Some videos that got my attention somewhat recently

I’ve been doing my best to check out a few things when I have some downtime especially after multiple long days at work. I have to stay sane even with the state of the world and the negative news or opinions pop up.

Benjamin Clementine’s music:

If you follow my Iridium Eye blog, you might recognize this name from my last Top 7. He’s a recent musical discovery who just astounded me with his talent, musicality, and has a very unique voice. I know I’m a sucker for experimental music and avant-garde stuff, so Benjamin Clementine’s music really moved me. Here’s the video for his song “London”.

Social Isolation Match Pt. II: Chuck Mambo Vs. Eddie Dennis

I’m liking how this is becoming a thing with the guys in Escaping the Midcard. Some of you may have seen the first video with Chuck Mambo and TK Cooper, but this one involves the former taking on Welsh wrestler Eddie Dennis in this hilarious match. This stuff is hilarious and they take it over the top with guitars, cats, and weed whackers. The editing was superb and they looked like they had so much fun having a “wrestling match” despite being in their homes in England and Wales.

“Roses are Red” by The Mac Band ft. The McCampbell Brothers

While I would be too young to know about this song, I admit to being a sucker for new jack swing R&B. Hey, I’m from the 90s, so I definitely remember hearing some of that stuff when I was little. Yes, I do admit that the chorus is based on one of the cheesiest rhymes, but dang it, these guys just sell that emotion. It feels romantic and not sleazy like a ton of modern music. I was even pleasantly surprised to see some class with how everyone was dressed in the video despite the dated videography and awkward dancing at points. I’m not sure if this song is still a guilty pleasure or bordering on me liking this unironically. Oh, wait. Things have been contradictory so far by putting an avant-garde singer and a social distancing wrestling match in the same article. Who am I to judge?

Stevie Wonder Isolated Vocals

I know this song and I’m sure most of you have heard “Sir Duke” at some point in your lives. One day, my mom of all people messaged me this video. Hearing the isolated vocals just blew my mind. This was done in one take which I didn’t realize. I’m starting to appreciate older music more often. Remember when singers actually recorded their vocals without the “safety net” of Auto-Tune? Pepperidge Farm remembers! Am I part of the last generation of people who actually remembers popular music being made without that technology? Wow, I must be getting old…

The Lion King Lie:

Special thanks to Scott from Mechanical Anime Reviews for showing me this video. I don’t want to repeat myself given my tendency to bash this Disney movie for ripping off that 60s anime or the problematic cultural appropriation and bigoted crap associated with Mickey Mouse’s “creation” (I used that term loosely), but there were things I didn’t even know about or realize like some of the quotes from Disney’s side of things which only fuels my anger towards them. Also, I feel stupid for not realizing the similarities between Gargoyle G. Warthog’s “ashamed” dialogue and part of Pumbaa’s lyrics to “Hakuna Matata”. Definitely interesting even though there is some Disney bias there. However, I was pleasantly surprised that even Lion King fans in a bunch of the comments are FINALLY admitting that this movie literally wouldn’t exist without Kimba. That would’ve never happened years ago.

Hope you’re doing alright.

Ospreyshire Origins: Pugnam Contra Fures Leonis Pt. III: Rise of the One True Emperor

Lyrics:

[Swahili]

Tazama! Mfalme anainuka!
Tazama! Ukweli utatawala!
Tazama! Hatutakubali wafalme bandia!

Father, I hear your voice in the eastern sky
Mother, I hear you from the constellations
I will make you both proud in being the one true emperor
As I express myself in this human song,
I will right these misdeeds
I’ll still have unity with mankind and the wildlife in my kingdom
I’ve survived capsized ships, weapons, and bigger animals, and I’ll survive this

(Japanese backup vocals: Taitei o nagaku ikiru.)
(Swahili backup vocals: Mfalme ni bandia. Wambariki mfalme wa kweti.)

I hear the cries from Kinshasa, Toronto, Saitama, Grimes, Kigali, Kampala, Dodoma, and Nairobi
While I fight for peace and make sure my kingdom has dignity
I have to address the king who swindled me

You wouldn’t exist without me, but you’re so full of pride
(Japanese backup vocals: Kare wa honto shishi desu.)
(Swahili backup vocals: Ukweli unaishi ndani yake. Akawa ukweli!)
Like uncle, like nephew
You enjoy usurping the throne
Your gods had no worries
Profiting and suing others
For cultures they don’t own
Much like your father you dreamed of
Devastation and deceit
Have you seen a human before?
Have you found a way
To punish without genocide by starvation?
Shame on those humans who are allured
By your mate’s bedroom eyes
Was she your sister or your cousin?
You vagabond in denial
I never ran away when my parents died
Artifice flows through you
And permeates every time that you breathe
You tried blocking my existence
And denying it, too
You’re a false king
I’ll break your deception (X3)
Cause I’m the one true emperor

Copycats get no mercy!


