Ospreyshire Origins: Is This a New Normal?

This was the first of 2 new songs I made for the DFxO split with Dystopian Futures. Dave from DF suggested the idea of a “lockdown” EP given the state of the world today. I freestyled my observations on the world in this pandemic life by mentioning some of my anxieties and concerns. Yes, I did reference some cases of that covidiot licking deodorants at a store or how another one was assaulting and coughing on a cop in Chicago in the earlier parts of the lockdown period. I used an organ sound as a base after listening to a lot of Delvon Lamarr Organ Trio and Booker T around the time of that recording. Relax, I would never rip them off as the song clearly isn’t an organ trio jazz tune.

Hope you enjoyed my thoughts on the song.

Ospreyshire Origins: Ode to the Innovators

Lyrics:

Doctors, kings, educators, singers, and many more
Who dare to be outside hellish boxes deserved the praise for their endeavors
While history books may not have their names in stone, they shall be immortalized for future days
No more theft
No more exploitation
No more ignoring
This prayer shall extend to those daring to put dreams into practice
The world is certainly too heinous for its own good
And thieves will try to steal
They cannot take the originators in them
Dear Innovare…The souls of ignored pioneers shall be renowned
These archetypes shall be remembered
Forever and ever
So shall it be written
So shall it come to reality


Now, we conclude the Ospreyshire Origins posts in regards to Dear Innovare. This was a good amount of closure to this gigantic full-length album. This sums up so much, but I wanted it to end beautifully with some dream pop-esque sound textures with keyboards and ethereal acousmatics. I hope you appreciated this journey in learning about so many fields.

What was your favorite song? What did you like about this album?

Ospreyshire Origins: GTW: Granville Tailer Woods

Lyrics:

I’m not an Edison clone
The railroads were my domain
The damage in those fields were staggering, so I started with the telegraphony
Relayed messages ensured safety, wire by wire
Then Edison wanted credit for my work
How nice, I sued and beat him twice
He was on his knees begging me to work for him.
Nah, bruh
I kept my head up and crafted overhead lines to clear road traffic of cable cars
Automatic brakes, circuits, and egg incubators
Would become part of my repertoire
Although I would rest in an unmarked grave for sixty-five years
My name would be on streets and schools
I’m glad the afterlife wasn’t the end of the line for me

All aboard the originator’s express!


Third time is the charm. This is the third track from Dear Innovare that involves Edison ripping off someone and the second one involving an African-American inventor.

Granville Tailer Woods made several inventions with the telegraphony which was the first telephone/telegram hybrid for trains which drastically improved communications between cars. He made innovations in the third rail, egg incubators, and I even found out long after recording is that he had the archetype for the rollercoaster. Yes, Six Flags, Disney World/Disneyland, Universal Studios, and your favorite theme park owe something to this man! Edison actually plagiarized the telegraphony, so GTW sued him twice and WON against him. Oh, yeah. That actually happened. This is further proof that Tommy is nothing but an overrated hack. I didn’t know who GTW was until last year and that’s a shame on the educational system. If I learned about him during my childhood, I might have been an engineer by now and not be some artsy loser.

The picture of Granville Tailer Woods is from Famous Inventors.

Ospreyshire Origins: The Realest Man From Colchester, Ontario

Lyrics:

Fifty-seven patents not that I’m blowing steam
Glowing with overlooked esteem
Not fronting or stunting
You’ll know more than just my name
Than some hall of fame

Everybody trying to plagiarize my work
Like parasitic jerks
But they can never materialize my prized inventions

A folding ironing board? Built that!
Lawn sprinkler? Built that!
Oil lubricators? Built a bunch of those!

I was never bored when I was a tinkerer
With indicators pointing to me being an inventor like no other
The stars and stripes and the maple leaf
Better recognize and save their gripes for some fakers and thieves

Who da realest? Elijah! (X8)

Colchester, keep it real, eh?


What’s up, Canada? I got a song just for you!

