Ospreyshire Origins: Jo Anderson and The Reaper

Lyrics:

I would never meet my captor’s grandson, but I can only thank him from the beyond as he put my name on the record
Shame on this country for not realizing my brainpower and physical endurance
Robert, Cyrus, you know it’s true
The reaper wouldn’t exist without me
I guess people like me are used to doing all the heavy lifting
1834 saw the birth of this new tool
However, the McCormick’s names were on it
Cyrus II, you did what you could to make things right
I may have been a slave, but I was still an inventor


I’m from the smaller cities and from suburbs, so I don’t have an appreciation for agriculture as much as I should. This has certainly have been changing doing all this research for Dear Innovare. This also goes into my portfolio of “things you didn’t know were invented by African-Americans” that I only knew about fairly recently. Jo Anderson was a slave who invented the reaper which was used to get crops easier and faster. Unfortunately, he could patent because…oh you all should know the reason why after checking out some of my previous installments of Ospreyshire Origins.

File:Robert Hall McCormick.jpg
File:Cyrus McCormick engraving.png

This is Robert and his son Cyrus McCormick respectively. These slavers stole Jo Anderson’s idea and took it as their own for the McCormick business. Even though they are originally from Virginia, they eventually moved to Chicago. What I didn’t realize until recently, they were one of the most powerful families in the Windy City. Have you ever heard of the McCormick Place in Chicago? The same place with the Chicago Auto Show, major conventions, and is the largest convention center in the entire North American continent? Yeah, it’s named after this family! Just think about that when you think about that foundation. I’m glad Cyrus II eventually credited Jo, but the real inventor of the reaper deserved far better.

The image of Jo Anderson is from Mysterious Chicago Tours.

The image of Robert McCormick is from Wikipedia.

The Image of Cyrus McCormick is from Wikipedia.

Ospreyshire Origins: The Tulsa Strike Back Groove

Lyrics:

This is WOSPR Speaking

Foreign shores wanted more in store for stealing funky scores

Saturday night brought the fight to ignite to prevent the plight as we regained our rights

No matter if its Brooklyn, Echo Park, or Tulsa, Oklahoma. We’ll get our song back and clear your pop-coated aroma

The oil capital’s gonna get ya uptown, downtown, any town

Everybody sing like the Originator told ya: We gonna strike back with this groove!


To all of you that like old-school funk, I salute you!

I had a funk phase last year by listening to bands like Cameo, Parliament-Funkadelic, Sly and the Family Stone to name a few. One band that I checked out as well was The GAP Band. I heard a few of their songs thanks to my mom when I was younger and she did like their music. On one day last year, I listened to their song “I Don’t Think You Want to Get Up and Dance” as part of a YouTube playlist. I had to reattach my jaw literally during the first few seconds of the song. Let’s see if you’ll be able to figure out why. Here’s the radio edit version, but the point will still stand.

“Oops upside your head, say oops upside your head…”

The way they say that line must have been replicated by some multi-instrumentalist and a singer who has a habit of retreading older R&B and funk sounds. Hmm…who could they be?

Image result for mark ronson

Image result for bruno mars

I’m sure a good portion of you only recognize the second picture. Here, let me make things a lot clearer with one of the biggest songs of the 10s that both were famous for performing…

“Oops upside your head say oops upside your head…Uptown funk you up, say uptown funk you up…”

Don’t lie, that’s what you were all thinking when you heard the song from The GAP Band. I can’t lie to you, I used to really like “Uptown Funk” as it was one of the few pop songs I thought was actually listenable. Okay, even then I didn’t think it was as good as other funk songs I heard, but at least it sounded different than the typical pop garbage. That must be the case because it sounds like The GAP Band! Those Tulsa funkers managed to sue Mark Ronson and Bruno Mars for stealing their original song. The result, The GAP Band and their co-writers got writing credit and partial royalties of “Uptown Funk”. Did you know that including the updated writing credits, that means “Uptown Funk” had a whopping total of ELEVEN writers after the lawsuit! I can’t make this up. So, Ronson and Mars can credit Trinidad James right away for referencing his “Don’t believe me just watch” lyric from “All Gold Everything”, but not the band that had been making music since both of them were even born? Wow, just wow, guys…

Here’s some musical trivia for The Tulsa Strike Back Groove. I freestyled half of the spoken word elements that aren’t mentioned in the lyrics while referencing Charlie Wilson’s dialogue in their song. I also parody lyrics from “Uptown Funk”. See if you can spot them. Also, Charlie Wilson from The GAP Band is cousins to another famous funk musician…Bootsy Collins!

