Some videos that got my attention somewhat recently

I’ve been doing my best to check out a few things when I have some downtime especially after multiple long days at work. I have to stay sane even with the state of the world and the negative news or opinions pop up.

Benjamin Clementine’s music:

If you follow my Iridium Eye blog, you might recognize this name from my last Top 7. He’s a recent musical discovery who just astounded me with his talent, musicality, and has a very unique voice. I know I’m a sucker for experimental music and avant-garde stuff, so Benjamin Clementine’s music really moved me. Here’s the video for his song “London”.

Social Isolation Match Pt. II: Chuck Mambo Vs. Eddie Dennis

I’m liking how this is becoming a thing with the guys in Escaping the Midcard. Some of you may have seen the first video with Chuck Mambo and TK Cooper, but this one involves the former taking on Welsh wrestler Eddie Dennis in this hilarious match. This stuff is hilarious and they take it over the top with guitars, cats, and weed whackers. The editing was superb and they looked like they had so much fun having a “wrestling match” despite being in their homes in England and Wales.

“Roses are Red” by The Mac Band ft. The McCampbell Brothers

While I would be too young to know about this song, I admit to being a sucker for new jack swing R&B. Hey, I’m from the 90s, so I definitely remember hearing some of that stuff when I was little. Yes, I do admit that the chorus is based on one of the cheesiest rhymes, but dang it, these guys just sell that emotion. It feels romantic and not sleazy like a ton of modern music. I was even pleasantly surprised to see some class with how everyone was dressed in the video despite the dated videography and awkward dancing at points. I’m not sure if this song is still a guilty pleasure or bordering on me liking this unironically. Oh, wait. Things have been contradictory so far by putting an avant-garde singer and a social distancing wrestling match in the same article. Who am I to judge?

Stevie Wonder Isolated Vocals

I know this song and I’m sure most of you have heard “Sir Duke” at some point in your lives. One day, my mom of all people messaged me this video. Hearing the isolated vocals just blew my mind. This was done in one take which I didn’t realize. I’m starting to appreciate older music more often. Remember when singers actually recorded their vocals without the “safety net” of Auto-Tune? Pepperidge Farm remembers! Am I part of the last generation of people who actually remembers popular music being made without that technology? Wow, I must be getting old…

The Lion King Lie:

Special thanks to Scott from Mechanical Anime Reviews for showing me this video. I don’t want to repeat myself given my tendency to bash this Disney movie for ripping off that 60s anime or the problematic cultural appropriation and bigoted crap associated with Mickey Mouse’s “creation” (I used that term loosely), but there were things I didn’t even know about or realize like some of the quotes from Disney’s side of things which only fuels my anger towards them. Also, I feel stupid for not realizing the similarities between Gargoyle G. Warthog’s “ashamed” dialogue and part of Pumbaa’s lyrics to “Hakuna Matata”. Definitely interesting even though there is some Disney bias there. However, I was pleasantly surprised that even Lion King fans in a bunch of the comments are FINALLY admitting that this movie literally wouldn’t exist without Kimba. That would’ve never happened years ago.

Hope you’re doing alright.

Ospreyshire Origins: Pugnam Contra Fures Leonis Pt. III: Rise of the One True Emperor

Lyrics:

[Swahili]

Tazama! Mfalme anainuka!
Tazama! Ukweli utatawala!
Tazama! Hatutakubali wafalme bandia!

Father, I hear your voice in the eastern sky
Mother, I hear you from the constellations
I will make you both proud in being the one true emperor
As I express myself in this human song,
I will right these misdeeds
I’ll still have unity with mankind and the wildlife in my kingdom
I’ve survived capsized ships, weapons, and bigger animals, and I’ll survive this

(Japanese backup vocals: Taitei o nagaku ikiru.)
(Swahili backup vocals: Mfalme ni bandia. Wambariki mfalme wa kweti.)