This is all about the inventor Elijah McCoy. Born in the unincorporated village of Colchester, ON (it’s actually part of a town called Essex) to runaway slaves, he eventually moved around to Scotland and America. He worked in various engineering and railway jobs, but he eventually created dozens of patents in multiple fields. One of the biggest ones was oil lubrication on trains which is still used in this present day. His formula was so successful that everybody and their mom tried to rip off his patent. Various companies were so reluctant that they only want McCoy’s original formula. Here’s a little video that talks more about him.

The Realest Man was a first for me on so many levels. I had never written a rap song in my life and this was the first time I ever recorded one. I made the beats and I added acousmatics as part of the sound textures. It was a mix between my avant-garde leanings and modern trap rap. Yes, I was a bit comical in my delivery especially after multiple serious songs, but I wanted to make something fun and educational. You certainly aren’t going to get constructive and/or informative lyrics from 2 Chainz, Migos, or Lil Pump, that’s for dang sure. Hahaha!

Fun facts:

Colchester and Essex, Ontario seem to be named after the town and county of the same name in England.

The picture of Elijah McCoy is from National Inventors Hall of Fame.

Ospreyshire Origins: Pugnam Contra Fures Leonis Pt. III: Rise of the One True Emperor

Lyrics:

[Swahili]

Tazama! Mfalme anainuka!
Tazama! Ukweli utatawala!
Tazama! Hatutakubali wafalme bandia!

Father, I hear your voice in the eastern sky
Mother, I hear you from the constellations
I will make you both proud in being the one true emperor
As I express myself in this human song,
I will right these misdeeds
I’ll still have unity with mankind and the wildlife in my kingdom
I’ve survived capsized ships, weapons, and bigger animals, and I’ll survive this

(Japanese backup vocals: Taitei o nagaku ikiru.)
(Swahili backup vocals: Mfalme ni bandia. Wambariki mfalme wa kweti.)

I hear the cries from Kinshasa, Toronto, Saitama, Grimes, Kigali, Kampala, Dodoma, and Nairobi
While I fight for peace and make sure my kingdom has dignity
I have to address the king who swindled me

You wouldn’t exist without me, but you’re so full of pride
(Japanese backup vocals: Kare wa honto shishi desu.)
(Swahili backup vocals: Ukweli unaishi ndani yake. Akawa ukweli!)
Like uncle, like nephew
You enjoy usurping the throne
Your gods had no worries
Profiting and suing others
For cultures they don’t own
Much like your father you dreamed of
Devastation and deceit
Have you seen a human before?
Have you found a way
To punish without genocide by starvation?
Shame on those humans who are allured
By your mate’s bedroom eyes
Was she your sister or your cousin?
You vagabond in denial
I never ran away when my parents died
Artifice flows through you
And permeates every time that you breathe
You tried blocking my existence
And denying it, too
You’re a false king
I’ll break your deception (X3)
Cause I’m the one true emperor

Copycats get no mercy!


I wasn’t originally planning on writing a song based on this anime when I was coming up with Dear Innovare. However, with everything I know and have learned last year with this and other cases, there was no way I could avoid talking about it especially when a good portion of this concept album involves plagiarism and theft cases. Also, there’s a contest that I have for the fun facts section if someone wants this song for free if they don’t have the album already.

If I could base songs on the Paprika/Inception controversy and the Battle Royale/Hunger Games controversy, then I’d be a fool not to talk about what one could make a strong case to be THE biggest film plagiarism issue of all time. Well, there’s that and having a couple of friends who actually wanted to hear an Ospreyshire track about the first anime series to be created and broadcast in color. One of those friends would be one of my college buddies Drew and the other is my Scottish mate Dave from ZAP Records himself.

[sigh] Here we go.