I wasn’t originally planning on writing a song based on this anime when I was coming up with Dear Innovare. However, with everything I know and have learned last year with this and other cases, there was no way I could avoid talking about it especially when a good portion of this concept album involves plagiarism and theft cases. Also, there’s a contest that I have for the fun facts section if someone wants this song for free if they don’t have the album already.

If I could base songs on the Paprika/Inception controversy and the Battle Royale/Hunger Games controversy, then I’d be a fool not to talk about what one could make a strong case to be THE biggest film plagiarism issue of all time. Well, there’s that and having a couple of friends who actually wanted to hear an Ospreyshire track about the first anime series to be created and broadcast in color. One of those friends would be one of my college buddies Drew and the other is my Scottish mate Dave from ZAP Records himself.

[sigh] Here we go.

For those of you who don’t know anything about this song or anime series, this involves Osamu Tezuka’s creation Jungle Emperor Leo AKA Kimba the White Lion. This was a manga made in 1950, but it got the anime treatment in 1965, so this is older than Speed Racer. Tezuka is also known for creating Astro Boy, Black Jack, Metropolis (no, not the German film), and Dororo which got remade last year. This story is about the life and adventures of a lion cub prince named Kimba (I’m going to refer to their English names from here on out). His goal is to have unity between the animals and the humans, but he has to take responsibility to lead his kingdom after his father Caesar (the original king) gets murdered and…

You know what? I don’t need to go further with a synopsis.

Related image

This shouldn’t surprise anyone. If you want to know my full thoughts on this issue, then check out my Lion King rant post I did last Summer. You can also check out my review of Kimba the White Lion on my other blog. If you really want to get in depth with this insane film plagiarism controversy, then check out this link. I don’t want to repeat myself too much here.

This is infuriating how Disney even to this day have never owned up to stealing most of it’s characters, storylines, and even scenes that were shot-for-shot from Tezuka’s work. The reasons why Tezuka Productions haven’t sued Mickey Mouse are because Osamu mentioned on his will not to burn bridges with Disney (context: he died in 1989 during production of The New Advantures of Kimba the White Lion which would be 5 years before The Lion King was released) and because they don’t have as much money to take them on in court. I disagree and they should’ve sued The House of Mouse. Disney even tried to block Jungle Emperor Leo 1997 from North America at the Fantasia Film Festival in Canada back in 1998, for crying out loud! Simba was originally going to be a white lion in pre-production. Roy E. Disney called Sarabi “Kimba’s mother” in the 1993 Prodigy Q&A Transcript which can be seen in one of the links above. They would have so many strong cases for copyright infringement. Here are examples of these various characters:

Screen Shot 2020-01-07 at 11.52.44 AM.png

Comparisons from the first picture and this screencap:

Lion prince: Kimba=Simba
Deceased father lion: Caesar=Mufasa
Comic relief hyena henchmen: Tom and Tab=Shenzi, Banzai, and Ed
Wise, yet eccentric baboon advisor: Dan’l=Rafiki
Major-domo bird who gets into prat falls: Pauley=Zazu
Major villain that usurps the kingdom: Claw=Scar (BIGGEST RIPOFF VILLAIN EVER!)
Girlfriend lioness who becomes the prince’s mate: Kitty=Nala

Bonus examples:

Lion queen mother: Snowene=Sarabi
Daughter of the main character: Lukio=Kiara (see: Susume, Leo or Jungle Emperor Leo 1997 and The Lion King II respectively)
Son of the main character: Lune=Kion (see: Susume, Leo or Jungle Emperor Leo 1997 and The Lion Guard respectively)

Even The Simpsons made a joke involving this plagiarism controversy. Yes, that’s James Earl Jones doing all the voices in that scene!

