Ospreyshire Origins: Pugnam Contra Fures Leonis Pt. II: The Queen Is False and Her Hive Is Deluded

Lyrics:

Such a naughty girl typical in copying imagery
Not from precambrian times, but from 2018
I wouldn’t blame your man or blaming fire
But your employers who were accomplices
It sucks to be you abducting the black house
While you call your vanity project a “gift”
Your daughter must be so proud of you
Your shame ya mobali ya mobali [Lingala for “To the right, to the right”]
Oh wait, you have none
You may be called a queen, but I see a phony
Keep thinking you’re a survivor

[Lingala]
Ozali mokonzi mwasi te
Ozali nkosi te
Ozali Nzambe te!


Welcome to part 2 of my Pugnam Contra Fures Leonis trilogy which is all about one of the biggest pieces of cat burglary, cinematic plagiarism, and cultural appropriation ever! This is actually the most recent example of this ravenous plagiarism. Shout-out to Inskidee for that term!

This song is about Yannick Illunga AKA Petite Noir. He’s a Belgium-born avant-pop musician of Congolese and Angolan descent who is based in Cape Town, South Africa. In 2018, he recorded an EP called La Maison Noir (The Black House) and released a long-form music video containing most of the songs, but adding a narrative and incorporating visuals from African culture. They filmed it straight in the Namib desert which covers his current home country and it’s next door neighbor Namibia. I think you might like this short musical of sorts.

Then one year later…Mickey Mouse happened to have a certain diva as an accomplice…

Image result for petite noir beyonce

LOOK OUT, BEYHIVE! I’M GOING TO BASH YOUR FAKE GODDESS AND THAT OVERRATED MOVIE FRANCHISE!!

Wow, just wow! The Petite Noir video was barely a year old before Disney and the former Destiny’s Child member managed to rip off his music video when the newest iteration of Nala decided to release her video for “Spirit” for the Lion King remake. Here are some images from both videos.

Beyonce

Do you honestly believe that Beyonce, Jake Nava, Jon Favreau, or anyone at Disney didn’t see the Petite Noir video? Do any of you think it’s some little coincidence that both videos would take place in the desert and have traditional African clothing in red and blue? Come on, people. This isn’t like “Mbube” or a certain Osamu Tezuka anime/manga series (we’ll get to that in a certain post!) which both predate the internet. This was from 20-freaking 18. This was stupid and the denial is just facepalm-worthy. JUST OWN UP TO IT! No, just because Beyonce had African musicians on her vanity project of a companion soundtrack doesn’t give her a right to steal from another musician from the continent. Also, notice how that album is called “The Lion King: The Gift” and the Petite Noir’s video is called “La Maison Noir: The Gift and The Curse“. Think about it! Here’s a good link about that plagiarism issue and some of the online reactions.

The song was an experimental acoustic-ish track, but I got to use effects to my mbira to give it an electric sound to it. I was listening to a ton of Konono No. 1 and Kasai Allstars before writing and recording, so that instrumental choice was highly influenced by them using amplified thumb pianos in most of their songs. Besides that, I use Petite Noir references and a bunch of Beyonce references in the lyrics. See if you spot them.

After this piece of thievery, we’re going to get to the big example of this plagiarism marathon. It will be hard not to have some pride in this work and in part 3, all you anime fans are going to love me even though you can guess what the last part will be about. :3

La Maison Noir: The Gift and the Curse is property of Petite Noir and Red Bull Music. The screenshot is from YouTube.

The Beyonce picture is from Timeslive.

The screenshot comparison is from WiseAfri. The La Maison Noir screenshots are property of Petite Noir and The Spirit screenshots are property of Disney.

Ospreyshire Origins: Pugnam Contra Fures Leonis Pt. I: The Uncrowned King of Johannesburg

Lyrics:
[Zulu]

Bass voice: Kumele adale
Baritone voice: Inkosi yethu izokwaziwa
Tenor voice: U-Linda ungumbali wangampela wengoma

Johannesburg was where the lion was born
It had a roar that shook the concert halls
Collective voices made sure no one slept
Only controlled by the uncrowned king

Ethnomusicologists stepped in
To colonize the canorous monarch’s song
That lion was poached as it reached stateside
Leaving the king without a cent to his name

What a token gesture that was thievery
New York and Burbank usurped his throne
His daughters were neglected by their greed
They had to keep that lion and king alive


We’ve got another song that involves South Africa and some Zulu lyrics much like “Lebombo”. Hooray! This also kicks off the first part of my Pugnam Contra Fures Leonis trilogy for Dear Innovare! Double Hooray! This song was an Ospreyshire first in creating a one-man acappela chamber choir song with no instruments and/or acousmatics! Triple Hooray all the way!

This song is an homage to South African musician Solomon Linda. He’s a beloved singer even to this day in that country. His biggest song was called “Mbube” which means “Lion” in the Zulu language. He invented a subgenre of South African choral music that’s named after that particular song and has been involved in that country’s Isicathamiya scene (just so you know, you’re supposed to click on the “c” when you pronounce the name of that acappella genre). Feel free to check it out!