For those of you who don’t know anything about this song or anime series, this involves Osamu Tezuka’s creation Jungle Emperor Leo AKA Kimba the White Lion. This was a manga made in 1950, but it got the anime treatment in 1965, so this is older than Speed Racer. Tezuka is also known for creating Astro Boy, Black Jack, Metropolis (no, not the German film), and Dororo which got remade last year. This story is about the life and adventures of a lion cub prince named Kimba (I’m going to refer to their English names from here on out). His goal is to have unity between the animals and the humans, but he has to take responsibility to lead his kingdom after his father Caesar (the original king) gets murdered and…

You know what? I don’t need to go further with a synopsis.

Related image

This shouldn’t surprise anyone. If you want to know my full thoughts on this issue, then check out my Lion King rant post I did last Summer. You can also check out my review of Kimba the White Lion on my other blog. If you really want to get in depth with this insane film plagiarism controversy, then check out this link. I don’t want to repeat myself too much here.

This is infuriating how Disney even to this day have never owned up to stealing most of it’s characters, storylines, and even scenes that were shot-for-shot from Tezuka’s work. The reasons why Tezuka Productions haven’t sued Mickey Mouse are because Osamu mentioned on his will not to burn bridges with Disney (context: he died in 1989 during production of The New Advantures of Kimba the White Lion which would be 5 years before The Lion King was released) and because they don’t have as much money to take them on in court. I disagree and they should’ve sued The House of Mouse. Disney even tried to block Jungle Emperor Leo 1997 from North America at the Fantasia Film Festival in Canada back in 1998, for crying out loud! Simba was originally going to be a white lion in pre-production. Roy E. Disney called Sarabi “Kimba’s mother” in the 1993 Prodigy Q&A Transcript which can be seen in one of the links above. They would have so many strong cases for copyright infringement. Here are examples of these various characters:

Screen Shot 2020-01-07 at 11.52.44 AM.png

Comparisons from the first picture and this screencap:

Lion prince: Kimba=Simba
Deceased father lion: Caesar=Mufasa
Comic relief hyena henchmen: Tom and Tab=Shenzi, Banzai, and Ed
Wise, yet eccentric baboon advisor: Dan’l=Rafiki
Major-domo bird who gets into prat falls: Pauley=Zazu
Major villain that usurps the kingdom: Claw=Scar (BIGGEST RIPOFF VILLAIN EVER!)
Girlfriend lioness who becomes the prince’s mate: Kitty=Nala

Bonus examples:

Lion queen mother: Snowene=Sarabi
Daughter of the main character: Lukio=Kiara (see: Susume, Leo or Jungle Emperor Leo 1997 and The Lion King II respectively)
Son of the main character: Lune=Kion (see: Susume, Leo or Jungle Emperor Leo 1997 and The Lion Guard respectively)

Even The Simpsons made a joke involving this plagiarism controversy. Yes, that’s James Earl Jones doing all the voices in that scene!

Enough of me ranting here. I felt like I’ve done a bunch of it on two of my blogs already. Hahaha! Let’s talk about the music. This is actually the longest Ospreyshire song I ever written and recorded and has more instrumental layers than anything else. I had three different sounds from one keyboard, bass, acousmatics, African percussion instruments (fair trade, FTW!), and my little mbira. I felt so compelled to use both Swahili and Japanese lyrics which was a very nice touch and I wanted to be respectful to those cultures. The lyrics use a TON of Kimba and Lion King references. I won’t explain them all, but here are a few and the meanings therein.

Kimba references:

“Father, I hear your voice in the Eastern sky. Mother, I hear you from the constellations.” This represents the death of both of Kimba’s parents. The Eastern sky also references an opening lyric in the Jungle Emperor Leo 1997 ending theme “Wind Song”. That and he sees the spirits of his dead parents in the sky in the original show (SOUND FAMILIAR?).

“…this human song” This references the Kimba song “Sing a Human Song” in the English dub.

“Saitama…Grimes” Those cities have major significance to Kimba. Saitama, Japan has a baseball team called the Seibu Lions who use that character as a mascot even to today. Grimes refers to a town in Iowa referring to Right Stuf and their anime distribution subsidiary Nozomi Entertainment who have the license to the original show.