Enough of me ranting here. I felt like I’ve done a bunch of it on two of my blogs already. Hahaha! Let’s talk about the music. This is actually the longest Ospreyshire song I ever written and recorded and has more instrumental layers than anything else. I had three different sounds from one keyboard, bass, acousmatics, African percussion instruments (fair trade, FTW!), and my little mbira. I felt so compelled to use both Swahili and Japanese lyrics which was a very nice touch and I wanted to be respectful to those cultures. The lyrics use a TON of Kimba and Lion King references. I won’t explain them all, but here are a few and the meanings therein.

Kimba references:

“Father, I hear your voice in the Eastern sky. Mother, I hear you from the constellations.” This represents the death of both of Kimba’s parents. The Eastern sky also references an opening lyric in the Jungle Emperor Leo 1997 ending theme “Wind Song”. That and he sees the spirits of his dead parents in the sky in the original show (SOUND FAMILIAR?).

“…this human song” This references the Kimba song “Sing a Human Song” in the English dub.

“Saitama…Grimes” Those cities have major significance to Kimba. Saitama, Japan has a baseball team called the Seibu Lions who use that character as a mascot even to today. Grimes refers to a town in Iowa referring to Right Stuf and their anime distribution subsidiary Nozomi Entertainment who have the license to the original show.

Top Lion King potshots in my opinion in no particular order:

“Was she your sister or your cousin?” Who is Nala’s father? No Lion King fan has ever given me a straight answer on that issue, so I directly referenced that infamous incest theory in this song! Do the math.

“Your gods had no worries profiting and suing others for cultures they don’t own…” Three words: HAKUNA MATATA TRADEMARK!

Note: I reference capitals of countries where Swahili has official language status with Kinshasa (DRC), Kigali (Rwanda), Kampala (Uganda), Dodoma (Tanzania), and Nairobi (Kenya).

“Have you found a way to punish without genocide by starvation?” This line calls out Mufasa’s severe protagonist centered morality of the Elephant Graveyard. Starving and isolating others is genocide. Just look at Shark Island in Namibia, the several Native American tribes who were subjugated by the pilgrims, and The Devil’s Punchbowl in Mississippi to name a few. Also, I have to give props to Croatian blogger Vigour of Film Lines for noticing that severe flaw of the Mufasa character and for calling the Elephant Graveyard a concentration camp, too!

Fun facts:

I namedrop the title of my other song “They Dreamed of Devastation and Deceit” in the lyrics. It’s even more appropriate when you consider the subtitle is (Circle of Lies).

Lion King fans! I actually parody two songs from that movie franchise from a musicality standpoint. The intro should be obvious and the other parody aspect kicks in when I start singing halfway through the song. The first person who gets the answers right gets this song for free if they didn’t buy the album.

Hope you liked my somewhat lengthy backstory on that song. This concludes this song/poem trilogy.

The picture of The New Adventures of Kimba the White Lion is from Fandom and is property of Tezuka Productions.

The screenshot of Mufasa, Simba, Caesar, and Kimba is from Mashable and they are property of Disney, Tezuka Productions, and Nozomi Entertainment respectively.

The character comparison guide is from the Internet Archive. All characters are property of Tezuka Productions, Nozomi Entertainment, and Disney respectively.

The video clip is from The Simpsons and is property of Fox.

Ospreyshire Origins: Pugnam Contra Fures Leonis Pt. I: The Uncrowned King of Johannesburg

Lyrics:
[Zulu]

Bass voice: Kumele adale
Baritone voice: Inkosi yethu izokwaziwa
Tenor voice: U-Linda ungumbali wangampela wengoma

Johannesburg was where the lion was born
It had a roar that shook the concert halls
Collective voices made sure no one slept
Only controlled by the uncrowned king

Ethnomusicologists stepped in
To colonize the canorous monarch’s song
That lion was poached as it reached stateside
Leaving the king without a cent to his name

What a token gesture that was thievery
New York and Burbank usurped his throne
His daughters were neglected by their greed
They had to keep that lion and king alive


We’ve got another song that involves South Africa and some Zulu lyrics much like “Lebombo”. Hooray! This also kicks off the first part of my Pugnam Contra Fures Leonis trilogy for Dear Innovare! Double Hooray! This song was an Ospreyshire first in creating a one-man acappela chamber choir song with no instruments and/or acousmatics! Triple Hooray all the way!

This song is an homage to South African musician Solomon Linda. He’s a beloved singer even to this day in that country. His biggest song was called “Mbube” which means “Lion” in the Zulu language. He invented a subgenre of South African choral music that’s named after that particular song and has been involved in that country’s Isicathamiya scene (just so you know, you’re supposed to click on the “c” when you pronounce the name of that acappella genre). Feel free to check it out!

