Ospreyshire Origins: Pugnam Contra Fures Leonis Pt. II: The Queen Is False and Her Hive Is Deluded

Lyrics:

Such a naughty girl typical in copying imagery
Not from precambrian times, but from 2018
I wouldn’t blame your man or blaming fire
But your employers who were accomplices
It sucks to be you abducting the black house
While you call your vanity project a “gift”
Your daughter must be so proud of you
Your shame ya mobali ya mobali [Lingala for “To the right, to the right”]
Oh wait, you have none
You may be called a queen, but I see a phony
Keep thinking you’re a survivor

[Lingala]
Ozali mokonzi mwasi te
Ozali nkosi te
Ozali Nzambe te!


Welcome to part 2 of my Pugnam Contra Fures Leonis trilogy which is all about one of the biggest pieces of cat burglary, cinematic plagiarism, and cultural appropriation ever! This is actually the most recent example of this ravenous plagiarism. Shout-out to Inskidee for that term!

This song is about Yannick Illunga AKA Petite Noir. He’s a Belgium-born avant-pop musician of Congolese and Angolan descent who is based in Cape Town, South Africa. In 2018, he recorded an EP called La Maison Noir (The Black House) and released a long-form music video containing most of the songs, but adding a narrative and incorporating visuals from African culture. They filmed it straight in the Namib desert which covers his current home country and it’s next door neighbor Namibia. I think you might like this short musical of sorts.

Then one year later…Mickey Mouse happened to have a certain diva as an accomplice…

Image result for petite noir beyonce

LOOK OUT, BEYHIVE! I’M GOING TO BASH YOUR FAKE GODDESS AND THAT OVERRATED MOVIE FRANCHISE!!

Wow, just wow! The Petite Noir video was barely a year old before Disney and the former Destiny’s Child member managed to rip off his music video when the newest iteration of Nala decided to release her video for “Spirit” for the Lion King remake. Here are some images from both videos.

Beyonce

Do you honestly believe that Beyonce, Jake Nava, Jon Favreau, or anyone at Disney didn’t see the Petite Noir video? Do any of you think it’s some little coincidence that both videos would take place in the desert and have traditional African clothing in red and blue? Come on, people. This isn’t like “Mbube” or a certain Osamu Tezuka anime/manga series (we’ll get to that in a certain post!) which both predate the internet. This was from 20-freaking 18. This was stupid and the denial is just facepalm-worthy. JUST OWN UP TO IT! No, just because Beyonce had African musicians on her vanity project of a companion soundtrack doesn’t give her a right to steal from another musician from the continent. Also, notice how that album is called “The Lion King: The Gift” and the Petite Noir’s video is called “La Maison Noir: The Gift and The Curse“. Think about it! Here’s a good link about that plagiarism issue and some of the online reactions.

The song was an experimental acoustic-ish track, but I got to use effects to my mbira to give it an electric sound to it. I was listening to a ton of Konono No. 1 and Kasai Allstars before writing and recording, so that instrumental choice was highly influenced by them using amplified thumb pianos in most of their songs. Besides that, I use Petite Noir references and a bunch of Beyonce references in the lyrics. See if you spot them.

After this piece of thievery, we’re going to get to the big example of this plagiarism marathon. It will be hard not to have some pride in this work and in part 3, all you anime fans are going to love me even though you can guess what the last part will be about. :3

La Maison Noir: The Gift and the Curse is property of Petite Noir and Red Bull Music. The screenshot is from YouTube.

The Beyonce picture is from Timeslive.

The screenshot comparison is from WiseAfri. The La Maison Noir screenshots are property of Petite Noir and The Spirit screenshots are property of Disney.