The picture of The GAP Band is from The Mississippi Link.

The picture of Mark Ronson is from PopCrush.

The picture of Bruno Mars is from Billboard.

Ospreyshire Origins: I, Axum

Lyrics:

Were the invaders fascinated by my beauty?
I stood tall in this living city
My creators took care of me every step of the way
Its a shame they never foretold of my destruction and abduction
While my homeland was never colonized, I was taken defiled, and cloned
I’m disgusted by my inferior leaning tall north of me
My people…rescue and reconstruct me
The world must know I exist
May the originator give me renown despite my obscure state


I got something for the architects and for those that respect African culture. This is going to be something I guarantee you never learned about in school.

This is the Obelisk of Axum in the Ethiopian town of the same name. This tower has been around in one of the oldest nation’s in the world since the 4th century AD. For centuries, this obelisk has been in the Horn of Africa, but unfortunately it became damaged and stolen. Even though Ethiopia is the only country in Africa never to have been colonized, Italy tried to claim that nation through warfare after they got Eritrea no thanks to the Berlin conference.

I didn’t know about this obelisk until I watched the documentary Unjust Perceptions: Ethiopia where they go to a museum and see a picture of it. Think about what I said about Ethiopia and Italy. Phil (the American who’s visiting Ethiopia) looks at the picture and the first thing he says is “That looks like the Leaning Tower of Pisa.” and the tour guide gives him a lesson…

Image result for leaning tower of pisa

Long story short:  Italy stole a bunch of things including the design of the Obelisk of Axum. The Ethiopian government did their best for years to sue the Italian government to get their culture back and they eventually got the parts of the Obelisk to bring it back home and they’re reconstructing it as we speak. This was jaw-dropping for me and I never realized how that famous building ripped off something from Africa. In the song, I speak in a feminine voice and I use metaphors of the colonizers raping and assaulting the original culture to drive the point home as uncomfortable as it is. The percussion is even based on Ethiopian and Eritrean drum patterns that I’ve noticed in both traditional and pop music from that part of the world. Much like my Art Theft pieces, this is just a sickening display of colonization even though Italy didn’t take over the Abyssinian nation.

Just think twice whenever you see that tower.

The picture of the Obelisk of Axum is from International Travel News.

The picture of the Leaning Tower of Pisa is from Britannica.

Unjust Perceptions: Ethiopia is property of African Diaspora News Channel.

Ospreyshire Origins: One True Mayor

Lyrics:

Our island was the only one of its kind until you copycatted our geography
I am the mayor, yet you made a clone with a big head just like me
You think you made some edible paradise, but everyone is bloated and sick of your world

I thought you’d credit us for our existence
That certainly wasn’t the case
I’m not the Originator, but I’m the one true mayor
And I’ll put your million dollar fraud in its place

My island’s filled with puppets, but there’s no strings attached
With our living justice
I’ve dealt with witches and I’m going to deal with you and your high-calorie junk food of a haven

Your land wouldn’t exist without mine, but at least our island is healthy and theft-free


Researching things is super fun for me.

When I was researching several forms of art, movie, and TV plagiarism, I happened to stumble upon this puppet show that I had never heard of or seen in my life. This was the 1969 show H. R. Pufnstuf. The title character is the mayor of a place called the Living Island which has all these anthropomorphic animals, plants, and objects all around. I saw some clips and it certainly was a bit wacky and had some 60s cheese, but the puppetry and costumes were interesting. What I didn’t realize was that the H. R. Pufnstuf character was a victim of plagiarism.

One could say it was a certain Hamburglar who kidnapped this big head puppet mayor with a cartoonish Southern drawl, spliced his DNA and crafted a big head mayor of their own.

Yes, there was some McThievery [patent pending] going on.