That song got the attention of an American licensing company to take it stateside. First came Pete Seeger “adapting” the song into “wimoweh”.

Next came what became easily the best known form of covering. By covering, I mean total plagiarism. Everyone should know the biggest rip-off version by now if you didn’t figure it out from the original “Mbube” song.

Solomon Linda died before The Tokens did their stolen version of his song. To make matters worse, he died penniless and his family lived in poverty long after his passing. The surviving family members struggled and wondered why they didn’t get money from Solomon’s song. Then in 1994, there was this big animated movie that would be the straw that broke the camel’s back especially with two characters.

Image result for the lion sleeps tonight

Seriously, screw Disney. The Lion King was able to rake in over $15 million in royalties from “The Lion Sleeps Tonight” and that’s not even counting the Broadway version. The Linda family with the help of journalist Rian Malan and the South African government sued the American licensing company and Disney for plagiarism in the 00s. This issue was shown in the 2019 Netflix documentary called The Lion’s Share which I actually reviewed on Iridium Eye. I don’t want to spoil the case and all the details that went into it, but Disney STILL never credited Solomon Linda and the “Mbube” song in the Lion King remake!

This rampant plagiarism, cultural appropriation, and bastardization of Africa makes my blood boil, but I’m not done yet.

We still have two more songs that deals with other aspects of the cat burglary coup of the century. Yes, I just referenced the biggest villain clone ever, but it was way too appropriate.

The picture of Solomon Linda is from Change.

The Lion King is property of Disney. The image of Timon and Pumbaa is from Financial Times and is property of Disney.

Ospreyshire Origins: Cameroonian Originality March

Lyrics:

Attention!

[French]
Nous avons des vautours de la culture a venir!
Notre musique est attaquee!
Marche en avant!
Oui, monsieur!

Barnwell, Baranquilla, Gary, Portsmouth
We’re coming for all of you
Your status as godfathers, hip shakers, kings, and misdemeanors
Have nothing on us
We’ll keep marching on (X2)

[French]
Nous devon securiser le berceau de nos ancetres (de nos ancetres) [X4]

What do we want? (Our original tunes!)
When do we want them? (Right now!)
(X4)


Before I get to talking about this song and what inspired me, I would like to give major props to my Cameroonian blogger friend Dr. Y from Afrolegends. He’s been awesome in making high quality posts for over a decade about African history, culture, news, trivia, proverbs, and then some. Dr. Y was able to educate me about some of the musicians from his home country and even gave me some nuggets about plagiarism cases involving their musicians.

Not going to lie, Cameroon has some great artists. I got into Mr. Leo’s music last year, been listening to some Salatiel (I knew who he was before he was a part of THAT companion soundtrack), and more recently Tim & Foty who are part of the topic of this song. I also wanted the song to have a balance between French and English lyrics to represent unity in that country given some of the issues going on with those communities based on those languages. There have been four high profile songs straight out of this Central African nation. Prepare your ears because some of these songs are going to sound familiar to you.

Exhibit A: “Zamina mina (ZangalĂ©wa)” by Golden Sounds

Exhibit B: “Soul Makossa” by Manu Dibango

Exhibit C: “Hot Koki” by Andre-Marie Tala

Exhibit D: “Douala by Night” by JM Tim and Foty

Doesn’t Cameroon have a lively music scene? Did you also think some of those songs sounded familiar? It would certainly be a shame if a Colombian and some Americans were to steal them.

Yes, that happened and I’m going to correlate each rip-off song to their respective originals.

Shakira stole from Golden Sounds:

Michael Jackson stole from Manu Dipango:

James Brown stole from Andre-Marie Tala:

Missy Elliott, Method Man and Redman stole from Tim & Foty:

All of this came from one country. Some of your favorite artists are musical robbers, so deal with it. This blew my mind and I have Dr. Y to thank when it came to the Shakira and James Brown issues before discovering the rest on my own. Unbelievable, and Cameroon deserves so much better and not just because of some of their current issues right now.

Besides that, I wanted that marching vibe like the “Zangelewa” song, but completely different chords and instrumentation with the Omnichord with hand percussion. This is homage and at least I acknowledge MY inspirations.

The Cameroonian flag picture is from Flags of the World.

