes?). Not to mention the whole Elephant Graveyard situation is much more disturbing in hindsight when you research things like the Congolese genocide, the Namibian genocide, or the genocides against Native Americans to name a few where people where exiled and starved out at punishment. Makes me wonder if Disney fans see the hyenas as proxies for Black people to be punished at all costs while claiming that company isn’t racist for hiring minorities as some rhetorical dodge for it not being racist (strawman defeated). Please, that’s like saying the porn industry can’t be sexist because they hire women.

The thing isn’t just about trademarking a common Swahili phrase or for me ragging on Disney for their business practices. The bigger picture is cultural appropriation. One other example that Dr. Mumbi gave in the video was Louis Vuitton capitalizing on traditional Masai cloth by giving it the luxury treatment which is idiotic and offensive to me. Culture isn’t some free for all object for people to steal. I would bet you money if someone were to steal stuff from Louis Vuitton or any other big company, then lawsuits would be handed like candy on Halloween. Screw that double standard. If you want to incorporate something like someone’s culture then do it respectfully and pay the price for it.

This trademarking is so shameful on many levels. If you want to sign the petition about this matter, then here’s the link: https://www.change.org/p/the-walt-disney-company-get-disney-to-reverse-their-trademark-of-hakuna-matata

Video is property of Dr. Mumbi Seraki.

Since when did appreciating originality make me the bad guy?

Before I begin my little opinion piece, I set aside some time as I deal with this gigantic cold front all over the Midwest. At the time of this article, the high where I’m from is -18 Fahrenheit which is insane. This coldness is more on par with Siberia, Antarctica, and the top of Mt. Everest than the part of America where I’m from. If you’re dealing with this, then please stay warm and take care of yourselves.

Okay, now onto the subject at hand.


I’ve been wanting to make an article like this for a long time now. The thing is I appreciate whenever people create some truly unique things. Whether it’s music, film, art, literature, or other subjects, I really like it whenever people craft things that no one else has thought of before. Don’t get me wrong, I’m not against adaptations on principle, building off other works while acknowledging inspiration, or even parodies/satires when done right.

What does grind my gears is whenever I hear people say things such as “Oh, everybody rips off things”.

In my opinions, I find that to be intellectually insulting and just lazy thinking.

At the risk of sounding arrogant, I do try to be as original as I can be with my various works such as my spoken word projects, poems, reviews, music, books, and other things I create. One of the biggest compliments you could give me is telling me that no one else sounds like me, writes like me, or that I’m an innovator in whatever I try. Yes, I’m certainly influenced by others, so I’m not going to lie to you, but I want to be unique in my creative endeavors. There’s one quote from Oscar Wilde that I like a bit too much: “Imitation is the sincerest form of flattery that mediocrity can pay to greatness.” I truly believe that some people aren’t even trying and just follow the leader in music, film, books, etc which I find to be quite slothful.

So why does this make me the bad guy for wanting originality to still be a quality worth desiring?

Seriously, I’ve been made fun of for mentioning how I like more original content as others dismiss my tastes for whatever reason. Possibly it’s insecurity on their part, but I could be wrong.

Over the years, I’ve been realizing how many things have been stolen whether it’s movies, art, video games, or something as extreme as cultural appropriation. You have artwork from Benin and Senegal that’s in European museums without those country’s permission. There’s an obelisk in Ethiopia known as the Obelisk of Axum which was stolen by Italy and a certain leaning tower bears similarities to it. For those who’ve checked out some of my film and anime reviews, I’ve mentioned a few examples. Yes, one of them involves this nefarious lion named Claw from Kimba the White Lion as seen in the featured image who predates a certain other villain let alone other characters in some popular movie by 44 years (or 29 if you only count the anime), yet Tezuka Productions never got credited to this day for that series. If you got triggered by that picture, well…that says more about you than it does about me. Besides that, I get tired of people even resorting to scripture by saying “There’s nothing new under the sun”. I know it’s in Ecclesiastes, but did those same people miss “Thou shall not steal”? Sorry to mention theology in this post, but I needed to use that example to prove a point.

With all these rampant remakes, clones, and frauds going on, it’s really tough for me to cling on to a bunch of media. It’s no wonder I try to make my own stories, music, blogs, and other things. Does me appreciating the innovative make me pretentious? Do I see others as peons for only liking whatever the mainstream spoon-feeds them? I hope it’s not the case for the former, and I certainly don’t want to think that way about the latter.

The image of Claw is from The New Adventures of Kimba the White Lion and is property of Tezuka Productions.

Over 3000 views and the Birthday Aftermath

Well, the birthday surprises just keep coming, don’t they?

For starters, I recently crossed the 3000 view threshold on the Ospreyshire blog. Thank you to all who have checked out this blog for my music, opinions, poems, and everything else!

Without further ado, I’m going to show you some of the gifts I’ve received on my birthday…

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I got this vinyl in the mail from my Scottish friend Dave. This is the newest album from 2 Minute Minor, who are labelmates of mine who also happen to be from the same state as me. This Chicago-based hardcore band make some conscious music while still making quality tunes. You can listen to their album here.

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In this block of photos, it involves drawings, Twix, and a Target gift card from my friend Kip. He’s a talented artist and I hope he finishes the comic book projects he’s been working on for years. I’ve known him since I was in middle school and we still talk to each other.

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I just so happened to get two Amazon gift cards with the same amount from two separate friends. They would be from Marcie and Christy whom I’ve known for a long time. Marcie went to the same church as I did growing up and Christy went to the same school as Kip and I when we were young. It was great of the both of them surprising me.

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I hope my aniblogger friends appreciate this picture. This is an amigurumi (crocheted figures) of Kimba the White Lion. My friend Essence made this for me and it looks amazing. There’s no pattern to making Kimba, so she created this crocheted attempt at this character entirely from scratch and she did a phenomenal job with it. Feel free to support Essence’s crocheting business at Hooked on Cozy. She’s created amigurumi of Pokemon and Attack on Titan characters so far.

Thank you, everyone!