I hear the cries from Kinshasa, Toronto, Saitama, Grimes, Kigali, Kampala, Dodoma, and Nairobi
While I fight for peace and make sure my kingdom has dignity
I have to address the king who swindled me

You wouldn’t exist without me, but you’re so full of pride
(Japanese backup vocals: Kare wa honto shishi desu.)
(Swahili backup vocals: Ukweli unaishi ndani yake. Akawa ukweli!)
Like uncle, like nephew
You enjoy usurping the throne
Your gods had no worries
Profiting and suing others
For cultures they don’t own
Much like your father you dreamed of
Devastation and deceit
Have you seen a human before?
Have you found a way
To punish without genocide by starvation?
Shame on those humans who are allured
By your mate’s bedroom eyes
Was she your sister or your cousin?
You vagabond in denial
I never ran away when my parents died
Artifice flows through you
And permeates every time that you breathe
You tried blocking my existence
And denying it, too
You’re a false king
I’ll break your deception (X3)
Cause I’m the one true emperor

Copycats get no mercy!


I wasn’t originally planning on writing a song based on this anime when I was coming up with Dear Innovare. However, with everything I know and have learned last year with this and other cases, there was no way I could avoid talking about it especially when a good portion of this concept album involves plagiarism and theft cases. Also, there’s a contest that I have for the fun facts section if someone wants this song for free if they don’t have the album already.

If I could base songs on the Paprika/Inception controversy and the Battle Royale/Hunger Games controversy, then I’d be a fool not to talk about what one could make a strong case to be THE biggest film plagiarism issue of all time. Well, there’s that and having a couple of friends who actually wanted to hear an Ospreyshire track about the first anime series to be created and broadcast in color. One of those friends would be one of my college buddies Drew and the other is my Scottish mate Dave from ZAP Records himself.

[sigh] Here we go.

For those of you who don’t know anything about this song or anime series, this involves Osamu Tezuka’s creation Jungle Emperor Leo AKA Kimba the White Lion. This was a manga made in 1950, but it got the anime treatment in 1965, so this is older than Speed Racer. Tezuka is also known for creating Astro Boy, Black Jack, Metropolis (no, not the German film), and Dororo which got remade last year. This story is about the life and adventures of a lion cub prince named Kimba (I’m going to refer to their English names from here on out). His goal is to have unity between the animals and the humans, but he has to take responsibility to lead his kingdom after his father Caesar (the original king) gets murdered and…

You know what? I don’t need to go further with a synopsis.

Related image

This shouldn’t surprise anyone. If you want to know my full thoughts on this issue, then check out my Lion King rant post I did last Summer. You can also check out my review of Kimba the White Lion on my other blog. If you really want to get in depth with this insane film plagiarism controversy, then check out this link. I don’t want to repeat myself too much here.

This is infuriating how Disney even to this day have never owned up to stealing most of it’s characters, storylines, and even scenes that were shot-for-shot from Tezuka’s work. The reasons why Tezuka Productions haven’t sued Mickey Mouse are because Osamu mentioned on his will not to burn bridges with Disney (context: he died in 1989 during production of The New Advantures of Kimba the White Lion which would be 5 years before The Lion King was released) and because they don’t have as much money to take them on in court. I disagree and they should’ve sued The House of Mouse. Disney even tried to block Jungle Emperor Leo 1997 from North America at the Fantasia Film Festival in Canada back in 1998, for crying out loud! Simba was originally going to be a white lion in pre-production. Roy E. Disney called Sarabi “Kimba’s mother” in the 1993 Prodigy Q&A Transcript which can be seen in one of the links above. They would have so many strong cases for copyright infringement. Here are examples of these various characters:

Screen Shot 2020-01-07 at 11.52.44 AM.png

Comparisons from the first picture and this screencap:

Lion prince: Kimba=Simba
Deceased father lion: Caesar=Mufasa
Comic relief hyena henchmen: Tom and Tab=Shenzi, Banzai, and Ed
Wise, yet eccentric baboon advisor: Dan’l=Rafiki
Major-domo bird who gets into prat falls: Pauley=Zazu
Major villain that usurps the kingdom: Claw=Scar (BIGGEST RIPOFF VILLAIN EVER!)
Girlfriend lioness who becomes the prince’s mate: Kitty=Nala

Bonus examples:

Lion queen mother: Snowene=Sarabi
Daughter of the main character: Lukio=Kiara (see: Susume, Leo or Jungle Emperor Leo 1997 and The Lion King II respectively)
Son of the main character: Lune=Kion (see: Susume, Leo or Jungle Emperor Leo 1997 and The Lion Guard respectively)

Even The Simpsons made a joke involving this plagiarism controversy. Yes, that’s James Earl Jones doing all the voices in that scene!