Ospreyshire Origins: Jo Anderson and The Reaper

Lyrics:

I would never meet my captor’s grandson, but I can only thank him from the beyond as he put my name on the record
Shame on this country for not realizing my brainpower and physical endurance
Robert, Cyrus, you know it’s true
The reaper wouldn’t exist without me
I guess people like me are used to doing all the heavy lifting
1834 saw the birth of this new tool
However, the McCormick’s names were on it
Cyrus II, you did what you could to make things right
I may have been a slave, but I was still an inventor


I’m from the smaller cities and from suburbs, so I don’t have an appreciation for agriculture as much as I should. This has certainly have been changing doing all this research for Dear Innovare. This also goes into my portfolio of “things you didn’t know were invented by African-Americans” that I only knew about fairly recently. Jo Anderson was a slave who invented the reaper which was used to get crops easier and faster. Unfortunately, he could patent because…oh you all should know the reason why after checking out some of my previous installments of Ospreyshire Origins.

File:Robert Hall McCormick.jpg
File:Cyrus McCormick engraving.png

This is Robert and his son Cyrus McCormick respectively. These slavers stole Jo Anderson’s idea and took it as their own for the McCormick business. Even though they are originally from Virginia, they eventually moved to Chicago. What I didn’t realize until recently, they were one of the most powerful families in the Windy City. Have you ever heard of the McCormick Place in Chicago? The same place with the Chicago Auto Show, major conventions, and is the largest convention center in the entire North American continent? Yeah, it’s named after this family! Just think about that when you think about that foundation. I’m glad Cyrus II eventually credited Jo, but the real inventor of the reaper deserved far better.

The image of Jo Anderson is from Mysterious Chicago Tours.

The image of Robert McCormick is from Wikipedia.

The Image of Cyrus McCormick is from Wikipedia.

Ospreyshire Origins: The Tulsa Strike Back Groove

Lyrics:

This is WOSPR Speaking

Foreign shores wanted more in store for stealing funky scores

Saturday night brought the fight to ignite to prevent the plight as we regained our rights

No matter if its Brooklyn, Echo Park, or Tulsa, Oklahoma. We’ll get our song back and clear your pop-coated aroma

The oil capital’s gonna get ya uptown, downtown, any town

Everybody sing like the Originator told ya: We gonna strike back with this groove!


To all of you that like old-school funk, I salute you!

I had a funk phase last year by listening to bands like Cameo, Parliament-Funkadelic, Sly and the Family Stone to name a few. One band that I checked out as well was The GAP Band. I heard a few of their songs thanks to my mom when I was younger and she did like their music. On one day last year, I listened to their song “I Don’t Think You Want to Get Up and Dance” as part of a YouTube playlist. I had to reattach my jaw literally during the first few seconds of the song. Let’s see if you’ll be able to figure out why. Here’s the radio edit version, but the point will still stand.

“Oops upside your head, say oops upside your head…”

The way they say that line must have been replicated by some multi-instrumentalist and a singer who has a habit of retreading older R&B and funk sounds. Hmm…who could they be?

Image result for mark ronson

Image result for bruno mars

I’m sure a good portion of you only recognize the second picture. Here, let me make things a lot clearer with one of the biggest songs of the 10s that both were famous for performing…

“Oops upside your head say oops upside your head…Uptown funk you up, say uptown funk you up…”

Don’t lie, that’s what you were all thinking when you heard the song from The GAP Band. I can’t lie to you, I used to really like “Uptown Funk” as it was one of the few pop songs I thought was actually listenable. Okay, even then I didn’t think it was as good as other funk songs I heard, but at least it sounded different than the typical pop garbage. That must be the case because it sounds like The GAP Band! Those Tulsa funkers managed to sue Mark Ronson and Bruno Mars for stealing their original song. The result, The GAP Band and their co-writers got writing credit and partial royalties of “Uptown Funk”. Did you know that including the updated writing credits, that means “Uptown Funk” had a whopping total of ELEVEN writers after the lawsuit! I can’t make this up. So, Ronson and Mars can credit Trinidad James right away for referencing his “Don’t believe me just watch” lyric from “All Gold Everything”, but not the band that had been making music since both of them were even born? Wow, just wow, guys…

Here’s some musical trivia for The Tulsa Strike Back Groove. I freestyled half of the spoken word elements that aren’t mentioned in the lyrics while referencing Charlie Wilson’s dialogue in their song. I also parody lyrics from “Uptown Funk”. See if you can spot them. Also, Charlie Wilson from The GAP Band is cousins to another famous funk musician…Bootsy Collins!