Ospreyshire Origins: Larceny By Dirigible series

Larceny By Dirigible I Lyrics:

Do You feel shame stealing melodies? (X2)
The spotlight must feel so nice
You can’t see the enlightened leaving you

Its larceny in your backyard (X2)
Don’t act like you’re so confused
You put ignoramuses in a big daze

You live atop a mountain of theft (X2)
I hope endless water floods your realm
You won’t rise anymore

How many years must you get away? (X2)
I guess your fans became a shield
Protecting you from swift justice

Joan Baez
Anne Bredon
Jake Holmes
Bert Jansch
Howlin’ Wolf

Larceny By Dirigible II Lyrics:

Quit complaining that success was the only reason you got caught
You need reality to set you straight, not a whole lotta fantasies
Your excuses are lemons better suited for lemonade to quench your desires
Watch your step on that killing floor, you band of pirates
Keep trying to bring your subterfuge

Willie Dixon
Howlin’ Wolf
Robert Johnson
Albert King
Bobby Parker
Sonny Boy Williamson

Larceny By Dirigible III Lyrics:

There will be no hats off
To the glorified filchers of rock n’ roll
Raking in millions for their laziness
Resting on instrumental talent
Its time to shake this fake originality down to make way
For real innovators
There will be no more pinching and crediting one’s self in this zone
That will never happen
Since people have been lambasting you

Moby Grape
Bert Jansch
Bukka White

Larceny By Dirigible IV Lyrics:

Did it feel good opening for that band?
Did it excite you when you wanted that heavenly acoustic riff?
Did it arouse you to become rock gods from one song?
Did it please you when their leader drowned saving his son?
Did it heal your soul that the plaintiffs didn’t match your bank accounts?
Did you smile even when that constellation called you on your stolen bull?

Jay Ferguson
Mark Andes
John Locke
Ed Cassidy
Randy California
SPIRIT!!!

Larceny By Dirigible V Lyrics:

You think crediting someone’s mom was good enough?
How pathetic
It shows how much you don’t care
You’re too busy making custard with blues legends’ works
Heads are hurting from your ill-gotten success
Yet the masses continue praising
You when it was undeserved on so many levels

Sleepy John Estes
Bukka White
Blind Boy Fuller
Ritchie Valens

Oh, so now you want to start acknowledging others?


I’m going to tick off some people with this Ospreyshire Origins post especially with classic rock fans and potentially those who are older than me. What annoys me is when people from older generations crap on newer music today by saying it’s all garbage or it steals from others who came before. To be just, a lot of modern mainstream music is trash in my opinion, so I do have some agreements over there in that regard. As far as stealing other people’s music, yes, it does happen and I do talk about it in later songs on Dear Innovare. If I do hear that in real life especially about ripping off people’s music, then I have the right question to ask them.

“Do you listen to Led Zeppelin?”

Image result for led zeppelin

For starters, I was never a fan of their music. It was roughly ten years ago when some musician friends of mine told me that Led Zeppelin had a career full of plagiarizing other people’s music. I thought it was crazy until I listened to some examples which were mind-blowing. There’s one specific one that involves the band picture I used for this post which I’ll describe later on.

Led Zeppelin fans annoy me with how much in denial they are about this mega-selling influential classic rock band ripped off a good portion of their discography from blues artists, folk singers, and other rock bands. In each installment of Larceny By Dirigible, I explicitly name each singer and songwriter Led Zeppelin stole from their albums. The fact I number them in roman numerals is a parody of LZ’s discography and the songs from each album. Here’s a list of songs that were stolen. Funny enough, Led Zeppelin actually LOST against some of those singers in court like Jake Holmes (the real writer of “Dazed and Confused”), Anne Bredon and Joan Baez (“Babe, I’m Gonna Leave You”), and Willie Dixon (“You Need Love”) just to name a few. I hate how Zeppelin fans are saying “Yeah, but they did it better.” That excuses nothing and I know they wouldn’t say that if the situations were reversed. Led Zeppelin would be NOTHING without the several musicians they stole from. I believe it was Howard Stern who called them “The World’s Greatest Cover Band” which I find to be hilarious because there’s truth to it. With those blues musicians, one could make a case that they were guilty of cultural appropriation since them and several other classic rock bands probably think that stealing from black people is alright if the rock stars who steal them are white, but that’s nothing new in history.

From a musical standpoint, it was fun recording and writing since it involved some of the most folksy and bluesy songs I’ve ever written under the Ospreyshire moniker. I wanted the recording to be simple without that many effects even when I busted out the Omnichord in one of the songs. I also had to practice my ukulele lead work to give that acoustic rock and blues vibe for most of the tracks. This was my way of homaging the original artists without coming across as an anachronism even though the Larceny By Dirigible songs are WAY more straightforward compared to most Ospreyshire tracks on this and previous works.