Enough of me ranting here. I felt like I’ve done a bunch of it on two of my blogs already. Hahaha! Let’s talk about the music. This is actually the longest Ospreyshire song I ever written and recorded and has more instrumental layers than anything else. I had three different sounds from one keyboard, bass, acousmatics, African percussion instruments (fair trade, FTW!), and my little mbira. I felt so compelled to use both Swahili and Japanese lyrics which was a very nice touch and I wanted to be respectful to those cultures. The lyrics use a TON of Kimba and Lion King references. I won’t explain them all, but here are a few and the meanings therein.

Kimba references:

“Father, I hear your voice in the Eastern sky. Mother, I hear you from the constellations.” This represents the death of both of Kimba’s parents. The Eastern sky also references an opening lyric in the Jungle Emperor Leo 1997 ending theme “Wind Song”. That and he sees the spirits of his dead parents in the sky in the original show (SOUND FAMILIAR?).

“…this human song” This references the Kimba song “Sing a Human Song” in the English dub.

“Saitama…Grimes” Those cities have major significance to Kimba. Saitama, Japan has a baseball team called the Seibu Lions who use that character as a mascot even to today. Grimes refers to a town in Iowa referring to Right Stuf and their anime distribution subsidiary Nozomi Entertainment who have the license to the original show.

Top Lion King potshots in my opinion in no particular order:

“Was she your sister or your cousin?” Who is Nala’s father? No Lion King fan has ever given me a straight answer on that issue, so I directly referenced that infamous incest theory in this song! Do the math.

“Your gods had no worries profiting and suing others for cultures they don’t own…” Three words: HAKUNA MATATA TRADEMARK!

Note: I reference capitals of countries where Swahili has official language status with Kinshasa (DRC), Kigali (Rwanda), Kampala (Uganda), Dodoma (Tanzania), and Nairobi (Kenya).

“Have you found a way to punish without genocide by starvation?” This line calls out Mufasa’s severe protagonist centered morality of the Elephant Graveyard. Starving and isolating others is genocide. Just look at Shark Island in Namibia, the several Native American tribes who were subjugated by the pilgrims, and The Devil’s Punchbowl in Mississippi to name a few. Also, I have to give props to Croatian blogger Vigour of Film Lines for noticing that severe flaw of the Mufasa character and for calling the Elephant Graveyard a concentration camp, too!

Fun facts:

I namedrop the title of my other song “They Dreamed of Devastation and Deceit” in the lyrics. It’s even more appropriate when you consider the subtitle is (Circle of Lies).

Lion King fans! I actually parody two songs from that movie franchise from a musicality standpoint. The intro should be obvious and the other parody aspect kicks in when I start singing halfway through the song. The first person who gets the answers right gets this song for free if they didn’t buy the album.

Hope you liked my somewhat lengthy backstory on that song. This concludes this song/poem trilogy.

The picture of The New Adventures of Kimba the White Lion is from Fandom and is property of Tezuka Productions.

The screenshot of Mufasa, Simba, Caesar, and Kimba is from Mashable and they are property of Disney, Tezuka Productions, and Nozomi Entertainment respectively.

The character comparison guide is from the Internet Archive. All characters are property of Tezuka Productions, Nozomi Entertainment, and Disney respectively.

The video clip is from The Simpsons and is property of Fox.

