Ospreyshire Origins: Cameroonian Originality March

Lyrics:

Attention!

[French]
Nous avons des vautours de la culture a venir!
Notre musique est attaquee!
Marche en avant!
Oui, monsieur!

Barnwell, Baranquilla, Gary, Portsmouth
We’re coming for all of you
Your status as godfathers, hip shakers, kings, and misdemeanors
Have nothing on us
We’ll keep marching on (X2)

[French]
Nous devon securiser le berceau de nos ancetres (de nos ancetres) [X4]

What do we want? (Our original tunes!)
When do we want them? (Right now!)
(X4)


Before I get to talking about this song and what inspired me, I would like to give major props to my Cameroonian blogger friend Dr. Y from Afrolegends. He’s been awesome in making high quality posts for over a decade about African history, culture, news, trivia, proverbs, and then some. Dr. Y was able to educate me about some of the musicians from his home country and even gave me some nuggets about plagiarism cases involving their musicians.

Not going to lie, Cameroon has some great artists. I got into Mr. Leo’s music last year, been listening to some Salatiel (I knew who he was before he was a part of THAT companion soundtrack), and more recently Tim & Foty who are part of the topic of this song. I also wanted the song to have a balance between French and English lyrics to represent unity in that country given some of the issues going on with those communities based on those languages. There have been four high profile songs straight out of this Central African nation. Prepare your ears because some of these songs are going to sound familiar to you.

Exhibit A: “Zamina mina (ZangalĂ©wa)” by Golden Sounds

Exhibit B: “Soul Makossa” by Manu Dibango

Exhibit C: “Hot Koki” by Andre-Marie Tala

Exhibit D: “Douala by Night” by JM Tim and Foty

Doesn’t Cameroon have a lively music scene? Did you also think some of those songs sounded familiar? It would certainly be a shame if a Colombian and some Americans were to steal them.

Yes, that happened and I’m going to correlate each rip-off song to their respective originals.

Shakira stole from Golden Sounds:

Michael Jackson stole from Manu Dipango:

James Brown stole from Andre-Marie Tala:

Missy Elliott, Method Man and Redman stole from Tim & Foty:

All of this came from one country. Some of your favorite artists are musical robbers, so deal with it. This blew my mind and I have Dr. Y to thank when it came to the Shakira and James Brown issues before discovering the rest on my own. Unbelievable, and Cameroon deserves so much better and not just because of some of their current issues right now.

Besides that, I wanted that marching vibe like the “Zangelewa” song, but completely different chords and instrumentation with the Omnichord with hand percussion. This is homage and at least I acknowledge MY inspirations.

The Cameroonian flag picture is from Flags of the World.

Ospreyshire Origins: Jo Anderson and The Reaper

Lyrics:

I would never meet my captor’s grandson, but I can only thank him from the beyond as he put my name on the record
Shame on this country for not realizing my brainpower and physical endurance
Robert, Cyrus, you know it’s true
The reaper wouldn’t exist without me
I guess people like me are used to doing all the heavy lifting
1834 saw the birth of this new tool
However, the McCormick’s names were on it
Cyrus II, you did what you could to make things right
I may have been a slave, but I was still an inventor


I’m from the smaller cities and from suburbs, so I don’t have an appreciation for agriculture as much as I should. This has certainly have been changing doing all this research for Dear Innovare. This also goes into my portfolio of “things you didn’t know were invented by African-Americans” that I only knew about fairly recently. Jo Anderson was a slave who invented the reaper which was used to get crops easier and faster. Unfortunately, he could patent because…oh you all should know the reason why after checking out some of my previous installments of Ospreyshire Origins.

File:Robert Hall McCormick.jpg
File:Cyrus McCormick engraving.png

This is Robert and his son Cyrus McCormick respectively. These slavers stole Jo Anderson’s idea and took it as their own for the McCormick business. Even though they are originally from Virginia, they eventually moved to Chicago. What I didn’t realize until recently, they were one of the most powerful families in the Windy City. Have you ever heard of the McCormick Place in Chicago? The same place with the Chicago Auto Show, major conventions, and is the largest convention center in the entire North American continent? Yeah, it’s named after this family! Just think about that when you think about that foundation. I’m glad Cyrus II eventually credited Jo, but the real inventor of the reaper deserved far better.

The image of Jo Anderson is from Mysterious Chicago Tours.

The image of Robert McCormick is from Wikipedia.

The Image of Cyrus McCormick is from Wikipedia.