The picture of The GAP Band is from The Mississippi Link.

The picture of Mark Ronson is from PopCrush.

The picture of Bruno Mars is from Billboard.

Ospreyshire Origins: Albert Holly

Lyrics:

Abington-on-Thames and Lake Placid are fighting about what never belonged to them
Covering their tracks from a real cover song
Too busy calling Pablo or lusting for life
Ignoring the vital air around them
Too selfish to notice they aren’t free
From an originator
At least the first cover knew it’s dues
It knew it’s dues

You won’t get hitched by following ladies
Even when they end up at your shows
Same with stalking melodies you didn’t write
Absinthe won’t make your song better nor will those dead notes
They’re so desperate
They’re so freaking desperate

Just let the air in…


Here’s another song about music plagiarism! Hooray! This one’s going to be multi-layered since it deals with a bunch of people.

We’ll start with the original song “The Air That I Breathe” by Albert Hammond.

That song isn’t too shabby even though it’s not my cup of tea. This song got more popular a few decades ago when the band The Hollies covered it. As with anyone with a shred of decency, they gave full credit to Albert Hammond for creating the song to begin with. They give it more of a rock feel as opposed to the mostly acoustic original.
Chances are you probably heard of their version of the song in various movies or TV shows.

Image result for the hollies

This particular quintet would eventually fight alongside Albert Hammond when they took on a certain critically-acclaimed band that so many people suck up to and make their standards of music entirely based on this band.

Image result for radiohead

OOH! I’m going to take on the biggest music snob band of all time! Oh baby, I’m going to get a ton of hate for this particular story. That’s right. Radiohead was involved in a plagiarism case and it is for their most famous song ever: “Creep”. Yes, one of the biggest college rock songs of the 90s bore some eerie similarities to the verses of “The Air That I Breathe”. The Hollies actually took them to court and WON! Nowadays, “Creep” mentions Albert Hammond and The Hollies in the writing credits while also giving royalties to them. Isn’t it ironic that a band who has been hailed for their creativity and originality would steal? What gets even crazier is that they accused a certain pop singer for ripping off “Creep”.

Image result for lana del rey

This is a thievery chain going on! Lana Del Rey was bashed for her song “Get Free” for ripping off “Creep”, the same song that lost a copyright infringement case against the song “The Air That I Breathe”. I heard her song and the vocal line is pretty similar. Here’s a video containing excerpts of The Hollies’ cover of Albert Hammond’s song, “Creep”, and “Get Free”. You be the judge of this.

Sounds like an easy mashup to make at best, right? I didn’t realize how insane this case was. Granted, I was most familiar with “Creep” by the Radiohead mainly because that was a big song that came out during my childhood and later when I talked with some music fans I was friends with who were big into that band.

For my song Albert Holly, I decided a basic piano ballad would suffice. I make a TON of Radiohead and Lana Del Rey references in the lyrics as one might guess. Yes, the “They’re so desperate” part of the song parodies the pre-chorus of “Creep” including the random ghost notes by hitting the keyboard instead of chucking an electric guitar.

Hope you all appreciate this story behind the song.

The picture of Albert Hammond is from BBC.

The picture of The Hollies is from Britannica.

The picture of Radiohead is from the Irish Times.

The picture of Lana Del Rey is from Discogs.

Ospreyshire Origins: Halstead’s Trophy

Lyrics:

I no longer wanted to be down
After you took my crown and cashed it in for millions of pounds
So shamelessly

I had to strengthen my heart
To withstand all your darts that multiplied from the start
Of your thievery

Originator be my guide
May justice be on my side
Halstead will be filled with pride with the trophy that’s rightfully mine

You think you can do what you will
I made you admit your guilt
How does it make you feel that you’re forced to know my name?

Take a picture now (X6)
To immortalize your shame


Do you want to know what can really suck about plagiarism cases? It can force me to actually defend mainstream pop stars on certain occasions when I would never do so otherwise.

This is one of those times.

Meet Matt Cardle. He’s an acoustic pop singer/songwriter hailing from Halstead, Essex, England. Yes, the name of the song refers to his hometown. Cardle has been quite popular in the UK even though he’s unknown in America. He got his big break after winning on X Factor, so he certainly has several ears throughout Good Ol’ Blighty. He had a song on his first album called “Amazing” which was a minor hit in the UK back in 2011. Wouldn’t it be crazy if another Brit were to steal his song? Whoever could it be?