Ospreyshire Origins: Pugnam Contra Fures Leonis Pt. I: The Uncrowned King of Johannesburg

Lyrics:
[Zulu]

Bass voice: Kumele adale
Baritone voice: Inkosi yethu izokwaziwa
Tenor voice: U-Linda ungumbali wangampela wengoma

Johannesburg was where the lion was born
It had a roar that shook the concert halls
Collective voices made sure no one slept
Only controlled by the uncrowned king

Ethnomusicologists stepped in
To colonize the canorous monarch’s song
That lion was poached as it reached stateside
Leaving the king without a cent to his name

What a token gesture that was thievery
New York and Burbank usurped his throne
His daughters were neglected by their greed
They had to keep that lion and king alive


We’ve got another song that involves South Africa and some Zulu lyrics much like “Lebombo”. Hooray! This also kicks off the first part of my Pugnam Contra Fures Leonis trilogy for Dear Innovare! Double Hooray! This song was an Ospreyshire first in creating a one-man acappela chamber choir song with no instruments and/or acousmatics! Triple Hooray all the way!

This song is an homage to South African musician Solomon Linda. He’s a beloved singer even to this day in that country. His biggest song was called “Mbube” which means “Lion” in the Zulu language. He invented a subgenre of South African choral music that’s named after that particular song and has been involved in that country’s Isicathamiya scene (just so you know, you’re supposed to click on the “c” when you pronounce the name of that acappella genre). Feel free to check it out!

That song got the attention of an American licensing company to take it stateside. First came Pete Seeger “adapting” the song into “wimoweh”.

Next came what became easily the best known form of covering. By covering, I mean total plagiarism. Everyone should know the biggest rip-off version by now if you didn’t figure it out from the original “Mbube” song.

Solomon Linda died before The Tokens did their stolen version of his song. To make matters worse, he died penniless and his family lived in poverty long after his passing. The surviving family members struggled and wondered why they didn’t get money from Solomon’s song. Then in 1994, there was this big animated movie that would be the straw that broke the camel’s back especially with two characters.

Image result for the lion sleeps tonight

Seriously, screw Disney. The Lion King was able to rake in over $15 million in royalties from “The Lion Sleeps Tonight” and that’s not even counting the Broadway version. The Linda family with the help of journalist Rian Malan and the South African government sued the American licensing company and Disney for plagiarism in the 00s. This issue was shown in the 2019 Netflix documentary called The Lion’s Share which I actually reviewed on Iridium Eye. I don’t want to spoil the case and all the details that went into it, but Disney STILL never credited Solomon Linda and the “Mbube” song in the Lion King remake!

This rampant plagiarism, cultural appropriation, and bastardization of Africa makes my blood boil, but I’m not done yet.

We still have two more songs that deals with other aspects of the cat burglary coup of the century. Yes, I just referenced the biggest villain clone ever, but it was way too appropriate.

The picture of Solomon Linda is from Change.

The Lion King is property of Disney. The image of Timon and Pumbaa is from Financial Times and is property of Disney.

Ospreyshire Origins: Cameroonian Originality March

Lyrics:

Attention!

[French]
Nous avons des vautours de la culture a venir!
Notre musique est attaquee!
Marche en avant!
Oui, monsieur!

Barnwell, Baranquilla, Gary, Portsmouth
We’re coming for all of you
Your status as godfathers, hip shakers, kings, and misdemeanors
Have nothing on us
We’ll keep marching on (X2)

[French]
Nous devon securiser le berceau de nos ancetres (de nos ancetres) [X4]

What do we want? (Our original tunes!)
When do we want them? (Right now!)
(X4)


Before I get to talking about this song and what inspired me, I would like to give major props to my Cameroonian blogger friend Dr. Y from Afrolegends. He’s been awesome in making high quality posts for over a decade about African history, culture, news, trivia, proverbs, and then some. Dr. Y was able to educate me about some of the musicians from his home country and even gave me some nuggets about plagiarism cases involving their musicians.

Not going to lie, Cameroon has some great artists. I got into Mr. Leo’s music last year, been listening to some Salatiel (I knew who he was before he was a part of THAT companion soundtrack), and more recently Tim & Foty who are part of the topic of this song. I also wanted the song to have a balance between French and English lyrics to represent unity in that country given some of the issues going on with those communities based on those languages. There have been four high profile songs straight out of this Central African nation. Prepare your ears because some of these songs are going to sound familiar to you.