Top Lion King potshots in my opinion in no particular order:

“Was she your sister or your cousin?” Who is Nala’s father? No Lion King fan has ever given me a straight answer on that issue, so I directly referenced that infamous incest theory in this song! Do the math.

“Your gods had no worries profiting and suing others for cultures they don’t own…” Three words: HAKUNA MATATA TRADEMARK!

Note: I reference capitals of countries where Swahili has official language status with Kinshasa (DRC), Kigali (Rwanda), Kampala (Uganda), Dodoma (Tanzania), and Nairobi (Kenya).

“Have you found a way to punish without genocide by starvation?” This line calls out Mufasa’s severe protagonist centered morality of the Elephant Graveyard. Starving and isolating others is genocide. Just look at Shark Island in Namibia, the several Native American tribes who were subjugated by the pilgrims, and The Devil’s Punchbowl in Mississippi to name a few. Also, I have to give props to Croatian blogger Vigour of Film Lines for noticing that severe flaw of the Mufasa character and for calling the Elephant Graveyard a concentration camp, too!

Fun facts:

I namedrop the title of my other song “They Dreamed of Devastation and Deceit” in the lyrics. It’s even more appropriate when you consider the subtitle is (Circle of Lies).

Lion King fans! I actually parody two songs from that movie franchise from a musicality standpoint. The intro should be obvious and the other parody aspect kicks in when I start singing halfway through the song. The first person who gets the answers right gets this song for free if they didn’t buy the album.

Hope you liked my somewhat lengthy backstory on that song. This concludes this song/poem trilogy.

The picture of The New Adventures of Kimba the White Lion is from Fandom and is property of Tezuka Productions.

The screenshot of Mufasa, Simba, Caesar, and Kimba is from Mashable and they are property of Disney, Tezuka Productions, and Nozomi Entertainment respectively.

The character comparison guide is from the Internet Archive. All characters are property of Tezuka Productions, Nozomi Entertainment, and Disney respectively.

The video clip is from The Simpsons and is property of Fox.

Ospreyshire Origins: Pugnam Contra Fures Leonis Pt. II: The Queen Is False and Her Hive Is Deluded

Lyrics:

Such a naughty girl typical in copying imagery
Not from precambrian times, but from 2018
I wouldn’t blame your man or blaming fire
But your employers who were accomplices
It sucks to be you abducting the black house
While you call your vanity project a “gift”
Your daughter must be so proud of you
Your shame ya mobali ya mobali [Lingala for “To the right, to the right”]
Oh wait, you have none
You may be called a queen, but I see a phony
Keep thinking you’re a survivor

[Lingala]
Ozali mokonzi mwasi te
Ozali nkosi te
Ozali Nzambe te!


Welcome to part 2 of my Pugnam Contra Fures Leonis trilogy which is all about one of the biggest pieces of cat burglary, cinematic plagiarism, and cultural appropriation ever! This is actually the most recent example of this ravenous plagiarism. Shout-out to Inskidee for that term!

This song is about Yannick Illunga AKA Petite Noir. He’s a Belgium-born avant-pop musician of Congolese and Angolan descent who is based in Cape Town, South Africa. In 2018, he recorded an EP called La Maison Noir (The Black House) and released a long-form music video containing most of the songs, but adding a narrative and incorporating visuals from African culture. They filmed it straight in the Namib desert which covers his current home country and it’s next door neighbor Namibia. I think you might like this short musical of sorts.

Then one year later…Mickey Mouse happened to have a certain diva as an accomplice…

Image result for petite noir beyonce

LOOK OUT, BEYHIVE! I’M GOING TO BASH YOUR FAKE GODDESS AND THAT OVERRATED MOVIE FRANCHISE!!

Wow, just wow! The Petite Noir video was barely a year old before Disney and the former Destiny’s Child member managed to rip off his music video when the newest iteration of Nala decided to release her video for “Spirit” for the Lion King remake. Here are some images from both videos.

