Stop believing that you own all the dreams
2010 degrees of lies aren’t fooling us
You don’t need a DC Mini or an appealing alter-ego
To shatter deception or the world around you
We’re not ghosts though we can float in hotel hallways
We made the spice to delve into dreams within dreams or converging reality
Years before you had a thought
The mass’s perception is flawed
Because they see your take on caped crusaders
We’ll keep the real dreams alive though our creator passed on
Awards won’t save you, deluded thief
You’re another soul in the demented parade
Soshi-sha ja nai. Anata wa akumu da.
Soshi-sha ja nai. Anata wa akuma da!
To all my otaku friends and followers, REJOICE!
I, Ospreyshire made a song about an anime movie! [M. Bison Voice] YES! YES!
For those of you know know about my tastes in Japanese animation, this probably shouldn’t surprise you, but having a song about Paprika made way too much sense given the concept of the album even though I didn’t want to make an anime-based song so soon. I hope I did it justice with the dream-like aesthetics how it feels hazy and otherworldly with the effects on the instruments and my voice for this one. Also, Satoshi Kon, FTW!
If you don’t know anything about Paprika, let me give you a brief synopsis. Paprika takes place sometime in the near future. The main character Dr. Atsuko Chiba is a psychiatrist who is typically cold and has a lot of deadpan snark. In her industry, there’s a brand new machine called the DC Mini used for patients to try and understand their mental health issues. The DC Mini is a machine that people put on their head which allows them to go into the dream world of sorts. Dr. Chiba does this and crafts a bubbly an extroverted alter-ego in this dream world called Paprika. Unfortunately, the DC Mini is stolen and it is used for heinous crimes, so it’s up to Dr. Chiba/Paprika to save the day in both the dream world and real world. Also, the concept of dreams converging in reality comes up including the ability of dreams happening inside dreams happens.
DOES ANY OF THIS REMIND YOU OF A CERTAIN MAINSTREAM MOVIE?!?!
Christopher Nolan, you are a freaking hack! There is no way he made this movie without watching the final film from one of the most innovative animators in Japan, dare I say the world. The concept of it being Kon-sensei’s final film is important because Paprika came out in 2006 and Inception came out in 2010…the same year that Kon died of cancer. To this day, Nolan has never ever owned up to plagiarizing major concepts from Paprika. Okay, he didn’t rip off any characters like a certain other anime that got plagiarized by Hollywood (Don’t worry…we’ll talk about that series in a future post when it comes to Dear Innovare), but he couldn’t possibly steal scenes from Kon’s last movie and…
Oh, who am I kidding?
Does anyone else think this is some fluke that Nolan would do this? This blatant thievery needs to be called out. I saw Paprika first and I then saw Inception, so the similarities were blatantly obvious when I was in that movie theater. Stop giving this guy a free pass just because he made The Dark Knight trilogy or Memento. How would you feel if the situation was reversed and if Kon stole from Nolan? Yeah…that’s what I thought.
Fun Facts: The title and lyric translates to “You’re not an originator. You’re a nightmare!” from Japanese. The final lyric is switched from “akumu” to “akuma” which means “devil” or “demon”.
Also, if you want my full thoughts on this experimental/sci-fi anime flick, then you can check out my review on Iridium Eye.
The Paprika poster is from Minitokyo and is property of Satoshi Kon, Madhouse, and Sony Pictures Classics.
The Inception poster is from CBS news and is property of Christopher Nolan and Warner Brothers.
The Inception and Paprika GIFs are from thumbpress and are property of Warner Brothers and Sony Pictures Classes respectively.