McDonald’s created their own series called McDonald land which some of you might be familiar with Ronald McDonald, Grimace, and an assortment of other characters to hype up their Happy Meals. There was a character Mayor McCheese who was the mayor of McDonaldland who had a giant cheeseburger for a head. Sid and Marty Krofft (the creators of H. R. Pufnstuff) took the fast food chain to court and actually WON their case! This was mind-blowing that they won against a giant corporation. Not only were the two mayors considered similar, but both environments. The court noticed that both the Living Island and McDonaldland are fictional places with several anthropomorphic characters, talking tree forests, a pond, castle, enforcer keystone cops as right-hand characters to the mayors, and similar villains to name a few. Here’s more information on that matter.

I never knew about this, but I’m often sympathetic to those who were ripped off, so I just had to make a song about this. I even busted out my Peruvian panflute which is an Ospreyshire first. Yes, I did my best to imitate some of Pufnstuf’s vocal inflections even though that wasn’t the only song where I talked in a Southern accent though. One of my favorite things I did was add distortion to one of the ukulele tracks where it sounded like a psychedelic guitar solo which was awesome and I loved how it turned out.

Fun fact: H. R. Pufnstuf’s voice actor was the late Lennie Weinrib. He’s played Gomez Addams in the 1973 animated version of The Addams Family, King Leonidas in Bedknobs and Broomsticks, Grimace in McDonaldland (yes, the irony is strong), and to all you anime fans out there he did the dub voice of both Hunk and Prince Lotor in Voltron.

The splitscreen picture is from Wikipedia and is property of McDonalds and the Krofft Brothers.

Ospreyshire Origins: Annie Minerva Turnbo Malone

Lyrics:
Madame CJ Walker, you weren’t the first lady of that honor
You were a former client of her
From Metropolis, Illinois to St. Louis, then to the Second City was the first beauty expert of her time
Hair, face, hands
All became better with Malone’s expertise for those with melanin
She built a college just for cosmetology
Despite $14 million in her prime, you stole those formulas
Women of all colors benefited from the Poro Brand
CJ…or is it Sarah?
You’d be nothing without Annie
She lost her business, but she won’t be lost in history anymore

No woman can be attractive
Without a beautiful complexion and an innovative mind


That’s right, everyone. Madame CJ Walker was NOT the first African-American female millionaire!

The first was none other than Annie Malone hailing from the tiny Southern Illinois town of Metropolis. She was an entrepreneur who started her own beauty and personal care business with the Poro company. Malone made so many products for different uses and she eventually opened her own cosmetology which also made her the first black owner and founder of a beauty school in America. She was charitable, opened a community center for the youth, and helped out her neighborhoods when she lived in Chicago. Unfortunately, Walker literally stole Poro formulas and made her own business, became rich, and more popular than Malone which is so tragic. I doubt they’re going to talk about that in that upcoming CJ Walker movie with Octavia Spencer.

Annie, even though I could care less about the beauty industry (the fact I have a Y chromosome is certainly the biggest reason why), but I respect you for doing for self and for giving back to the community. You deserved so much better.

I would like to give major props to Kreb for introducing me to this beauty pioneer on one of his blog posts. Dude, you’re great and I learned a ton from this post and others from you.

Fun fact about her birthplace: Metropolis is the only town of that namesake in America and it became the “official” hometown of the Superman character. There’s a museum of Superman in that town and the real life Metropolis, IL was even featured in a comic issue where Supes actually has to save it from danger. Also, this would make me second only to Sufjan Stevens who namedropped that town in a song. Hahaha!

The picture of Annie Malone is from The Freeman Institute.

Ospreyshire Origins: About A Benjamin III: Boardley, not Bradley

Lyrics:
I didn’t care anymore how my last name was spelled after my time on earth
Just know that I was an innovator people haven’t heard of
My family and I were in bondage in the Old Line State
Whenever I could, I’d learn from the children of my captors
That education would come to use
Printer offices and the Naval Academy would see my intellect
Too bad my captors got most of my pay
My greatest achievement involved gun barrels, pewter, steel, and random junk
With this mechanical trash came the first steam engine
My patent was denied even when my brainchild bought my family’s freedom
Don’t deny my innovations

By the way, steampunks. You’re ever so welcome.


This concludes my About A Benjamin trilogy on my Dear Innovare album. This final entry involves Benjamin Bradley. Excuse me…Benjamin Boardley. I will address him as such because his name was misspelled on the various texts and history books, so I want to get his name right. Mr. Boardley over here was a former slave from Maryland who would eventually help in that state’s naval academy while inventing things. His biggest invention was the steam engine. That was a MASSIVE innovation at the time which made so many vehicles and machinery more powerful for decades until petroleum would take over. Think about it, so many inventions spun out of just one engine that he created. Much like other tracks, he wasn’t allowed to patent his innovative engine due to the color of his skin (while others tried to steal his invention in the process), but he was able to use the sales of his engine to buy the rest of the Boardleys away from slavery which is very admirable. Benjamin Boardley is a man worth respecting.