Exhibit A: “Zamina mina (ZangalĂ©wa)” by Golden Sounds

Exhibit B: “Soul Makossa” by Manu Dibango

Exhibit C: “Hot Koki” by Andre-Marie Tala

Exhibit D: “Douala by Night” by JM Tim and Foty

Doesn’t Cameroon have a lively music scene? Did you also think some of those songs sounded familiar? It would certainly be a shame if a Colombian and some Americans were to steal them.

Yes, that happened and I’m going to correlate each rip-off song to their respective originals.

Shakira stole from Golden Sounds:

Michael Jackson stole from Manu Dipango:

James Brown stole from Andre-Marie Tala:

Missy Elliott, Method Man and Redman stole from Tim & Foty:

All of this came from one country. Some of your favorite artists are musical robbers, so deal with it. This blew my mind and I have Dr. Y to thank when it came to the Shakira and James Brown issues before discovering the rest on my own. Unbelievable, and Cameroon deserves so much better and not just because of some of their current issues right now.

Besides that, I wanted that marching vibe like the “Zangelewa” song, but completely different chords and instrumentation with the Omnichord with hand percussion. This is homage and at least I acknowledge MY inspirations.

The Cameroonian flag picture is from Flags of the World.

Ospreyshire Origins: Jo Anderson and The Reaper

Lyrics:

I would never meet my captor’s grandson, but I can only thank him from the beyond as he put my name on the record
Shame on this country for not realizing my brainpower and physical endurance
Robert, Cyrus, you know it’s true
The reaper wouldn’t exist without me
I guess people like me are used to doing all the heavy lifting
1834 saw the birth of this new tool
However, the McCormick’s names were on it
Cyrus II, you did what you could to make things right
I may have been a slave, but I was still an inventor


I’m from the smaller cities and from suburbs, so I don’t have an appreciation for agriculture as much as I should. This has certainly have been changing doing all this research for Dear Innovare. This also goes into my portfolio of “things you didn’t know were invented by African-Americans” that I only knew about fairly recently. Jo Anderson was a slave who invented the reaper which was used to get crops easier and faster. Unfortunately, he could patent because…oh you all should know the reason why after checking out some of my previous installments of Ospreyshire Origins.

File:Robert Hall McCormick.jpg
File:Cyrus McCormick engraving.png

This is Robert and his son Cyrus McCormick respectively. These slavers stole Jo Anderson’s idea and took it as their own for the McCormick business. Even though they are originally from Virginia, they eventually moved to Chicago. What I didn’t realize until recently, they were one of the most powerful families in the Windy City. Have you ever heard of the McCormick Place in Chicago? The same place with the Chicago Auto Show, major conventions, and is the largest convention center in the entire North American continent? Yeah, it’s named after this family! Just think about that when you think about that foundation. I’m glad Cyrus II eventually credited Jo, but the real inventor of the reaper deserved far better.

The image of Jo Anderson is from Mysterious Chicago Tours.

The image of Robert McCormick is from Wikipedia.

The Image of Cyrus McCormick is from Wikipedia.

Ospreyshire Origins: Halstead’s Trophy

Lyrics:

I no longer wanted to be down
After you took my crown and cashed it in for millions of pounds
So shamelessly

I had to strengthen my heart
To withstand all your darts that multiplied from the start
Of your thievery

Originator be my guide
May justice be on my side
Halstead will be filled with pride with the trophy that’s rightfully mine

You think you can do what you will
I made you admit your guilt
How does it make you feel that you’re forced to know my name?

Take a picture now (X6)
To immortalize your shame


Do you want to know what can really suck about plagiarism cases? It can force me to actually defend mainstream pop stars on certain occasions when I would never do so otherwise.

This is one of those times.

Meet Matt Cardle. He’s an acoustic pop singer/songwriter hailing from Halstead, Essex, England. Yes, the name of the song refers to his hometown. Cardle has been quite popular in the UK even though he’s unknown in America. He got his big break after winning on X Factor, so he certainly has several ears throughout Good Ol’ Blighty. He had a song on his first album called “Amazing” which was a minor hit in the UK back in 2011. Wouldn’t it be crazy if another Brit were to steal his song? Whoever could it be?