THIS GUY!

Image result for ed sheeran

That’s right. Ed Sheeran stole someone else’s song! That is just annoying since his fanbase defended him and called Matt Cardle some nobody. Sure, Matt Cardle doesn’t have as much of a worldwide popularity as the Ipswitch-based pop star, but I wouldn’t call him obscure especially when it comes to English music. Matt Cardle has sold over 2 million records, has been on major labels even to this day, and like I said earlier: he’s an X Factor winner and I know that show is popular in the United Kingdom. Here’s some more context. Do you want to know who Matt Cardle beat out in the finals of X Factor in the same season he won it? Cher Lloyd and this one boy band that no one’s heard of called ONE DIRECTION! Yeah, think about that for a minute.

In case you’re wondering, the song that ripped off “Amazing” is “Photograph”. Sure, it wasn’t as big of a hit in America compared to “Sing” or “Thinking Out Loud” which were on the same album, but I know I heard that song playing on the radio whenever I was shopping or eating at some restaurants. To be just, the verses themselves are independent, but those choruses…WOW, Ed didn’t even try besides having different lyrics. Here’s a video of both song’s choruses and tell me he didn’t listen to this Essex crooner’s song!

Matt Cardle’s co-writers/producers actually sued Ed Sheeran and the beat him down in court! Sheeran was forced to give writing credits and royalties to everyone involved who made “Amazing”. Good on them for doing that. I never thought I would have to defend someone who won a freaking music reality show, but that was the day.

Much like both songs, I decided to do a light acoustic ballad, but with my ukulele as a main instrument and I got to use my “pop star” voice which is a rarity as Ospreyshire for obvious reasons. I hope you also appreciate the stealth puns with both songs in Halstead’s Trophy.

You’re welcome, Essex!

The album cover of Matt Cardle is from Wikipedia and is property of Syco music.

The photo of Ed Sheeran is from The Independent.

Ospreyshire Origins: Soshi-sha Ja Nai. Anata Wa Akumu Da!

Lyrics:

Stop believing that you own all the dreams
2010 degrees of lies aren’t fooling us
You don’t need a DC Mini or an appealing alter-ego
To shatter deception or the world around you
We’re not ghosts though we can float in hotel hallways
We made the spice to delve into dreams within dreams or converging reality
Years before you had a thought
The mass’s perception is flawed
Because they see your take on caped crusaders
We’ll keep the real dreams alive though our creator passed on
Awards won’t save you, deluded thief
You’re another soul in the demented parade

[Japanese]
Soshi-sha ja nai. Anata wa akumu da.
Soshi-sha ja nai. Anata wa akuma da!


To all my otaku friends and followers, REJOICE!

I, Ospreyshire made a song about an anime movie! [M. Bison Voice] YES! YES!

For those of you know know about my tastes in Japanese animation, this probably shouldn’t surprise you, but having a song about Paprika made way too much sense given the concept of the album even though I didn’t want to make an anime-based song so soon. I hope I did it justice with the dream-like aesthetics how it feels hazy and otherworldly with the effects on the instruments and my voice for this one. Also, Satoshi Kon, FTW!

If you don’t know anything about Paprika, let me give you a brief synopsis. Paprika takes place sometime in the near future. The main character Dr. Atsuko Chiba is a psychiatrist who is typically cold and has a lot of deadpan snark. In her industry, there’s a brand new machine called the DC Mini used for patients to try and understand their mental health issues. The DC Mini is a machine that people put on their head which allows them to go into the dream world of sorts. Dr. Chiba does this and crafts a bubbly an extroverted alter-ego in this dream world called Paprika. Unfortunately, the DC Mini is stolen and it is used for heinous crimes, so it’s up to Dr. Chiba/Paprika to save the day in both the dream world and real world. Also, the concept of dreams converging in reality comes up including the ability of dreams happening inside dreams happens.

DOES ANY OF THIS REMIND YOU OF A CERTAIN MAINSTREAM MOVIE?!?!