That last line of the track is totally a dig against that subculture. How ironic that so many stories utilizing that aesthetic involve a majority or totally of white characters, but their environments were built around the inventions of a black man. Let that sink in, people. Know your roots even when it comes to fiction.

The picture of Benjamin Boardley (not Bradley) is from Recovery Team.

Ospreyshire Origins: Larceny By Dirigible series

Larceny By Dirigible I Lyrics:

Do You feel shame stealing melodies? (X2)
The spotlight must feel so nice
You can’t see the enlightened leaving you

Its larceny in your backyard (X2)
Don’t act like you’re so confused
You put ignoramuses in a big daze

You live atop a mountain of theft (X2)
I hope endless water floods your realm
You won’t rise anymore

How many years must you get away? (X2)
I guess your fans became a shield
Protecting you from swift justice

Joan Baez
Anne Bredon
Jake Holmes
Bert Jansch
Howlin’ Wolf

Larceny By Dirigible II Lyrics:

Quit complaining that success was the only reason you got caught
You need reality to set you straight, not a whole lotta fantasies
Your excuses are lemons better suited for lemonade to quench your desires
Watch your step on that killing floor, you band of pirates
Keep trying to bring your subterfuge

Willie Dixon
Howlin’ Wolf
Robert Johnson
Albert King
Bobby Parker
Sonny Boy Williamson

Larceny By Dirigible III Lyrics:

There will be no hats off
To the glorified filchers of rock n’ roll
Raking in millions for their laziness
Resting on instrumental talent
Its time to shake this fake originality down to make way
For real innovators
There will be no more pinching and crediting one’s self in this zone
That will never happen
Since people have been lambasting you

Moby Grape
Bert Jansch
Bukka White

Larceny By Dirigible IV Lyrics:

Did it feel good opening for that band?
Did it excite you when you wanted that heavenly acoustic riff?
Did it arouse you to become rock gods from one song?
Did it please you when their leader drowned saving his son?
Did it heal your soul that the plaintiffs didn’t match your bank accounts?
Did you smile even when that constellation called you on your stolen bull?

Jay Ferguson
Mark Andes
John Locke
Ed Cassidy
Randy California
SPIRIT!!!

Larceny By Dirigible V Lyrics:

You think crediting someone’s mom was good enough?
How pathetic
It shows how much you don’t care
You’re too busy making custard with blues legends’ works
Heads are hurting from your ill-gotten success
Yet the masses continue praising
You when it was undeserved on so many levels

Sleepy John Estes
Bukka White
Blind Boy Fuller
Ritchie Valens

Oh, so now you want to start acknowledging others?


I’m going to tick off some people with this Ospreyshire Origins post especially with classic rock fans and potentially those who are older than me. What annoys me is when people from older generations crap on newer music today by saying it’s all garbage or it steals from others who came before. To be just, a lot of modern mainstream music is trash in my opinion, so I do have some agreements over there in that regard. As far as stealing other people’s music, yes, it does happen and I do talk about it in later songs on Dear Innovare. If I do hear that in real life especially about ripping off people’s music, then I have the right question to ask them.

“Do you listen to Led Zeppelin?”

Image result for led zeppelin

For starters, I was never a fan of their music. It was roughly ten years ago when some musician friends of mine told me that Led Zeppelin had a career full of plagiarizing other people’s music. I thought it was crazy until I listened to some examples which were mind-blowing. There’s one specific one that involves the band picture I used for this post which I’ll describe later on.