Beyonce

Do you honestly believe that Beyonce, Jake Nava, Jon Favreau, or anyone at Disney didn’t see the Petite Noir video? Do any of you think it’s some little coincidence that both videos would take place in the desert and have traditional African clothing in red and blue? Come on, people. This isn’t like “Mbube” or a certain Osamu Tezuka anime/manga series (we’ll get to that in a certain post!) which both predate the internet. This was from 20-freaking 18. This was stupid and the denial is just facepalm-worthy. JUST OWN UP TO IT! No, just because Beyonce had African musicians on her vanity project of a companion soundtrack doesn’t give her a right to steal from another musician from the continent. Also, notice how that album is called “The Lion King: The Gift” and the Petite Noir’s video is called “La Maison Noir: The Gift and The Curse“. Think about it! Here’s a good link about that plagiarism issue and some of the online reactions.

The song was an experimental acoustic-ish track, but I got to use effects to my mbira to give it an electric sound to it. I was listening to a ton of Konono No. 1 and Kasai Allstars before writing and recording, so that instrumental choice was highly influenced by them using amplified thumb pianos in most of their songs. Besides that, I use Petite Noir references and a bunch of Beyonce references in the lyrics. See if you spot them.

After this piece of thievery, we’re going to get to the big example of this plagiarism marathon. It will be hard not to have some pride in this work and in part 3, all you anime fans are going to love me even though you can guess what the last part will be about. :3

La Maison Noir: The Gift and the Curse is property of Petite Noir and Red Bull Music. The screenshot is from YouTube.

The Beyonce picture is from Timeslive.

The screenshot comparison is from WiseAfri. The La Maison Noir screenshots are property of Petite Noir and The Spirit screenshots are property of Disney.

Ospreyshire Origins: Pugnam Contra Fures Leonis Pt. I: The Uncrowned King of Johannesburg

Lyrics:
[Zulu]

Bass voice: Kumele adale
Baritone voice: Inkosi yethu izokwaziwa
Tenor voice: U-Linda ungumbali wangampela wengoma

Johannesburg was where the lion was born
It had a roar that shook the concert halls
Collective voices made sure no one slept
Only controlled by the uncrowned king

Ethnomusicologists stepped in
To colonize the canorous monarch’s song
That lion was poached as it reached stateside
Leaving the king without a cent to his name

What a token gesture that was thievery
New York and Burbank usurped his throne
His daughters were neglected by their greed
They had to keep that lion and king alive


We’ve got another song that involves South Africa and some Zulu lyrics much like “Lebombo”. Hooray! This also kicks off the first part of my Pugnam Contra Fures Leonis trilogy for Dear Innovare! Double Hooray! This song was an Ospreyshire first in creating a one-man acappela chamber choir song with no instruments and/or acousmatics! Triple Hooray all the way!

This song is an homage to South African musician Solomon Linda. He’s a beloved singer even to this day in that country. His biggest song was called “Mbube” which means “Lion” in the Zulu language. He invented a subgenre of South African choral music that’s named after that particular song and has been involved in that country’s Isicathamiya scene (just so you know, you’re supposed to click on the “c” when you pronounce the name of that acappella genre). Feel free to check it out!

That song got the attention of an American licensing company to take it stateside. First came Pete Seeger “adapting” the song into “wimoweh”.

Next came what became easily the best known form of covering. By covering, I mean total plagiarism. Everyone should know the biggest rip-off version by now if you didn’t figure it out from the original “Mbube” song.

Solomon Linda died before The Tokens did their stolen version of his song. To make matters worse, he died penniless and his family lived in poverty long after his passing. The surviving family members struggled and wondered why they didn’t get money from Solomon’s song. Then in 1994, there was this big animated movie that would be the straw that broke the camel’s back especially with two characters.

Image result for the lion sleeps tonight

Seriously, screw Disney. The Lion King was able to rake in over $15 million in royalties from “The Lion Sleeps Tonight” and that’s not even counting the Broadway version. The Linda family with the help of journalist Rian Malan and the South African government sued the American licensing company and Disney for plagiarism in the 00s. This issue was shown in the 2019 Netflix documentary called The Lion’s Share which I actually reviewed on Iridium Eye. I don’t want to spoil the case and all the details that went into it, but Disney STILL never credited Solomon Linda and the “Mbube” song in the Lion King remake!

