I didn’t expect to get some attention for my new EP, but I appreciate those who’ve listened to it. If you haven’t then here it is.
I wanted to strip my sound down for this concept. This involved a restricted setting with the recording and writing process. For starters, every song had to be based on the same poetic format. In this case, I chose the nonet. That’s a nine line poem with nine syllables each. There are also nine songs on the EP, so one can say I went up to the nines, right?
The recording process is even more minimal than previous recordings I’ve done with my last EP, singles, and compilation contributions. I only used my voice and acousmatics for this one to see what sounds I can get or manipulate. Some of the found sounds are more obvious than others like using a bathtub in one example.
Besides the composition, I thought this EP was therapy for me. I have to be honest with all you readers. I have a lot of issues with internalizing my anger and sadness. A ton of people have enraged me for most of my lives. Most of them are people I haven’t done anything wrong to. I won’t name names, but the tracks involve people who’ve bullied me in the past, some racists who’ve given me hell, and former co-workers who questioned my worth while getting special treatment. This has been a long time coming. The times when I was open with my anger, people treat me like I’m Satan himself. Not to mention a lot of those same people never owned up to THEIR actions and wrongdoings which frustrates me more. You really want to get on my bad side? It’s when others don’t take responsibility for their words or actions when they do something hurtful. I was sick of hiding these feelings for years now and they manifested in spoken word form.
So what do you think? What was your favorite song on the album? What are your thoughts on how I created this EP?
Maybe this could lead to something good and that’s saying nothing about another album I’m writing and recording. Wink wink.
I told you I would do something after getting 200 followers on my blog. This is a brand new single for the occasion. It’s called Nkama Mibale or 200 for those that don’t know Lingala. This poem/song is free to download or you can pay what you want for it. Hope you enjoy it!
I’ve been on a huge African music kick and I wanted to check out the music in the big DRC. That’s the Democratic Republic of Congo for those not familiar with that initialism. I discovered this band called Konono No. 1 who are from Kinshasa (No, it’s not just Shinsuke Nakamura’s finishing move) which is the capital and largest city. These musicians don;t sound like anyone else. It consists of singers, drummers, and three thumb piano players that are hooked up to DIY amps. The frequencies almost sound like distorted guitars which is crazy with how full their sound is. They incorporate traditional rhythms with avant-garde electronics.
Feel free to check them out!
I got to use one of my Christmas presents for this Katauta.
It’s the first one of the new year, so I might as well write a poem about it.
However, I prefer goals over resolutions.
I’ve been negligent in incorporating instruments into my Katauta projects, so I decided to debut one of my panflutes for this minimalist spoken word piece.
It was fun trying to come up with a linear, yet noticeable melody in between each line of the katauta as a motif. Maybe I should use this instrument more often in recordings or possibly if I decide to do this Ospreyshire thing live at concerts.
I finally had enough time for using an instrument for once given my schedule.
It was fun doing a minimalistic piece with a chord I’ve never used before. I’ll see if I can use instruments more often if time allows.
I did another percussion based piece despite some audio issues.
I can’t believe I did it. I busted out the ukulele on this one.
My mind is still boggled by this decision to make minimalist music under the Ospreyshire name with one of the happiest sounding instruments ever made.
Oh, the things I do for whoever bothers to watch or listen…
This is the big announcement. I’m going to do a year long project called Katauta 52. A katauta is a type of Japanese poetry style that uses 3 verses with a 5-7-7 syllabic form. Kind of like a haiku with two extra syllables.
Here are the rules of my project:
1: each song must have a katauta lyrics
2: there must be both spoken and sung lyrics
3: the song must be able to be played live should I have concerts
4: there is one song per week and it must be uploaded on Wednesday
5: no more than 5 notes in the instrumentation
Hope this works.