Led Zeppelin fans annoy me with how much in denial they are about this mega-selling influential classic rock band ripped off a good portion of their discography from blues artists, folk singers, and other rock bands. In each installment of Larceny By Dirigible, I explicitly name each singer and songwriter Led Zeppelin stole from their albums. The fact I number them in roman numerals is a parody of LZ’s discography and the songs from each album. Here’s a list of songs that were stolen. Funny enough, Led Zeppelin actually LOST against some of those singers in court like Jake Holmes (the real writer of “Dazed and Confused”), Anne Bredon and Joan Baez (“Babe, I’m Gonna Leave You”), and Willie Dixon (“You Need Love”) just to name a few. I hate how Zeppelin fans are saying “Yeah, but they did it better.” That excuses nothing and I know they wouldn’t say that if the situations were reversed. Led Zeppelin would be NOTHING without the several musicians they stole from. I believe it was Howard Stern who called them “The World’s Greatest Cover Band” which I find to be hilarious because there’s truth to it. With those blues musicians, one could make a case that they were guilty of cultural appropriation since them and several other classic rock bands probably think that stealing from black people is alright if the rock stars who steal them are white, but that’s nothing new in history.

From a musical standpoint, it was fun recording and writing since it involved some of the most folksy and bluesy songs I’ve ever written under the Ospreyshire moniker. I wanted the recording to be simple without that many effects even when I busted out the Omnichord in one of the songs. I also had to practice my ukulele lead work to give that acoustic rock and blues vibe for most of the tracks. This was my way of homaging the original artists without coming across as an anachronism even though the Larceny By Dirigible songs are WAY more straightforward compared to most Ospreyshire tracks on this and previous works.

If there was an example of something that really got my gears grinding, it involves the topic of Larceny By Dirigible IV. That was the angriest song of the bunch despite being a mostly acoustic ballad with some subtle keyboards in the background. The song in question is “Taurus” by the band Spirit. My jaw dropped when I heard that guitar riff and I thought “OH MY GOD! ZEPPELIN STOLE THIS TO MAKE STAIRWAY TO HEAVEN!”. This was the musical equivalent of watching a certain Osamu Tezuka anime and realizing that a certain American animation company shamelessly stole from it (you should know what I’m talking about at this point). Zeppelin even opened up for Spirit for some of their first American tours, so they totally knew that song. Seriously, check out this video and tell me no one from that famous band stole from Spirit.

This was maddening and I’m sick of people defending that band even when they lost some of their lawsuits. At the time of this post, Randy California’s (from Spirit) family is appealing the plagiarism lawsuit against Led Zeppelin. His story is so tragic and I referenced part of it in IV. Randy California just waned his band to get credit for “Stairway to Heaven”, but Led Zeppelin refused. Not only that, but he died saving his son from drowning in the ocean after that. Randy California and Spirit didn’t deserve this.

Wouldn’t it also be funny if one of the members admitted to stealing? Oh, wait…

Seriously, shame on this overrated band of thieves and especially that pedophile Jimmy Page. How is it that R. Kelly is locked up and not him for sleeping with minors?

The image of Spirit is from Ultimate Classic Rock.

The image of Led Zeppelin is from Variety.

Ospreyshire Origins: Scraping for Blanched Crops

Lyrics:

There was always a lie
That someone of my complexion never invented anything
They surely never met me
I was known only as Ned
I created the cotton scraper
Much like how my master took humans like me, he took my invention
So, Stewart. How did you come up with my scraper again?
Even the patent office rejected you again and again
You’re so typical in your laziness
When I cried, sweated, and bled more than you could imagine


This would certainly count for a good portion of the previous tracks on Dear Innovare, but this is still a good way to honor an unknown inventor to kick off Black History Month!

Even though he would only be known by the name “Ned”, I’m still going to give him credit and recognition when most people won’t. Ned was a slave who invented a cotton scraper. Think about it, cotton was king in the south which made the plantation owners multi-millionaires. Too bad their lazy butts couldn’t innovate let alone work on their own, so guess who had to do everything and not get the credit? His captor Stewart literally stole Ned’s idea and tried to patent it himself. This was during the time where black people couldn’t patent anything legally in America (expect this to be a common motif), but Stewart couldn’t prove that he invented this money-making machine. Shame how much money was denied for Ned who was the REAL inventor of that agricultural device.

Here’s a fun fact about recording: I actually used a fork to scrape against a vent for the acousmatics.

Ospreyshire Origins: About A Benjamin II: Montgomery

benjaminmontgomery01

Lyrics:

Born into chains and auction blocks
I was under the eyes of the Davis family
I vowed not to be chattel and kept myself learned
Those steamboats in the South enraptured me
Yet they could only do so much
One bad turn and a famine or shortage can occur
No need to steer people wrong and I would figure the right angles for this problem

Enter the propeller! (X4)

My design made these steamboats faster, more efficient, and had better navigation
Shame how my patent was denied (X4)

My former captors including the president of the South tried and failed to credit themselves for what I made
I dreamed of more despite my heartbreak

Isaiah, the rest is up to you.