That song got the attention of an American licensing company to take it stateside. First came Pete Seeger “adapting” the song into “wimoweh”.

Next came what became easily the best known form of covering. By covering, I mean total plagiarism. Everyone should know the biggest rip-off version by now if you didn’t figure it out from the original “Mbube” song.

Solomon Linda died before The Tokens did their stolen version of his song. To make matters worse, he died penniless and his family lived in poverty long after his passing. The surviving family members struggled and wondered why they didn’t get money from Solomon’s song. Then in 1994, there was this big animated movie that would be the straw that broke the camel’s back especially with two characters.

Image result for the lion sleeps tonight

Seriously, screw Disney. The Lion King was able to rake in over $15 million in royalties from “The Lion Sleeps Tonight” and that’s not even counting the Broadway version. The Linda family with the help of journalist Rian Malan and the South African government sued the American licensing company and Disney for plagiarism in the 00s. This issue was shown in the 2019 Netflix documentary called The Lion’s Share which I actually reviewed on Iridium Eye. I don’t want to spoil the case and all the details that went into it, but Disney STILL never credited Solomon Linda and the “Mbube” song in the Lion King remake!

This rampant plagiarism, cultural appropriation, and bastardization of Africa makes my blood boil, but I’m not done yet.

We still have two more songs that deals with other aspects of the cat burglary coup of the century. Yes, I just referenced the biggest villain clone ever, but it was way too appropriate.

The picture of Solomon Linda is from Change.

The Lion King is property of Disney. The image of Timon and Pumbaa is from Financial Times and is property of Disney.

Ospreyshire Origins: Lebombo

Lyrics:

[Zulu]
Sisungule ithuluzi elisha
Leli thambo lizosiza abantu ukutui bafunde izinombolo
Singabaqambi bethuluzi elisha

In ancient times at the continent’s Southern points in the mountain range
We told time, counted the days, and tracked the moon
All it took was a baboon fibula tally by tally
We taught our people from the highest to lowest veldts
At least 44,000 years ago
This wasn’t decoration
This was for education as the Originator blessed us and those up north for our tools


I have to show South Africa some love here especially since this won’t be the only time I’ll mention things from that country when it comes to the content of this album. The Congo wasn’t the only nation to produce a calculator in ancient times. In the Lebombo mountains in what would eventually be South Africa and Eswatini (the country formally known as Swaziland), the natives created their own tally stick also using a baboon bone. That was certainly innovative and this needs to be better known because I literally can’t think of any history class I took in school that mentioned ancient African civilizations with the exception of a whitewashed Egypt or maybe a casual mention of Hannibal of Carthage (now modern-day Tunisia). See, there were important math elements in Africa among many other things. Major props to Dr. Y. for informing me about this lesser-known history!

The Lebombo Bone image is from Afrolegends.

Disney and Beyonce need to stop giving me carte blanche to rant about that stupid rip-off movie franchise and how they rip off stuff again (or CAN YOU FEEL THE HEIST TONIIIIIGHT?)

I’m sorry. I seriously didn’t expect to make a rant involving the best-selling piece of plagiarism in movie history. Okay, I did get a smile on my face how that remake has been getting negative reviews, but I still get frustrated with their fans defending the indefensible.

However, recent situations and discoveries are only proving me right more and more!

Let’s recap on what The Lion King has stolen thus far:

1: Kimba the White Lion. ‘Nuff said.

2: Trademarking the phrase “Hakuna Matata” which is totally cultural appropriation.

3: Withholding royalties from the late South African songwriter Solomon Linda for his song “Mbube” which was plagiarized into “The Lion Sleeps Tonight”. He died penniless and his heirs sued a licensing company and Disney for not giving credit to Mr. Linda and for the royalties which they wouldn’t get until 2006.

Then came a 4th reason and this one involves a music video, the most famous Destiny’s Child member, and a lesser-known South African musician of Congolese and Angolan descent.

So, Beyonce came out with the new music video for “Spirit” which is a song for The Lion King remake. It features imagery of a desert and people wearing blue and red traditional African clothing. Wouldn’t it be crazy if the imagery copied a long-form music video that came out last year? Oh…that actually happened.

Petite Noir is the originator in this story. He made a short film/long-form music video for his “La Maison Noir” EP. I’ve checked out his music and it’s really good. I bought his EP on Bandcamp not just because I liked the music video or his music, but to support a real artist who doesn’t steal from others. He even self-directed his own music video. Want to know the subtitle of it? The Gift and the Curse. HAHAHAHA! Get it? Because that Beyonce vanity project…I mean companion soundtrack is called The Lion King: The Gift! Wow, shame on Beyonce, director Jake Nava, and Disney for stealing someone else’s art. I hope Petite Noir lawyers up and sues all those parties involved.

Disney and Nala…I mean, Beyonce are only proving me right even more that this franchise is a legacy built on artistic larceny. First, Japan, then multiple Swahili-speaking countries, and South Africa TWICE now?! They really have no shame.

I really didn’t want to do a post bashing this movie franchise again, but it was deserved.