THIS GUY!

Image result for ed sheeran

That’s right. Ed Sheeran stole someone else’s song! That is just annoying since his fanbase defended him and called Matt Cardle some nobody. Sure, Matt Cardle doesn’t have as much of a worldwide popularity as the Ipswitch-based pop star, but I wouldn’t call him obscure especially when it comes to English music. Matt Cardle has sold over 2 million records, has been on major labels even to this day, and like I said earlier: he’s an X Factor winner and I know that show is popular in the United Kingdom. Here’s some more context. Do you want to know who Matt Cardle beat out in the finals of X Factor in the same season he won it? Cher Lloyd and this one boy band that no one’s heard of called ONE DIRECTION! Yeah, think about that for a minute.

In case you’re wondering, the song that ripped off “Amazing” is “Photograph”. Sure, it wasn’t as big of a hit in America compared to “Sing” or “Thinking Out Loud” which were on the same album, but I know I heard that song playing on the radio whenever I was shopping or eating at some restaurants. To be just, the verses themselves are independent, but those choruses…WOW, Ed didn’t even try besides having different lyrics. Here’s a video of both song’s choruses and tell me he didn’t listen to this Essex crooner’s song!

Matt Cardle’s co-writers/producers actually sued Ed Sheeran and the beat him down in court! Sheeran was forced to give writing credits and royalties to everyone involved who made “Amazing”. Good on them for doing that. I never thought I would have to defend someone who won a freaking music reality show, but that was the day.

Much like both songs, I decided to do a light acoustic ballad, but with my ukulele as a main instrument and I got to use my “pop star” voice which is a rarity as Ospreyshire for obvious reasons. I hope you also appreciate the stealth puns with both songs in Halstead’s Trophy.

You’re welcome, Essex!

The album cover of Matt Cardle is from Wikipedia and is property of Syco music.

The photo of Ed Sheeran is from The Independent.

Ospreyshire Origins: Scraping for Blanched Crops

Lyrics:

There was always a lie
That someone of my complexion never invented anything
They surely never met me
I was known only as Ned
I created the cotton scraper
Much like how my master took humans like me, he took my invention
So, Stewart. How did you come up with my scraper again?
Even the patent office rejected you again and again
You’re so typical in your laziness
When I cried, sweated, and bled more than you could imagine


This would certainly count for a good portion of the previous tracks on Dear Innovare, but this is still a good way to honor an unknown inventor to kick off Black History Month!

Even though he would only be known by the name “Ned”, I’m still going to give him credit and recognition when most people won’t. Ned was a slave who invented a cotton scraper. Think about it, cotton was king in the south which made the plantation owners multi-millionaires. Too bad their lazy butts couldn’t innovate let alone work on their own, so guess who had to do everything and not get the credit? His captor Stewart literally stole Ned’s idea and tried to patent it himself. This was during the time where black people couldn’t patent anything legally in America (expect this to be a common motif), but Stewart couldn’t prove that he invented this money-making machine. Shame how much money was denied for Ned who was the REAL inventor of that agricultural device.

Here’s a fun fact about recording: I actually used a fork to scrape against a vent for the acousmatics.

Ospreyshire Origins: Sincerest Form of Laziness

Lyrics:

Falling from the empyrean
They managed to ascend on the earth
Their names were in lights with infinitesimal points
The innovators pushed to the side from the emulations with their ways and mores of supine larceny
Denials echo as earworm choruses worldwide with tunes, moving pictures, and museums
The masses become allured now knowing or caring that these were imitations
Originator, suffer not the true catalysts of Innovare
Penniless and undermined
The descendants want to demand restitution
Some emulations were honest, yet it was worse with excuses for the trendiest prints of ignored canvases


Imitation isn’t the sincerest form of flattery. It’s only the sincerest form of laziness.