On Wednesday, I gave a crash course on my Art Theft tracks, but today we’re going to focus on my About A Benjamin series on Dear Innovare. Part II involves the inventor Benjamin Montgomery. His biggest claim as an inventor is creating the steam-powered propeller. Sure, we don’t hear about that propeller that much in 2020, but this was an archetype for controlling boats. Back in his day, he was in the South, so you had all these steamboats around, but they didn’t have any control as they do now when it comes to aquatic transportation. These boats would ship medicine, food, clothes, and other important things. One wrong move, and people will lose major business at best…or die from sickness or famine at worst. Montgomery grew up as a slave, but he was able to make this propeller which causes the boats to actually steer and maneuver in different ways. However, when he made the propeller, it was around the time when black people legally couldn’t patent anything and white people would steal the patents and get all the credit.

This is part of American history, warts and all!

Montgomery’s captors and patent thieves were the Davis family which also involved Jefferson Davis. Yes, the same person who was the president of the freaking Confederacy tried to steal his invention! I’m sick of this thievery and this notion that black people can’t invent anything which sadly people still think about that fallacy even today. Show them this fact and call it a day.

The image of Benjamin Montgomery is from Black Inventor Online Museum.

Ospreyshire Origins: Art Theft series (Benin, Nigeria, Senegal)

2000px-Flag_of_Benin.svg

Benin Lyrics:

[Yoruba]

O ti ja aworan wa
Mase paro ki o so pe o se awon ohun-oso wonti
Awon ile iso re je awon ewon
Je ki a je ki eyi se alaye si o

[French]

Rends-nous notre art maintenant!

Image result for nigerian flag

Nigeria Lyrics:

[Igbo]

I bu ihe nleda anya

[Yoruba]

Nitori ti o ji wa aworan

[Hausa]

Bidajen kayan tarihin ku ya sa aka kama su. I ghotara?

You better return what’s ours!

Image result for senegal flag

Senegal Lyrics:

[Wolof]

Luy sa tiis?
Am nga tere xewoonu Afrig?
Yeena ngi saacee yi

[French]

Comprends maintenant?
Vous ne possedez pas notre histoire!


Here’s a triple header for the Art Theft series! These were challenging songs to write lyrics and Art Theft: Benin was actually an Ospreyshire first for me. That was the first poem I wrote that contained absolutely no English words in it! The Senegal one was even tougher because I really had to work on my Wolof since you can’t use Google Translate or any easy online sources for example. Fortunately, I bought a book on a whim that has words and phrases in Senegal’s native language.

These three countries among others in Africa are quite ticked and rightfully so. Their art, crafts, and artifacts have been looted by Europe. They’re held in museums in that continent and these African nations are suing these countries to get their stuff back. To add insult to injury, some of these nations are giving things back…as LOANED items. No, I don’t want to see loans whether temporary or permanent. You stole them, so you give them back to these nations! I really hope these nations get full returns on their art.

Here are some videos from Dr. Mumbi about the matter:

Even Dr. Y. had some choice articles about this situation:

Europe’s Largest Museums to “Loan” Looted Benin (Nigerian) Artifacts back to Nigeria

Bronze Cockerel from Benin Kingdom to be returned to Nigeria

France urged to change heritage law and return looted art to Africa

Wouldn’t it also be crazy if this situation was featured in a mainstream movie even though a character is portrayed as the bad guy for wanting the artifacts back? Oh, wait… Side note: Notice how Benin is mentioned in this clip.

Say what you will about Killmonger, but he was absolutely right about his questions involving the curator’s “ancestors” and that’s historical fact even though Wakanda doesn’t exist.

Here’s another random fact: I’m also part Beninese and I have a tiny bit of Senegalese in my DNA from my mom’s side. #ForTheCulture

The Beninese flag is from Wikipedia.

The Nigerian flag image is from Wikipedia.

The Senegalese flag image is from Wikipedia.

All videos from the Dr. Mumbi show are from Dr. Mumbi’s YouTube channel.

The museum scene is from Black Panther and is property of Marvel Studios.