This rampant plagiarism, cultural appropriation, and bastardization of Africa makes my blood boil, but I’m not done yet.

We still have two more songs that deals with other aspects of the cat burglary coup of the century. Yes, I just referenced the biggest villain clone ever, but it was way too appropriate.

The picture of Solomon Linda is from Change.

The Lion King is property of Disney. The image of Timon and Pumbaa is from Financial Times and is property of Disney.

Ospreyshire Origins: Cameroonian Originality March

Lyrics:

Attention!

[French]
Nous avons des vautours de la culture a venir!
Notre musique est attaquee!
Marche en avant!
Oui, monsieur!

Barnwell, Baranquilla, Gary, Portsmouth
We’re coming for all of you
Your status as godfathers, hip shakers, kings, and misdemeanors
Have nothing on us
We’ll keep marching on (X2)

[French]
Nous devon securiser le berceau de nos ancetres (de nos ancetres) [X4]

What do we want? (Our original tunes!)
When do we want them? (Right now!)
(X4)


Before I get to talking about this song and what inspired me, I would like to give major props to my Cameroonian blogger friend Dr. Y from Afrolegends. He’s been awesome in making high quality posts for over a decade about African history, culture, news, trivia, proverbs, and then some. Dr. Y was able to educate me about some of the musicians from his home country and even gave me some nuggets about plagiarism cases involving their musicians.

Not going to lie, Cameroon has some great artists. I got into Mr. Leo’s music last year, been listening to some Salatiel (I knew who he was before he was a part of THAT companion soundtrack), and more recently Tim & Foty who are part of the topic of this song. I also wanted the song to have a balance between French and English lyrics to represent unity in that country given some of the issues going on with those communities based on those languages. There have been four high profile songs straight out of this Central African nation. Prepare your ears because some of these songs are going to sound familiar to you.

Exhibit A: “Zamina mina (ZangalĂ©wa)” by Golden Sounds

Exhibit B: “Soul Makossa” by Manu Dibango

Exhibit C: “Hot Koki” by Andre-Marie Tala

Exhibit D: “Douala by Night” by JM Tim and Foty

Doesn’t Cameroon have a lively music scene? Did you also think some of those songs sounded familiar? It would certainly be a shame if a Colombian and some Americans were to steal them.

Yes, that happened and I’m going to correlate each rip-off song to their respective originals.

Shakira stole from Golden Sounds:

Michael Jackson stole from Manu Dipango:

James Brown stole from Andre-Marie Tala:

Missy Elliott, Method Man and Redman stole from Tim & Foty:

All of this came from one country. Some of your favorite artists are musical robbers, so deal with it. This blew my mind and I have Dr. Y to thank when it came to the Shakira and James Brown issues before discovering the rest on my own. Unbelievable, and Cameroon deserves so much better and not just because of some of their current issues right now.

Besides that, I wanted that marching vibe like the “Zangelewa” song, but completely different chords and instrumentation with the Omnichord with hand percussion. This is homage and at least I acknowledge MY inspirations.

The Cameroonian flag picture is from Flags of the World.

Ospreyshire Origins: Jo Anderson and The Reaper

Lyrics:

I would never meet my captor’s grandson, but I can only thank him from the beyond as he put my name on the record
Shame on this country for not realizing my brainpower and physical endurance
Robert, Cyrus, you know it’s true
The reaper wouldn’t exist without me
I guess people like me are used to doing all the heavy lifting
1834 saw the birth of this new tool
However, the McCormick’s names were on it
Cyrus II, you did what you could to make things right
I may have been a slave, but I was still an inventor


I’m from the smaller cities and from suburbs, so I don’t have an appreciation for agriculture as much as I should. This has certainly have been changing doing all this research for Dear Innovare. This also goes into my portfolio of “things you didn’t know were invented by African-Americans” that I only knew about fairly recently. Jo Anderson was a slave who invented the reaper which was used to get crops easier and faster. Unfortunately, he could patent because…oh you all should know the reason why after checking out some of my previous installments of Ospreyshire Origins.