Image result for inception

Christopher Nolan, you are a freaking hack! There is no way he made this movie without watching the final film from one of the most innovative animators in Japan, dare I say the world. The concept of it being Kon-sensei’s final film is important because Paprika came out in 2006 and Inception came out in 2010…the same year that Kon died of cancer. To this day, Nolan has never ever owned up to plagiarizing major concepts from Paprika. Okay, he didn’t rip off any characters like a certain other anime that got plagiarized by Hollywood (Don’t worry…we’ll talk about that series in a future post when it comes to Dear Innovare), but he couldn’t possibly steal scenes from Kon’s last movie and…

Oh, who am I kidding?

https://i2.wp.com/thumbpress.com/wp-content/uploads/2015/06/funny-gif-Paprika-Inception-movie-scenes1.gif

Does anyone else think this is some fluke that Nolan would do this? This blatant thievery needs to be called out. I saw Paprika first and I then saw Inception, so the similarities were blatantly obvious when I was in that movie theater. Stop giving this guy a free pass just because he made The Dark Knight trilogy or Memento. How would you feel if the situation was reversed and if Kon stole from Nolan? Yeah…that’s what I thought.

Fun Facts: The title and lyric translates to “You’re not an originator. You’re a nightmare!” from Japanese. The final lyric is switched from “akumu” to “akuma” which means “devil” or “demon”.

Also, if you want my full thoughts on this experimental/sci-fi anime flick, then you can check out my review on Iridium Eye.

The Paprika poster is from Minitokyo and is property of Satoshi Kon, Madhouse, and Sony Pictures Classics.

The Inception poster is from CBS news and is property of Christopher Nolan and Warner Brothers.

The Inception and Paprika GIFs are from thumbpress and are property of Warner Brothers and Sony Pictures Classes respectively.

Ospreyshire Origins: One True Mayor

Lyrics:

Our island was the only one of its kind until you copycatted our geography
I am the mayor, yet you made a clone with a big head just like me
You think you made some edible paradise, but everyone is bloated and sick of your world

I thought you’d credit us for our existence
That certainly wasn’t the case
I’m not the Originator, but I’m the one true mayor
And I’ll put your million dollar fraud in its place

My island’s filled with puppets, but there’s no strings attached
With our living justice
I’ve dealt with witches and I’m going to deal with you and your high-calorie junk food of a haven

Your land wouldn’t exist without mine, but at least our island is healthy and theft-free


Researching things is super fun for me.

When I was researching several forms of art, movie, and TV plagiarism, I happened to stumble upon this puppet show that I had never heard of or seen in my life. This was the 1969 show H. R. Pufnstuf. The title character is the mayor of a place called the Living Island which has all these anthropomorphic animals, plants, and objects all around. I saw some clips and it certainly was a bit wacky and had some 60s cheese, but the puppetry and costumes were interesting. What I didn’t realize was that the H. R. Pufnstuf character was a victim of plagiarism.

One could say it was a certain Hamburglar who kidnapped this big head puppet mayor with a cartoonish Southern drawl, spliced his DNA and crafted a big head mayor of their own.

Yes, there was some McThievery [patent pending] going on.

McDonald’s created their own series called McDonald land which some of you might be familiar with Ronald McDonald, Grimace, and an assortment of other characters to hype up their Happy Meals. There was a character Mayor McCheese who was the mayor of McDonaldland who had a giant cheeseburger for a head. Sid and Marty Krofft (the creators of H. R. Pufnstuff) took the fast food chain to court and actually WON their case! This was mind-blowing that they won against a giant corporation. Not only were the two mayors considered similar, but both environments. The court noticed that both the Living Island and McDonaldland are fictional places with several anthropomorphic characters, talking tree forests, a pond, castle, enforcer keystone cops as right-hand characters to the mayors, and similar villains to name a few. Here’s more information on that matter.

I never knew about this, but I’m often sympathetic to those who were ripped off, so I just had to make a song about this. I even busted out my Peruvian panflute which is an Ospreyshire first. Yes, I did my best to imitate some of Pufnstuf’s vocal inflections even though that wasn’t the only song where I talked in a Southern accent though. One of my favorite things I did was add distortion to one of the ukulele tracks where it sounded like a psychedelic guitar solo which was awesome and I loved how it turned out.

Fun fact: H. R. Pufnstuf’s voice actor was the late Lennie Weinrib. He’s played Gomez Addams in the 1973 animated version of The Addams Family, King Leonidas in Bedknobs and Broomsticks, Grimace in McDonaldland (yes, the irony is strong), and to all you anime fans out there he did the dub voice of both Hunk and Prince Lotor in Voltron.

The splitscreen picture is from Wikipedia and is property of McDonalds and the Krofft Brothers.