You want to get on my bad side quickly? Try ripping someone off so shamelessly. I think that explains this track and my real life feelings in a nutshell. Sincerest Form of Laziness is a steel drum interlude of sorts that transitions from one section of Dear Innovare to the next. The first several tracks were about so many pioneers, but from here on out this is going to involve several people who had their works shamelessly copied whether it was attempted or sadly involving cases where the clones become more popular than the originals. Expect several truth bombs in musical and/or poetic form.

This meme is from some e cards.

Do you (or should you) separate the artist from the art pt. II: What if the art IS part of the vices?

This was a topic I wanted to revisit again, but I want to cover a certain aspect of it. If you don’t know about my thoughts on whether artists and art should be separated, then you can check out that previous post here.

Now let’s get to the subject at hand.

Some of you already know that I have a very hard time separating the art from the artist especially if they do really bad things. It was interesting seeing people respectfully disagreeing with me for most of my comments. This brings up a question for you: What if the art IS part of the vices? Would you still separate the two from each other?

How could the art be involved in an author’s misdeeds or sins? Here are a few ways that could happen.

I guess one way would be the artist incorporating their deeds in their work or making a message that’s antithetical to their actions. It would be like if some creator had some villains murdering people, yet the author murders someone. That would be far harsher in hindsight. Or maybe they have a message against wars, but they end up howling for blood against another country. Those would be some examples on how that could be the case.

Another case would be if the work is plagiarized. Okay, some of you have seen this coming. Don’t worry, I won’t mention the obvious examples of cinematic plundering done by Disney, Christopher Nolan, or Suzanne Collins since you should already know those examples. I’ll use different examples. Look at Led Zeppelin. They made a career ripping off blues and folk songs. Eventually they got sued and were forced to give royalties and writing credits to most of the songs they stole from. I also pray that Spirit wins that appeal and sues Zeppelin’s pants off for them stealing “Taurus” to make “Stairway to Heaven”. I hate how that band gets a free pass for thievery. If any older person (or at the very least a classic rock purist) says that newer music just rips things off, show them the songs that band stole from to shut them up. Anyways, I need to get back on topic. Art theft gets tricky because those bad things are in their stolen creations. You could even go to those rock artists ripping off Black blues and original rock artists (**cough** Elvis **cough**) without paying dues to who they stole from. You have patents stolen like how Edison totally ripped off Nikola Tesla, Lewis Howard Latimer (there would be no efficient light bulbs had it not have been for his carbon filament!), and Granville T. Woods to name a few for his technological empire. At least Woods sued Edison twice and WON when he proved he made those patents instead of that overrated thief of an inventor. I have no respect for people who steal other people’s creative works. It’s lazy, intellectually insulting, and it shows how they are lesser beings because they stole from someone else. I can’t separate the art from the artist if it’s stolen.

What I wonder is why horrible people get free rides for their creations while others are obscured or demonized? How is it that an originator get crapped on for daring to sue the person or people who stole from them? For those who separate the art from the artists, what would cause you to stop or rather at what point can you not forgive the artist? Hey, I’m just staying in the question lane here.

Feel free to leave your comments on this matter.

The recording process…

Some of you know I’m working on a full-length album. It’s been a couple of months of writing, recording, and mixing so far even though I have a few songs left to complete the project.

I don’t want to give too much away, but I’ll tell you a few things about this particular album. This will be the first full-length Ospreyshire album. Not an EP or some singles, I mean this is going to have way more songs in it. Much like my previous EPs Verses Vs. Anhedonia or Pathos Formula Wave, this will be a concept project. While I’m not trying to make the next Tommy, The Wall, or anything Coheed & Cambria has done, this will have an overarching theme.

That theme involves innovators and creators…some of whom were ripped off.

The tracks here involve various inventors and artists who have been ignored whether they made live-saving inventions, buildings, or stories that either get overlooked, undermined, or in some cases having their works stolen by undeserving people. This album is an homage to them and most of the time uses the perspective of the original inventors and creators. I really hope to get this fully recorded before the end of the year, Nzambe willing.

Hope you’re doing well.

Speaking of which, do you know about various inventors people should know about? Do you know about inventions we take for granted? How about inventions and patents that were stolen? Do you know any form of art or media that were plagiarized? Which creators deserved better? Share your knowledge in the comments section!