File:Robert Hall McCormick.jpg
File:Cyrus McCormick engraving.png

This is Robert and his son Cyrus McCormick respectively. These slavers stole Jo Anderson’s idea and took it as their own for the McCormick business. Even though they are originally from Virginia, they eventually moved to Chicago. What I didn’t realize until recently, they were one of the most powerful families in the Windy City. Have you ever heard of the McCormick Place in Chicago? The same place with the Chicago Auto Show, major conventions, and is the largest convention center in the entire North American continent? Yeah, it’s named after this family! Just think about that when you think about that foundation. I’m glad Cyrus II eventually credited Jo, but the real inventor of the reaper deserved far better.

The image of Jo Anderson is from Mysterious Chicago Tours.

The image of Robert McCormick is from Wikipedia.

The Image of Cyrus McCormick is from Wikipedia.

Ospreyshire Origins: The Tulsa Strike Back Groove

Lyrics:

This is WOSPR Speaking

Foreign shores wanted more in store for stealing funky scores

Saturday night brought the fight to ignite to prevent the plight as we regained our rights

No matter if its Brooklyn, Echo Park, or Tulsa, Oklahoma. We’ll get our song back and clear your pop-coated aroma

The oil capital’s gonna get ya uptown, downtown, any town

Everybody sing like the Originator told ya: We gonna strike back with this groove!


To all of you that like old-school funk, I salute you!

I had a funk phase last year by listening to bands like Cameo, Parliament-Funkadelic, Sly and the Family Stone to name a few. One band that I checked out as well was The GAP Band. I heard a few of their songs thanks to my mom when I was younger and she did like their music. On one day last year, I listened to their song “I Don’t Think You Want to Get Up and Dance” as part of a YouTube playlist. I had to reattach my jaw literally during the first few seconds of the song. Let’s see if you’ll be able to figure out why. Here’s the radio edit version, but the point will still stand.

“Oops upside your head, say oops upside your head…”

The way they say that line must have been replicated by some multi-instrumentalist and a singer who has a habit of retreading older R&B and funk sounds. Hmm…who could they be?

Image result for mark ronson

Image result for bruno mars

I’m sure a good portion of you only recognize the second picture. Here, let me make things a lot clearer with one of the biggest songs of the 10s that both were famous for performing…

“Oops upside your head say oops upside your head…Uptown funk you up, say uptown funk you up…”

Don’t lie, that’s what you were all thinking when you heard the song from The GAP Band. I can’t lie to you, I used to really like “Uptown Funk” as it was one of the few pop songs I thought was actually listenable. Okay, even then I didn’t think it was as good as other funk songs I heard, but at least it sounded different than the typical pop garbage. That must be the case because it sounds like The GAP Band! Those Tulsa funkers managed to sue Mark Ronson and Bruno Mars for stealing their original song. The result, The GAP Band and their co-writers got writing credit and partial royalties of “Uptown Funk”. Did you know that including the updated writing credits, that means “Uptown Funk” had a whopping total of ELEVEN writers after the lawsuit! I can’t make this up. So, Ronson and Mars can credit Trinidad James right away for referencing his “Don’t believe me just watch” lyric from “All Gold Everything”, but not the band that had been making music since both of them were even born? Wow, just wow, guys…

Here’s some musical trivia for The Tulsa Strike Back Groove. I freestyled half of the spoken word elements that aren’t mentioned in the lyrics while referencing Charlie Wilson’s dialogue in their song. I also parody lyrics from “Uptown Funk”. See if you can spot them. Also, Charlie Wilson from The GAP Band is cousins to another famous funk musician…Bootsy Collins!

The picture of The GAP Band is from The Mississippi Link.

The picture of Mark Ronson is from PopCrush.

The picture of Bruno Mars is from Billboard.