If there was an example of something that really got my gears grinding, it involves the topic of Larceny By Dirigible IV. That was the angriest song of the bunch despite being a mostly acoustic ballad with some subtle keyboards in the background. The song in question is “Taurus” by the band Spirit. My jaw dropped when I heard that guitar riff and I thought “OH MY GOD! ZEPPELIN STOLE THIS TO MAKE STAIRWAY TO HEAVEN!”. This was the musical equivalent of watching a certain Osamu Tezuka anime and realizing that a certain American animation company shamelessly stole from it (you should know what I’m talking about at this point). Zeppelin even opened up for Spirit for some of their first American tours, so they totally knew that song. Seriously, check out this video and tell me no one from that famous band stole from Spirit.

This was maddening and I’m sick of people defending that band even when they lost some of their lawsuits. At the time of this post, Randy California’s (from Spirit) family is appealing the plagiarism lawsuit against Led Zeppelin. His story is so tragic and I referenced part of it in IV. Randy California just waned his band to get credit for “Stairway to Heaven”, but Led Zeppelin refused. Not only that, but he died saving his son from drowning in the ocean after that. Randy California and Spirit didn’t deserve this.

Wouldn’t it also be funny if one of the members admitted to stealing? Oh, wait…

Seriously, shame on this overrated band of thieves and especially that pedophile Jimmy Page. How is it that R. Kelly is locked up and not him for sleeping with minors?

The image of Spirit is from Ultimate Classic Rock.

The image of Led Zeppelin is from Variety.

Disney and Beyonce need to stop giving me carte blanche to rant about that stupid rip-off movie franchise and how they rip off stuff again (or CAN YOU FEEL THE HEIST TONIIIIIGHT?)

I’m sorry. I seriously didn’t expect to make a rant involving the best-selling piece of plagiarism in movie history. Okay, I did get a smile on my face how that remake has been getting negative reviews, but I still get frustrated with their fans defending the indefensible.

However, recent situations and discoveries are only proving me right more and more!

Let’s recap on what The Lion King has stolen thus far:

1: Kimba the White Lion. ‘Nuff said.

2: Trademarking the phrase “Hakuna Matata” which is totally cultural appropriation.

3: Withholding royalties from the late South African songwriter Solomon Linda for his song “Mbube” which was plagiarized into “The Lion Sleeps Tonight”. He died penniless and his heirs sued a licensing company and Disney for not giving credit to Mr. Linda and for the royalties which they wouldn’t get until 2006.

Then came a 4th reason and this one involves a music video, the most famous Destiny’s Child member, and a lesser-known South African musician of Congolese and Angolan descent.

So, Beyonce came out with the new music video for “Spirit” which is a song for The Lion King remake. It features imagery of a desert and people wearing blue and red traditional African clothing. Wouldn’t it be crazy if the imagery copied a long-form music video that came out last year? Oh…that actually happened.

Petite Noir is the originator in this story. He made a short film/long-form music video for his “La Maison Noir” EP. I’ve checked out his music and it’s really good. I bought his EP on Bandcamp not just because I liked the music video or his music, but to support a real artist who doesn’t steal from others. He even self-directed his own music video. Want to know the subtitle of it? The Gift and the Curse. HAHAHAHA! Get it? Because that Beyonce vanity project…I mean companion soundtrack is called The Lion King: The Gift! Wow, shame on Beyonce, director Jake Nava, and Disney for stealing someone else’s art. I hope Petite Noir lawyers up and sues all those parties involved.

Disney and Nala…I mean, Beyonce are only proving me right even more that this franchise is a legacy built on artistic larceny. First, Japan, then multiple Swahili-speaking countries, and South Africa TWICE now?! They really have no shame.

I really didn’t want to do a post bashing this movie franchise again, but it was deserved.

Now if you excuse me, I’m going to rock out to Petite Noir’s EP at the moment. Dear Beyhive, your so-called goddess isn’t infallible whether she got Mickey Mouse money or not. Disney fans, your favorite company isn’t innocent.