Now if you excuse me, I’m going to rock out to Petite Noir’s EP at the moment. Dear Beyhive, your so-called goddess isn’t infallible whether she got Mickey Mouse money or not. Disney fans, your favorite company isn’t innocent.

An Apartheid agent confesses to using AIDS and other diseases as genocide against Africans

https://newafricanmagazine.com/cover-story-longread/we-deliberately-spread-hiv-aids-in-south-africa-former-apartheid-era-intelligence-service-officer-confesses/

Humanity can so demonic and this story only strengthens my belief on that matter.

There’s a new documentary called Cold Case Hammarskjold that’s been making the rounds in Sundance and other film festivals. One scene shows a confession from a White South African officer named Alexander Jones (not to be confused with that Infowars dummy) who fessed up that he and others put diseases across South Africa and other parts of the continent.

This is far too sickening and some of these following quotes should disturb you.

“Black people have got no rights, they need medical treatment. There is a white ‘philanthropist’ coming in and saying, ‘You know, I will open up these clinics and I will treat you.’ And meantime [he is] actually the wolf in sheep’s clothing.”

“We were at war. Black people in South Africa were the enemy…”

I’m beyond enraged at hearing this story and anyone with a shred of decency should be furious, too. The Africans have never done that to their European and American counterparts. I’m glad this news is coming out to expose how those diseases really got there in the first place. This depopulation agenda is quite infuriating, but the sad part is I see people even in 2019 that would cheer this devil. They even mention Rhodesia (the country now known as Zimbabwe) which only adds fuel to the fire when those people wanted a White ethnostate in Africa. Keep in mind this is the same former country where Dylann Roof repped the flag of that nation mixed with the Apartheid-era South Africa flag and the Confederate flag in those pictures.

Maybe in addition to wanting an ethnostate with their germ warfare, they would probably want to wipe out a country to let the animals survive and name it Pride Rock. What, did that Disney potshot offend you more than this genocidal campaign? Yes, I’ve been on a bash-fest against that movie, but some things make you wonder…

Seriously, I’m so fed up about the diaspora and people on the African continent being demonized, derogated, and killed just because of their skin color and heritage. I could never in my heart of hearts do the kind of things these colonizers did even on my worst days. It’s been changing my worldview on so many levels and I’m tired of how apathetic or callous people are. I’m not just someone who talks about my music, books, or my reviews, you know. There are important things I care about.

The Old-Timers are back, BABY!

My friends in the Scottish/South African hardcore band The Old-Timers FINALLY released some new music in the form of a 4 song EP. It’s Short Sharp Shift and it’s 4 short songs and the whole EP is a minute and a half long. I’m glad Dave and Don are making music together again. Big props to ZAP Records to releasing this EP! It’s only $1 to buy. Come on, you can’t even get a song for that same amount of money, so support independent music.

ZAP Records Spotlight: Skree Alleen

Hello, everyone!

I’d like to introduce you to South African artist Willem Samuel AKA Skree Alleen. He just dropped a new EP earlier this week called “Artefak” and it’s quite good. It’s certainly no sophomore slump from this artist. Much like Metode en Tegniek, the lyrics are actually in Afrikaans of all things.

Fee free to check it out. It’s only $2 to buy!

ZAP Records Spotlight: Metode en Tegniek

Here’s some more love shown from other musicians who are on ZAP Records, the same label I’m affiliated with.

This is a South African one-man band called Metode en Tegniek.

Their (his?) music is some quirky and incredibly fast folk punk here. All the songs are actually in Afrikaans of all things which is something I’ve never heard in this genre before. I believe fans of Gogol Bordello, AJJ, and Self Proclaimed Narcissist would definitely dig their urgent acoustic music.

Friendship Friday: George Hugo

http://georgehugo.blogspot.com/
https://zaprecords.bandcamp.com/album/zap-009-rainwet-morning

This week’s edition of Friendship Friday involves George Hugo.

He’s a musician from South Africa. I was introduced to him through our mutual friend Dave from The Old-Timers, Their Throats Are Open Tombs, and the founder of ZAP Records. George is a really cool guy that makes some nice folk tunes. He also just told me about his photography on his Blogspot, so I’ll be promoting both links of his. George Hugo’s debut EP Rainwet Morning is available for free or pay-what-you-want on ZAP Records’ Bandcamp page.

-Curtis

Friendship Friday: The Old-Timers

https://theold-timers.bandcamp.com/

I thought I would try something new for the Ospreyshire page. It’s called Friendship Friday where I cross-promote my friends who do creative things such as music, literature, art, film, etc.

For my first #FF project, I’d like to tell you about The Old-Timers. They are a hardcore band based in South Africa and Scotland. I’ve met their lead singer Dave at the final Cornerstone Festival back in 2012 and he was such a legit person. We’ve been talking online ever since and I found out years ago that he was in this band. They’ve been making some great albums and EPs over the past few years. I also want to thank Dave for giving me a platform with my Ospreyshire project after falling out of the music scene for years.

Thank you, The Old-Timers!

-Curtis